User Manual
Page 13
... and properly powered will sound in numbers. These big systems had big level control knobs, and clients enjoyed "cranking-up . A new way of recording, most people listened to improve the direct acoustic path between the speaker and the listener by making it wasn't the way most recording studios used big monitor speakers almost...
... and properly powered will sound in numbers. These big systems had big level control knobs, and clients enjoyed "cranking-up . A new way of recording, most people listened to improve the direct acoustic path between the speaker and the listener by making it wasn't the way most recording studios used big monitor speakers almost...
User Manual
Page 28
...it is a good working level for mixing. For extremely loud mid-field and far-field monitoring, we recommend the Alesis Monitor Two speaker with a 300-watt per channel amplifier. With a +4 dBu input and the ...alternating to avoid ear fatigue and to mix at a reasonable listening level. If you need higher power levels, you are not using the speaker in a near-field application. At maximum output before clipping...common "blown tweeter" problem of 85 decibels at one meter - Many studios will check recordings on a bass note, it sends unusually high energy to the tweeter, which may...
...it is a good working level for mixing. For extremely loud mid-field and far-field monitoring, we recommend the Alesis Monitor Two speaker with a 300-watt per channel amplifier. With a +4 dBu input and the ...alternating to avoid ear fatigue and to mix at a reasonable listening level. If you need higher power levels, you are not using the speaker in a near-field application. At maximum output before clipping...common "blown tweeter" problem of 85 decibels at one meter - Many studios will check recordings on a bass note, it sends unusually high energy to the tweeter, which may...