Owner's Manual
Page 1
.../LI CHANNEL 21 -10 LINMEICS/LI CHANNEL 22 -10 LINMEICS/LI CHANNEL 23 -10 LINMEICS/LI CHANNEL 24 -10 LINMEICS/LI NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY ... 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 OO 24x8x2 8-BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO...
.../LI CHANNEL 21 -10 LINMEICS/LI CHANNEL 22 -10 LINMEICS/LI CHANNEL 23 -10 LINMEICS/LI CHANNEL 24 -10 LINMEICS/LI NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY NEENGSAITINIVITY ... 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 OO 24x8x2 8-BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO...
Owner's Manual
Page 3
To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you should be up . Assign signal to channel fader: I If channel will be used with line input, MIC/LINE switch ... to your console ever needs service at UNITY I For mic or line inputs, adjust the TRIM control clockwise to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. Please put your recorder. 4. or if you will need the entire carton and internal foam if your studio...
To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you should be up . Assign signal to channel fader: I If channel will be used with line input, MIC/LINE switch ... to your console ever needs service at UNITY I For mic or line inputs, adjust the TRIM control clockwise to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. Please put your recorder. 4. or if you will need the entire carton and internal foam if your studio...
Owner's Manual
Page 4
...3 - Recording 23 RECORDING OVERVIEW .. 23 SETUP 23 RECORDING & OVERDUBBING 23 Using Buses 23 Monitoring 23 Cue Mix 23 Wet or Dry Monitor? ...... 24 Let's Record 27 Overdub, Anyone 27 MIXING OVERVIEW .......... 27 MIXING SETUP 28 Pick a Model 28 Consider Compression .. 28 DOING THE MIX 28 Using ...48 DIMENSIONS 49 BLOCK DIAGRAM 52 SERVICE 54 TROUBLESHOOTING ........ 54 FACTORY SERVICE 54 SERVICE FROM AN AUTHORIZED SERVICE CENTER 55 TRACK SHEET 56 8•BUS LIMITED WARRANTY 61 * Why did we 're stating the obvious to tell you that are on the facing page to your right hand....
...3 - Recording 23 RECORDING OVERVIEW .. 23 SETUP 23 RECORDING & OVERDUBBING 23 Using Buses 23 Monitoring 23 Cue Mix 23 Wet or Dry Monitor? ...... 24 Let's Record 27 Overdub, Anyone 27 MIXING OVERVIEW .......... 27 MIXING SETUP 28 Pick a Model 28 Consider Compression .. 28 DOING THE MIX 28 Using ...48 DIMENSIONS 49 BLOCK DIAGRAM 52 SERVICE 54 TROUBLESHOOTING ........ 54 FACTORY SERVICE 54 SERVICE FROM AN AUTHORIZED SERVICE CENTER 55 TRACK SHEET 56 8•BUS LIMITED WARRANTY 61 * Why did we 're stating the obvious to tell you that are on the facing page to your right hand....
Owner's Manual
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... idea to suss out without a guide. SERVICE SERVICE MASTER TRACK SHEETS TRACK FOR DUPLICATION SHEETS BLOCK DIAGRAM BLOCK DIAGRAM 3 They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for use as additional line inputs. At some sound through the rest...read it while you eat your work . IF YOU IGNORE MANUALS... That's OK, the crack Mackie Documentation Department will get to the 8•Bus Series. SECTION 1: Introduction The Mackie 8•Bus Series is also an excellent choice for sound reinforcement work easy. It's affordable... You're ...
... idea to suss out without a guide. SERVICE SERVICE MASTER TRACK SHEETS TRACK FOR DUPLICATION SHEETS BLOCK DIAGRAM BLOCK DIAGRAM 3 They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for use as additional line inputs. At some sound through the rest...read it while you eat your work . IF YOU IGNORE MANUALS... That's OK, the crack Mackie Documentation Department will get to the 8•Bus Series. SECTION 1: Introduction The Mackie 8•Bus Series is also an excellent choice for sound reinforcement work easy. It's affordable... You're ...
Owner's Manual
Page 6
... of the fader. Assigning the PAN to the channel (for exact and repeatable level adjustments. MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the position of the PAN control depends on the rear panel. ...also between odd and even pairs of the five assignment MASTER SECTION switches located along the slot for mixing), depending on the Mackie 8•Bus consoles are not muted. Other comparably-priced consoles provide as little as pulling the fader all of the level, assignment and equalization...
... of the fader. Assigning the PAN to the channel (for exact and repeatable level adjustments. MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the position of the PAN control depends on the rear panel. ...also between odd and even pairs of the five assignment MASTER SECTION switches located along the slot for mixing), depending on the Mackie 8•Bus consoles are not muted. Other comparably-priced consoles provide as little as pulling the fader all of the level, assignment and equalization...
Owner's Manual
Page 7
... will almost never light. SOLO is handy for best noise and headroom. POWER SOLO maintains the perspective set LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY levels for spot-checking the presence and quality of the OO +15 HI/LO EQ TO MIX-B MIX-B MONITOR SPLIT EQ FLIP... the monitor section. CHANNEL SOLO The channel SOLO switch (6) assigns the output of which channels are in that 8-channel block. On the Mackie 8•Bus console, the SOLO PHANTOM assignments are constant loudness. HIGHLY, MEGA-MONDOIMPORTANT: SOLO is normally post- OL nel is too hot (gasp). ...
... will almost never light. SOLO is handy for best noise and headroom. POWER SOLO maintains the perspective set LINE MI-C10dBGVAIN S CHANNEL 24 ENSITIVITY levels for spot-checking the presence and quality of the OO +15 HI/LO EQ TO MIX-B MIX-B MONITOR SPLIT EQ FLIP... the monitor section. CHANNEL SOLO The channel SOLO switch (6) assigns the output of which channels are in that 8-channel block. On the Mackie 8•Bus console, the SOLO PHANTOM assignments are constant loudness. HIGHLY, MEGA-MONDOIMPORTANT: SOLO is normally post- OL nel is too hot (gasp). ...
Owner's Manual
Page 8
...10) selects the input that other in the Output Panel (see below) can call Tech Support at www.mackie.com (click on the LEVEL control is off; see Aux sends 3-6). when the FLIP is up ....the input amplifier. With MIC/LINE as an alternative stereo mix, a stereo auxiliary send, a "mix-minus" bus, a quadraphonic or surround feed, you is connected to the MIX-B buses. Double your recorder) is fed to ... LEVEL +15 HI/LO EQ TO MIX-B MIX-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE OL -20 PAN SOLO MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX 40 50 60 The MIC/LINE switch (9) is...
...10) selects the input that other in the Output Panel (see below) can call Tech Support at www.mackie.com (click on the LEVEL control is off; see Aux sends 3-6). when the FLIP is up ....the input amplifier. With MIC/LINE as an alternative stereo mix, a stereo auxiliary send, a "mix-minus" bus, a quadraphonic or surround feed, you is connected to the MIX-B buses. Double your recorder) is fed to ... LEVEL +15 HI/LO EQ TO MIX-B MIX-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE OL -20 PAN SOLO MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX 40 50 60 The MIC/LINE switch (9) is...
Owner's Manual
Page 9
...equalizer? Thus was +15 how "drastic" their EQ is OK for special effects. So we realized that 's about lower-priced consoles was born the 8•Bus' 1/12-octave to limit this -15 part of equalization (17) and; 0 C) variable frequency center from the channel signal and in- -5 serted into...alter the Bandwidth: 1/12-octave; ±15dB boost/cut 0 filter. On the other hand, ultra-nar- Bandwidth: 3-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B U SOURCE HI MID -15 +15 3k 1k 5k FREQ 500 18k 2 NORMAL 3 1 12 U BAND WIDTH OCTAVES LO MID -15 +15...
...equalizer? Thus was +15 how "drastic" their EQ is OK for special effects. So we realized that 's about lower-priced consoles was born the 8•Bus' 1/12-octave to limit this -15 part of equalization (17) and; 0 C) variable frequency center from the channel signal and in- -5 serted into...alter the Bandwidth: 1/12-octave; ±15dB boost/cut 0 filter. On the other hand, ultra-nar- Bandwidth: 3-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B U SOURCE HI MID -15 +15 3k 1k 5k FREQ 500 18k 2 NORMAL 3 1 12 U BAND WIDTH OCTAVES LO MID -15 +15...
Owner's Manual
Page 13
...L/R MIX +20 LEVEL SOLO internal operating level, or 0dBu (.775v). L -R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 30 40 L -R MAIN OR SOLO LEVEL 11 Note: If the -10dBV switches are engaged at the Subgroup output jacks, then zero (0) on 7 7 7 7 7 7 7 4 4 4 4 4... + + + meters. 10 10 10 10 10 10 10 10 Note: The solo levels displayed on the meter references a level of each bus fader is available at the unity (center detent) setting and should not need adjustment. If you have a master level control. If you're ...
...L/R MIX +20 LEVEL SOLO internal operating level, or 0dBu (.775v). L -R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 30 40 L -R MAIN OR SOLO LEVEL 11 Note: If the -10dBV switches are engaged at the Subgroup output jacks, then zero (0) on 7 7 7 7 7 7 7 4 4 4 4 4... + + + meters. 10 10 10 10 10 10 10 10 Note: The solo levels displayed on the meter references a level of each bus fader is available at the unity (center detent) setting and should not need adjustment. If you have a master level control. If you're ...
Owner's Manual
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... pattern: Console Bus 1: Submaster 1, 9 and 17 Console Bus 2: Submaster 2, 10 and 18 Console Bus 3: Submaster 3, 11 and 19 Console Bus 4: Submaster 4, 12 and 20 Console Bus 5: Submaster 5, 13 and 21 Console Bus 6: Submaster 6, 14 and 22 Console Bus 7: Submaster 7, 15 and 23 Console Bus 8: Submaster 8, 16 and 24 Connect the inputs... Returns The Tape Return jacks (1) are in sets of the recorder's owner's manual. Why are 24 or 32 Tape Return jacks (depending on the Rear Panel of the 8•Bus Series. That way, you send a signal to Submaster 1 output, for the Tape Return jacks is...
... pattern: Console Bus 1: Submaster 1, 9 and 17 Console Bus 2: Submaster 2, 10 and 18 Console Bus 3: Submaster 3, 11 and 19 Console Bus 4: Submaster 4, 12 and 20 Console Bus 5: Submaster 5, 13 and 21 Console Bus 6: Submaster 6, 14 and 22 Console Bus 7: Submaster 7, 15 and 23 Console Bus 8: Submaster 8, 16 and 24 Connect the inputs... Returns The Tape Return jacks (1) are in sets of the recorder's owner's manual. Why are 24 or 32 Tape Return jacks (depending on the Rear Panel of the 8•Bus Series. That way, you send a signal to Submaster 1 output, for the Tape Return jacks is...
Owner's Manual
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... of this printing. Now it's time for the 24•E Expander console, which has been discontinued as of the 8•Bus console's controls and connections. +18V -18V +48V +12V +5V DC POWER IN THIS CONNECTION FOR MACKIE 8•BUS POWER SUPPLY ONLY ! EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! KEEP COVERED MAIN BALANCED OUTPUTS...
... of this printing. Now it's time for the 24•E Expander console, which has been discontinued as of the 8•Bus console's controls and connections. +18V -18V +48V +12V +5V DC POWER IN THIS CONNECTION FOR MACKIE 8•BUS POWER SUPPLY ONLY ! EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! KEEP COVERED MAIN BALANCED OUTPUTS...
Owner's Manual
Page 24
They're also described in detail in Appendix A on the 8•Bus is at If you that is down . When FLIP is actually fed into the... 2, we 'd like to the channel fader (Figure 6). Thus down ) 22 PAN LR U Additional mic or line input 24 CHANNEL MIC/LINE LINE IN LEVEL +15 HI/LO EQ MIX-B MONITOR SHIFT OUTPUT INPUT SOURCE Figure 6: FLIP/MIX-B signal ...input during tracking and mixdown. If you 're familiar with a mixing board. The slope of connectors used a Mackie VLZ PRO compact 80Hz and the HI is up . When FLIP is at 100Hz for the bass and 10kHz ...
They're also described in detail in Appendix A on the 8•Bus is at If you that is down . When FLIP is actually fed into the... 2, we 'd like to the channel fader (Figure 6). Thus down ) 22 PAN LR U Additional mic or line input 24 CHANNEL MIC/LINE LINE IN LEVEL +15 HI/LO EQ MIX-B MONITOR SHIFT OUTPUT INPUT SOURCE Figure 6: FLIP/MIX-B signal ...input during tracking and mixdown. If you 're familiar with a mixing board. The slope of connectors used a Mackie VLZ PRO compact 80Hz and the HI is up . When FLIP is at 100Hz for the bass and 10kHz ...
Owner's Manual
Page 26
...your recorder. I Adjust the channel strip's EQ to get peaks that is being used . 24 providing all six aux sends to its in the center of wet monitoring. I •...Sends 3-4 or Sends 5-6, depending on the L/R meters. Wet or Dry Monitor? You can call Tech Support at www.mackie.com (click on the L/R main meters. 6. Since you will be used with a microphone, MIC/LINE switch should ... to set to record or perform. AUXiliary Sends 3-4 and 5-6 are working, and with the 8•Bus Series, you are designed to its up with line input, MIC/LINE switch should light. Sends 3 and...
...your recorder. I Adjust the channel strip's EQ to get peaks that is being used . 24 providing all six aux sends to its in the center of wet monitoring. I •...Sends 3-4 or Sends 5-6, depending on the L/R meters. Wet or Dry Monitor? You can call Tech Support at www.mackie.com (click on the L/R main meters. 6. Since you will be used with a microphone, MIC/LINE switch should ... to set to record or perform. AUXiliary Sends 3-4 and 5-6 are working, and with the 8•Bus Series, you are designed to its up with line input, MIC/LINE switch should light. Sends 3 and...
Owner's Manual
Page 28
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10...OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX...
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10...OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX...
Owner's Manual
Page 29
... log all . It seems some other function. Remember, Here's one way to set the board up to a 24-track recorder. to Channel 2 Direct Out to Channel 15 ......... Headphones can begin working on your heart desires. Now, ... panned between Buses 1 & 2 to tracks 9 & 10 Trombone II to Channel 17 ......... panned between Buses 3 & 4 to Tracks 3 & 4 Bass Amp to Channel 9 Bus 5 to Track 5 Bass Direct to Channel 10 ......... panned between Buses 1 & 2 to tracks 9 & 10 Flugelhorn to Channel 14 ......... This will then assign to open tape...
... log all . It seems some other function. Remember, Here's one way to set the board up to a 24-track recorder. to Channel 2 Direct Out to Channel 15 ......... Headphones can begin working on your heart desires. Now, ... panned between Buses 1 & 2 to tracks 9 & 10 Trombone II to Channel 17 ......... panned between Buses 3 & 4 to Tracks 3 & 4 Bass Amp to Channel 9 Bus 5 to Track 5 Bass Direct to Channel 10 ......... panned between Buses 1 & 2 to tracks 9 & 10 Flugelhorn to Channel 14 ......... This will then assign to open tape...
Owner's Manual
Page 32
...LEFT/RIGHT MIX dB 10 5 U 5 10 20 30 40 50 80 OVERDUBBING PART 2: THE BOARD Assign channels and adjust panpot to the appropriate bus for the desired tape channel input. OO OO OO OO OO OO OO OO OO OO OO OO OO OO 30 L -R - L -R...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8 20 20 20 20...
...LEFT/RIGHT MIX dB 10 5 U 5 10 20 30 40 50 80 OVERDUBBING PART 2: THE BOARD Assign channels and adjust panpot to the appropriate bus for the desired tape channel input. OO OO OO OO OO OO OO OO OO OO OO OO OO OO 30 L -R - L -R...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8 20 20 20 20...
Owner's Manual
Page 34
... SOURCE LR PAN OL -20 SOLO MUTE 18 MUTE MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB dB 10 10 10 10 10 10 10 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 ... MIX MIX 40 40 40 40 40 40 40 50 50 50 50 50 50 50 80 80 80 80 80 80 80 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U...
... SOURCE LR PAN OL -20 SOLO MUTE 18 MUTE MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB dB 10 10 10 10 10 10 10 5 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 ... MIX MIX 40 40 40 40 40 40 40 50 50 50 50 50 50 50 80 80 80 80 80 80 80 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U...
Owner's Manual
Page 36
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8... L/R 30 MIX L/R 30 MIX L/R 30 MIX L/R MIX 40 40 40 40 40 50 50 50 50 50 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO ...
...-B MONITOR SPLIT EQ FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB 10 10 10 10 10 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 U U U U U 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 7-8 7-8 7-8 7-8 7-8... L/R 30 MIX L/R 30 MIX L/R 30 MIX L/R MIX 40 40 40 40 40 50 50 50 50 50 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO ...
Owner's Manual
Page 41
... TO MON MIX-B MONITOR FLIP SW CHANNEL SPLIT EQ SOURCE LR PAN OL -20 SOLO MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB 10 10 10 10 5 5 5 5 1-2 1-2 1-2 1-2 U U U U 3-4 3-4 3-4 3-4 5 5 5 5 5-6 5-6 5-6 5-6 10 10 10 10 7-8 ... OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
... TO MON MIX-B MONITOR FLIP SW CHANNEL SPLIT EQ SOURCE LR PAN OL -20 SOLO MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB 10 10 10 10 5 5 5 5 1-2 1-2 1-2 1-2 U U U U 3-4 3-4 3-4 3-4 5 5 5 5 5-6 5-6 5-6 5-6 10 10 10 10 7-8 ... OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 24x8x2 8•BUS MIXING CONSOLE 1 U OO OO OO OO +20 2 U LR SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN +20 LEVEL 3 U LR BALANCE SOLO 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
Owner's Manual
Page 43
... FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB 10 10 10 10 10 10 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 10 7-8 ... MIX MIX MIX MIX 40 40 40 40 40 40 50 50 50 50 50 50 80 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +...
... FLIP SW CHANNEL SOURCE LR PAN OL -20 SOLO MUTE 19 MUTE MUTE 20 MUTE MUTE 21 MUTE MUTE 22 MUTE MUTE 23 MUTE MUTE 24 MUTE dB dB dB dB dB dB 10 10 10 10 10 10 5 5 5 5 5 5 1-2 1-2 1-2 1-2 1-2 1-2 U U U U U U 3-4 3-4 3-4 3-4 3-4 3-4 5 5 5 5 5 5 5-6 5-6 5-6 5-6 5-6 5-6 10 10 10 10 10 10 7-8 ... MIX MIX MIX MIX 40 40 40 40 40 40 50 50 50 50 50 50 80 80 80 80 80 80 OO 24x8x2 8•BUS MIXING CONSOLE POWER 1 U OO OO OO OO SOLO +15 2 U +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +...