Owner's Manual
Page 1
...OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 8•BUS OWNER'S MANUAL PHANTOM POWER PHANTOM POWER PHANTOM POWER TIP=OUT RING=IN SUBMASTER INSERT 1 2 3 4 5 6 7 8 .../LI CHANNEL 21 -10 LINMEICS/LI CHANNEL 22 -10 LINMEICS/LI CHANNEL 23 -10 LINMEICS/LI CHANNEL 24 -10 LINMEICS/LI NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY ...
...OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 8•BUS OWNER'S MANUAL PHANTOM POWER PHANTOM POWER PHANTOM POWER TIP=OUT RING=IN SUBMASTER INSERT 1 2 3 4 5 6 7 8 .../LI CHANNEL 21 -10 LINMEICS/LI CHANNEL 22 -10 LINMEICS/LI CHANNEL 23 -10 LINMEICS/LI CHANNEL 24 -10 LINMEICS/LI NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY ...
Owner's Manual
Page 3
...on the sensitivity of soloed signals. I For mic or line inputs, adjust the TRIM control clockwise to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. The channel's -20dB LED may require full CW rotation depending on the next channel that regularly... entire carton and internal foam if your kids make the box into the channel input. IMPORTANT SENSITIVITY ADJUSTMENT PROCEDURE! To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you stuff it in it 's only slightly smaller than a doublewide mobile home, but rather, jam ...
...on the sensitivity of soloed signals. I For mic or line inputs, adjust the TRIM control clockwise to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. The channel's -20dB LED may require full CW rotation depending on the next channel that regularly... entire carton and internal foam if your kids make the box into the channel input. IMPORTANT SENSITIVITY ADJUSTMENT PROCEDURE! To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you stuff it in it 's only slightly smaller than a doublewide mobile home, but rather, jam ...
Owner's Manual
Page 4
...- Recording 23 RECORDING OVERVIEW .. 23 SETUP 23 RECORDING & OVERDUBBING 23 Using Buses 23 Monitoring 23 Cue Mix 23 Wet or Dry Monitor? ...... 24 Let's Record 27 Overdub, Anyone 27 MIXING OVERVIEW .......... 27 MIXING SETUP 28 Pick a Model 28 Consider Compression .. 28 DOING THE MIX 28 Using...DIMENSIONS 49 BLOCK DIAGRAM 52 SERVICE 54 TROUBLESHOOTING ........ 54 FACTORY SERVICE 54 SERVICE FROM AN AUTHORIZED SERVICE CENTER 55 TRACK SHEET 56 8•BUS LIMITED WARRANTY 61 * Why did we 're stating the obvious to tell you that are on the facing page to your right hand...
...- Recording 23 RECORDING OVERVIEW .. 23 SETUP 23 RECORDING & OVERDUBBING 23 Using Buses 23 Monitoring 23 Cue Mix 23 Wet or Dry Monitor? ...... 24 Let's Record 27 Overdub, Anyone 27 MIXING OVERVIEW .......... 27 MIXING SETUP 28 Pick a Model 28 Consider Compression .. 28 DOING THE MIX 28 Using...DIMENSIONS 49 BLOCK DIAGRAM 52 SERVICE 54 TROUBLESHOOTING ........ 54 FACTORY SERVICE 54 SERVICE FROM AN AUTHORIZED SERVICE CENTER 55 TRACK SHEET 56 8•BUS LIMITED WARRANTY 61 * Why did we 're stating the obvious to tell you that are on the facing page to your right hand...
Owner's Manual
Page 5
... buses and 6 auxiliary send buses. So pat yourself on their annual "Typing Without Walls" outing at least our own opinions. They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for future reference or read it 's still a good idea to browse through the...is also an excellent choice for sound reinforcement work easy. There are available with features. If you eat your work . SECTION 1: Introduction The Mackie 8•Bus Series is a really great manual! It's quiet. Do yourself a favor and at least check out Section 2 and the block diagram for ...
... buses and 6 auxiliary send buses. So pat yourself on their annual "Typing Without Walls" outing at least our own opinions. They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for future reference or read it 's still a good idea to browse through the...is also an excellent choice for sound reinforcement work easy. There are available with features. If you eat your work . SECTION 1: Introduction The Mackie 8•Bus Series is a really great manual! It's quiet. Do yourself a favor and at least check out Section 2 and the block diagram for ...
Owner's Manual
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... 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the position of the FLIP switch. With the ...positions of the five assignment MASTER SECTION switches located along the slot for mixing), depending on the Mackie 8•Bus consoles are identical, and contain all the way down. 40 50 GOURMET PAN CONTROL AND 60 ... MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE OL -20 PAN SOLO OVERVIEW The panel layout of the Mackie 8•Bus Series follows the traditional arrangement: input channel strips to the left channel to the right channel. The ...
... 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the position of the FLIP switch. With the ...positions of the five assignment MASTER SECTION switches located along the slot for mixing), depending on the Mackie 8•Bus consoles are identical, and contain all the way down. 40 50 GOURMET PAN CONTROL AND 60 ... MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE OL -20 PAN SOLO OVERVIEW The panel layout of the Mackie 8•Bus Series follows the traditional arrangement: input channel strips to the left channel to the right channel. The ...
Owner's Manual
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... U PAN they 're not all other sources from the monitor section. POWER SOLO maintains the perspective set LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY levels for spot-checking the presence and quality of different keyboards, drum machines, guitar effects boxes, etc., vary from extremely weak ...is the next thing to check with the PAN controls. SOLO is always a good 220 350 FREQ idea to talk about. On the Mackie 8•Bus console, the SOLO PHANTOM assignments are active. See Appendix B: DIRECT OUT Options, Add-Ons, and Extra Stuff. Complete instructions on or ...
... U PAN they 're not all other sources from the monitor section. POWER SOLO maintains the perspective set LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY levels for spot-checking the presence and quality of different keyboards, drum machines, guitar effects boxes, etc., vary from extremely weak ...is the next thing to check with the PAN controls. SOLO is always a good 220 350 FREQ idea to talk about. On the Mackie 8•Bus console, the SOLO PHANTOM assignments are active. See Appendix B: DIRECT OUT Options, Add-Ons, and Extra Stuff. Complete instructions on or ...
Owner's Manual
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... your multi-track recorder as an alternative stereo mix, a stereo auxiliary send, a "mix-minus" bus, a quadraphonic or surround feed, you can be achieved by depressing the Mix-B to you record. As...add the output of the channel strip (via the source switch), can call Tech Support at www.mackie.com (click on quite a few consoles. This is the normal mode for more information on ... for tracking and overdubbing. PHANTOM POWER CHANNEL 24 MIC/LINE LINE IN BALUNBAL DIRECT OUT INSERT TIP = OUT RING = IN LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY +4 10dB -40dBV 50dB MIC/LINE TAPE...
... your multi-track recorder as an alternative stereo mix, a stereo auxiliary send, a "mix-minus" bus, a quadraphonic or surround feed, you can be achieved by depressing the Mix-B to you record. As...add the output of the channel strip (via the source switch), can call Tech Support at www.mackie.com (click on quite a few consoles. This is the normal mode for more information on ... for tracking and overdubbing. PHANTOM POWER CHANNEL 24 MIC/LINE LINE IN BALUNBAL DIRECT OUT INSERT TIP = OUT RING = IN LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY +4 10dB -40dBV 50dB MIC/LINE TAPE...
Owner's Manual
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...and; 0 C) variable frequency center from the channel signal and in live situations, but that to be swept all -5 four sections of the 8•Bus Series' EQ. In the up with the Bandwidth and ±15dB boost/cut Hi Mid control that the bandwidth of the channel when 0 depressed....The flexibility that voices and instruments span. So we 've always noticed about it sounds far more octaves Bandwidth: 1-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B U SOURCE HI MID -15 +15 3k 1k 5k FREQ 500 18k 2 NORMAL 3 1 12 U BAND WIDTH OCTAVES LO MID -15...
...and; 0 C) variable frequency center from the channel signal and in live situations, but that to be swept all -5 four sections of the 8•Bus Series' EQ. In the up with the Bandwidth and ±15dB boost/cut Hi Mid control that the bandwidth of the channel when 0 depressed....The flexibility that voices and instruments span. So we 've always noticed about it sounds far more octaves Bandwidth: 1-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B U SOURCE HI MID -15 +15 3k 1k 5k FREQ 500 18k 2 NORMAL 3 1 12 U BAND WIDTH OCTAVES LO MID -15...
Owner's Manual
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... 5 U 1 U +20 2 U LR SOLO +20 LEVEL 3 U SOLO LR BALANCE 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 5 U OO OO OO OO is a peak-reading meter displaying the bus output level. MONITOR MONITOR L/R MIX AUX SEND 1 Don't be extinguished in SOLO AUX SENDS SOLO STEREO AUX RETURNS the main L/R path and you 're listening... on . L -R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 30 40 L -R MAIN OR SOLO LEVEL 11 MAIN OR SOLO LEVEL Meters The MAIN OR SOLO LEVEL meters display the L/R Main Mix levels and are...
... 5 U 1 U +20 2 U LR SOLO +20 LEVEL 3 U SOLO LR BALANCE 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 5 U OO OO OO OO is a peak-reading meter displaying the bus output level. MONITOR MONITOR L/R MIX AUX SEND 1 Don't be extinguished in SOLO AUX SENDS SOLO STEREO AUX RETURNS the main L/R path and you 're listening... on . L -R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 30 40 L -R MAIN OR SOLO LEVEL 11 MAIN OR SOLO LEVEL Meters The MAIN OR SOLO LEVEL meters display the L/R Main Mix levels and are...
Owner's Manual
Page 19
... are grouped in the following pattern: Console Bus 1: Submaster 1, 9 and 17 Console Bus 2: Submaster 2, 10 and 18 Console Bus 3: Submaster 3, 11 and 19 Console Bus 4: Submaster 4, 12 and 20 Console Bus 5: Submaster 5, 13 and 21 Console Bus 6: Submaster 6, 14 and 22 Console Bus 7: Submaster 7, 15 and 23 Console Bus 8: Submaster 8, 16 and 24 Connect the inputs of the 8•...
... are grouped in the following pattern: Console Bus 1: Submaster 1, 9 and 17 Console Bus 2: Submaster 2, 10 and 18 Console Bus 3: Submaster 3, 11 and 19 Console Bus 4: Submaster 4, 12 and 20 Console Bus 5: Submaster 5, 13 and 21 Console Bus 6: Submaster 6, 14 and 22 Console Bus 7: Submaster 7, 15 and 23 Console Bus 8: Submaster 8, 16 and 24 Connect the inputs of the 8•...
Owner's Manual
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...tour of this printing. EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! Maximum output is +28dBu. +18V -18V +48V +12V +5V DC POWER IN THIS CONNECTION FOR MACKIE 8•BUS POWER SUPPLY ONLY ! Now it's time for the 24•E Expander console, which has been discontinued... as of the 8•Bus console's controls and connections. Your 8•Bus console should ONLY be powered by the appropriate Mackie 8•Bus Power Supply. RIGHT LEFT...
...tour of this printing. EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! Maximum output is +28dBu. +18V -18V +48V +12V +5V DC POWER IN THIS CONNECTION FOR MACKIE 8•BUS POWER SUPPLY ONLY ! Now it's time for the 24•E Expander console, which has been discontinued... as of the 8•Bus console's controls and connections. Your 8•Bus console should ONLY be powered by the appropriate Mackie 8•Bus Power Supply. RIGHT LEFT...
Owner's Manual
Page 24
...(also known as it comes back from the recorder. The LO EQ on the 8•Bus is at If you to the channel fader when the FLIP switch is fed to use each...overdubbing. GENERAL INFO Only LO/HI Variable: Boost/Cut Fig. 3 or lower the entire range of connectors used a Mackie VLZ PRO compact 80Hz and the HI is fed to this manual. 5 5-6 10 7-8 20 Multi-track Deck (..., you can use during mixdown showing additional input ("flip" switch down position, the TAPE return (the TAPE IN 24 5 5-6 10 7-8 20 L/R 30 MIX 40 50 60 output signal from the channels signal are shelving EQs, ...
...(also known as it comes back from the recorder. The LO EQ on the 8•Bus is at If you to the channel fader when the FLIP switch is fed to use each...overdubbing. GENERAL INFO Only LO/HI Variable: Boost/Cut Fig. 3 or lower the entire range of connectors used a Mackie VLZ PRO compact 80Hz and the HI is fed to this manual. 5 5-6 10 7-8 20 Multi-track Deck (..., you can use during mixdown showing additional input ("flip" switch down position, the TAPE return (the TAPE IN 24 5 5-6 10 7-8 20 L/R 30 MIX 40 50 60 output signal from the channels signal are shelving EQs, ...
Owner's Manual
Page 26
...option of wet monitoring. I Repeat Steps 1-7 on the next channel that is being used. 24 providing all your chosen tracks are working, and with line input, MIC/LINE switch should be...into the channel input. Since you are close, you will be used with the 8•Bus Series, you can modifiy the channel Aux 1/2 sends to source the pre-fader information from ... call Tech Support at the level they're going to match.) Text continued on Support). I Channel fader at www.mackie.com (click on Page 27 at 1-800-258-6883 for mic inputs) I Make appropriate "noise" into Returns ...
...option of wet monitoring. I Repeat Steps 1-7 on the next channel that is being used. 24 providing all your chosen tracks are working, and with line input, MIC/LINE switch should be...into the channel input. Since you are close, you will be used with the 8•Bus Series, you can modifiy the channel Aux 1/2 sends to source the pre-fader information from ... call Tech Support at the level they're going to match.) Text continued on Support). I Channel fader at www.mackie.com (click on Page 27 at 1-800-258-6883 for mic inputs) I Make appropriate "noise" into Returns ...
Owner's Manual
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...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10...OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX...
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10...OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX...
Owner's Manual
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...outboard compressor thresholds. And your final mix right away, you 're going to keep the musicians really in color. to Channel 3 Bus 3 to Channel 1 ......... Bus 8 to Track 8 Trombone I to Track 1 Snare Drum .......... If you have a 16-Track, choose channels 17 and 18... Tape Return 10 .......... Do not change • Patch the returns into the monitors is to copy the 8•Bus panel layouts from the channels, no return assignment switch to a 24-track recorder. to Channel 4 Bus 4 to Track 4 Tom 1 to Channel 6 panned between Buses 3 & 4 to Tracks 3 & 4 Tom 2...
...outboard compressor thresholds. And your final mix right away, you 're going to keep the musicians really in color. to Channel 3 Bus 3 to Channel 1 ......... Bus 8 to Track 8 Trombone I to Track 1 Snare Drum .......... If you have a 16-Track, choose channels 17 and 18... Tape Return 10 .......... Do not change • Patch the returns into the monitors is to copy the 8•Bus panel layouts from the channels, no return assignment switch to a 24-track recorder. to Channel 4 Bus 4 to Track 4 Tom 1 to Channel 6 panned between Buses 3 & 4 to Tracks 3 & 4 Tom 2...
Owner's Manual
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... 10 20 30 40 50 80 OVERDUBBING PART 2: THE BOARD Assign channels and adjust panpot to the appropriate bus for the desired tape channel input. OO NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NENGSAITINIVITY NEENGSAITINIVITY Tinted knobs are used in this application ...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8...
... 10 20 30 40 50 80 OVERDUBBING PART 2: THE BOARD Assign channels and adjust panpot to the appropriate bus for the desired tape channel input. OO NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NENGSAITINIVITY NEENGSAITINIVITY Tinted knobs are used in this application ...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8...
Owner's Manual
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... SOURCE LR PAN OL -20 SOLO MUTE 18 MUTE MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB dB 10 10 10 10 10 10 10 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 ... MIX MIX 40 40 40 40 40 40 40 50 50 50 50 50 50 50 80 80 80 80 80 80 80 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U...
... SOURCE LR PAN OL -20 SOLO MUTE 18 MUTE MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB dB 10 10 10 10 10 10 10 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 ... MIX MIX 40 40 40 40 40 40 40 50 50 50 50 50 50 50 80 80 80 80 80 80 80 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U...
Owner's Manual
Page 36
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8... L/R 30 MIX L/R 30 MIX L/R 30 MIX L/R MIX 40 40 40 40 40 50 50 50 50 50 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO ...
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8... L/R 30 MIX L/R 30 MIX L/R 30 MIX L/R MIX 40 40 40 40 40 50 50 50 50 50 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO ...
Owner's Manual
Page 41
... TO MON MIX-B MONITOR FLIP SW CHANNEL SPLIT EQ SOURCE LR PAN OL -20 SOLO MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB 10 10 10 10 5 5 5 5 1-2 1-2 1-2 1-2 U U U U 3-4 3-4 3-4 3-4 5 5 5 5 5-6 5-6 5-6 5-6 10 10 10 10 7-8 ... OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
... TO MON MIX-B MONITOR FLIP SW CHANNEL SPLIT EQ SOURCE LR PAN OL -20 SOLO MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB 10 10 10 10 5 5 5 5 1-2 1-2 1-2 1-2 U U U U 3-4 3-4 3-4 3-4 5 5 5 5 5-6 5-6 5-6 5-6 10 10 10 10 7-8 ... OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
Contractor's Specifications
Page 2
... input trims can be adjusted for in the event of impact. During the 1994 Los Angeles earthquake, scores of Mackie 8•Bus consoles received the full force of -129dBm and 10Hz to the control surface sheet metal via insert points, a fader...™ automation software. Internal interconnects are firmly attached to 300kHz bandwidth. 24•E 8•Bus Expander steel stands are sealed to the 8•Bus console via brass standoffs. Quality construction throughout Mackie Designs mixers have a well-established reputation for rocksolid panning. The less ...
... input trims can be adjusted for in the event of impact. During the 1994 Los Angeles earthquake, scores of Mackie 8•Bus consoles received the full force of -129dBm and 10Hz to the control surface sheet metal via insert points, a fader...™ automation software. Internal interconnects are firmly attached to 300kHz bandwidth. 24•E 8•Bus Expander steel stands are sealed to the 8•Bus console via brass standoffs. Quality construction throughout Mackie Designs mixers have a well-established reputation for rocksolid panning. The less ...