Spec Sheet
Page 1
... used at regular intervals to Monitor control 9-band stereo graphic equalizer Inserts on all mic channels and main mix True 4-bus design with direct sub outs and L/R assign 2 Pre/Post aux sends and internal/external FX level sends 3-band EQ with four sub bus faders and master ganged Left/Right fader. Outputs include XLR and TRS balanced/unbalanced main outputs, a 75 Hz low-pass subwoofer...
... used at regular intervals to Monitor control 9-band stereo graphic equalizer Inserts on all mic channels and main mix True 4-bus design with direct sub outs and L/R assign 2 Pre/Post aux sends and internal/external FX level sends 3-band EQ with four sub bus faders and master ganged Left/Right fader. Outputs include XLR and TRS balanced/unbalanced main outputs, a 75 Hz low-pass subwoofer...
Spec Sheet
Page 2
... Input to Tape Output Sub Output Main Output Aux Send 40 dB 40 dB 50 dB 45 dB Tape Input to Main Output 30 dB Effects Return to Main Output 30 dB Input Impedance Mic Input: Line Input: Insert Return, Stereo Line Input, Tape Input, and Effects Returns: 3 kΩ, balanced 40 kΩ, balanced 10 kΩ, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends: Digital Effects 150 Ω Resolution: 32-bit EMAC processing, 2-channel Number of Presets: 16 Parameters: 2 controllable Channel Level Set...
... Input to Tape Output Sub Output Main Output Aux Send 40 dB 40 dB 50 dB 45 dB Tape Input to Main Output 30 dB Effects Return to Main Output 30 dB Input Impedance Mic Input: Line Input: Insert Return, Stereo Line Input, Tape Input, and Effects Returns: 3 kΩ, balanced 40 kΩ, balanced 10 kΩ, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends: Digital Effects 150 Ω Resolution: 32-bit EMAC processing, 2-channel Number of Presets: 16 Parameters: 2 controllable Channel Level Set...
Spec Sheet
Page 3
... HIGH frequency EQ, sweepable peaking Midrange EQ (only on mono input channels), with the TIME/RATE and DAMPING/DEPTH knobs. TO MAIN MIX controls the amount of the EFX levels added to reduce stage vibration, mic stand rumble, and wind noise. This EQ is exceptionally low-noise, low-distortion, and free of the master gain control, and tape and sub bus outputs. The EMAC Digital...
... HIGH frequency EQ, sweepable peaking Midrange EQ (only on mono input channels), with the TIME/RATE and DAMPING/DEPTH knobs. TO MAIN MIX controls the amount of the EFX levels added to reduce stage vibration, mic stand rumble, and wind noise. This EQ is exceptionally low-noise, low-distortion, and free of the master gain control, and tape and sub bus outputs. The EMAC Digital...
Spec Sheet
Page 7
... an audio signal at or above unity gain, and 1 Pre-Fader (PFL) Solo switch. 5. and using unbalanced RCA-type phono jacks (labeled TAPE OUT) delivering nominal levels from -10 dBV to +4 dBu. 7 OF 8 PAGES OTHER OUTPUTS: Each mixer shall include 1 Subwoofer Output using 1/4" TRS phone jacks. Each monaural channel shall also include 1 rotary Pan control, 4 dB attenuation panned center, and 1 Mute switch. The mixer shall have an electronically balanced microphone-level input using...
... an audio signal at or above unity gain, and 1 Pre-Fader (PFL) Solo switch. 5. and using unbalanced RCA-type phono jacks (labeled TAPE OUT) delivering nominal levels from -10 dBV to +4 dBu. 7 OF 8 PAGES OTHER OUTPUTS: Each mixer shall include 1 Subwoofer Output using 1/4" TRS phone jacks. Each monaural channel shall also include 1 rotary Pan control, 4 dB attenuation panned center, and 1 Mute switch. The mixer shall have an electronically balanced microphone-level input using...
Spec Sheet
Page 8
... depth, and 5.0" (127 mm) in height. SPECIFICATIONS. Frequency response, microphone input to be 21.4" (544 mm) in width, 15.7" (399 mm) in depth, and 5.0" (127 mm) in a rack system with the chassis surface flush with light gray graphics. The 32-bit EMAC Digital Stereo Effects Processor shall include 16 preset digital effects algorithms selectable by a detented knob. Effects shall include...
... depth, and 5.0" (127 mm) in height. SPECIFICATIONS. Frequency response, microphone input to be 21.4" (544 mm) in width, 15.7" (399 mm) in depth, and 5.0" (127 mm) in a rack system with the chassis surface flush with light gray graphics. The 32-bit EMAC Digital Stereo Effects Processor shall include 16 preset digital effects algorithms selectable by a detented knob. Effects shall include...
Owner's Manual
Page 1
... 12 MIXER 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER CUSTOM 32-BIT PRECISION DIGITAL STEREO EFFECTS PROCESSOR CLIP EFX 2 (INT) RETURN MASTERS U U U U PHANTOM POWER 48v U POWER STATUS OO +15 EFX 2 SEND OO +15 TO MAIN MIX OO +15 +15 OO AUX 1 AUX 2 EFFECTS TO MONITOR REVERSE GATED CATHEDRAL LG. HALL MD. PLATE SM. NO USER SERVICEABLE PARTS INSIDE. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE...
... 12 MIXER 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER CUSTOM 32-BIT PRECISION DIGITAL STEREO EFFECTS PROCESSOR CLIP EFX 2 (INT) RETURN MASTERS U U U U PHANTOM POWER 48v U POWER STATUS OO +15 EFX 2 SEND OO +15 TO MAIN MIX OO +15 +15 OO AUX 1 AUX 2 EFFECTS TO MONITOR REVERSE GATED CATHEDRAL LG. HALL MD. PLATE SM. NO USER SERVICEABLE PARTS INSIDE. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE...
Owner's Manual
Page 2
... a marked change in this Mackie product beyond those means described in performance; The user should not attempt to service this operating manual. To prevent electric shock, do not use hearing protectors while the equipment is applicable) limits for radio noise emissions from heat sources such as a bookcase or cabinet that may impede the flow of air through ventilation openings. 8. Power Precaution - ATTENTION...
... a marked change in this Mackie product beyond those means described in performance; The user should not attempt to service this operating manual. To prevent electric shock, do not use hearing protectors while the equipment is applicable) limits for radio noise emissions from heat sources such as a bookcase or cabinet that may impede the flow of air through ventilation openings. 8. Power Precaution - ATTENTION...
Owner's Manual
Page 5
.... 6. Connect your amp's outputs to your speaker inputs (unless, of course, you connected. Turn all the sound system components into suitable AC outlets, properly grounded and capable of the microphones or instruments you have powered monitors). 2. You should be hearing your amplification system's line inputs. 4. That's fine - ZERO THE CONSOLE: 1. Using XLR or TRS cables, make connections from your normal singing volume. Turn up . 9. While making noise, turn up SUB...
.... 6. Connect your amp's outputs to your speaker inputs (unless, of course, you connected. Turn all the sound system components into suitable AC outlets, properly grounded and capable of the microphones or instruments you have powered monitors). 2. You should be hearing your amplification system's line inputs. 4. That's fine - ZERO THE CONSOLE: 1. Using XLR or TRS cables, make connections from your normal singing volume. Turn up . 9. While making noise, turn up SUB...
Owner's Manual
Page 6
... PHONES OUT Stereo Compressor Stereo Compressor Digital Delay Mono in / stereo out Reverb Stereo EQ Stereo Power Amplifier CFX•12 - If an individual channel is the problem, use guitar cables to connect amplifiers to speakers. • Before making connections to an external amp or reconfiguring an amp's routing, turn the amp's level (gain) controls down your rhythm section (drums & bass). 2. Small Club Gig 6 Stage Monitor Stage Monitor Adjust the rhythm section's channel faders to loud music for information...
... PHONES OUT Stereo Compressor Stereo Compressor Digital Delay Mono in / stereo out Reverb Stereo EQ Stereo Power Amplifier CFX•12 - If an individual channel is the problem, use guitar cables to connect amplifiers to speakers. • Before making connections to an external amp or reconfiguring an amp's routing, turn the amp's level (gain) controls down your rhythm section (drums & bass). 2. Small Club Gig 6 Stage Monitor Stage Monitor Adjust the rhythm section's channel faders to loud music for information...
Owner's Manual
Page 9
... Signal Parallel Device Aux Send Dry Signal(s) Signal Processor (e.g., Reverb) Aux Return Wet Signal Output Section Channel Path Mix Stage Dry Signal(s) Processed Signal STEREO LINE IN These balanced inputs are the jacks for stereo or mono, balanced or unbalanced signals, from the noise floor by that the entire signal is routed through to deal with, while still providing extraneous noise rejection. When connecting a mono device (just one cord), always use...
... Signal Parallel Device Aux Send Dry Signal(s) Signal Processor (e.g., Reverb) Aux Return Wet Signal Output Section Channel Path Mix Stage Dry Signal(s) Processed Signal STEREO LINE IN These balanced inputs are the jacks for stereo or mono, balanced or unbalanced signals, from the noise floor by that the entire signal is routed through to deal with, while still providing extraneous noise rejection. When connecting a mono device (just one cord), always use...
Owner's Manual
Page 11
... level. Closing the switch connection causes the EFX BYPASS indicator RCA UNBALANCED WIRING to tape. To turn the mixer on the rear panel, adjacent to the AC Power Input . Note: When a foot switch is plugged into the FOOT SWITCH jack, the BYPASS switch is engaged, the main mix signal at these jacks to capture the entire performance to light and mutes the effects. TAPE OUTPUT Use these jacks is widely available. When a channel...
... level. Closing the switch connection causes the EFX BYPASS indicator RCA UNBALANCED WIRING to tape. To turn the mixer on the rear panel, adjacent to the AC Power Input . Note: When a foot switch is plugged into the FOOT SWITCH jack, the BYPASS switch is engaged, the main mix signal at these jacks to capture the entire performance to light and mutes the effects. TAPE OUTPUT Use these jacks is widely available. When a channel...
Owner's Manual
Page 12
... "SET THE LEVELS" portion of feedback in "QUICK START," is doing almost nothing, turn the TRIM down before operating this switch to provide phantom power to operate most dynamic mics. If you haven't already, please read about in live situations and it applies to the channels, mono and stereo. Check the microphone's user manual if you ! Caution: Turn all ! We recommend using both . If the signal...
... "SET THE LEVELS" portion of feedback in "QUICK START," is doing almost nothing, turn the TRIM down before operating this switch to provide phantom power to operate most dynamic mics. If you haven't already, please read about in live situations and it applies to the channels, mono and stereo. Check the microphone's user manual if you ! Caution: Turn all ! We recommend using both . If the signal...
Owner's Manual
Page 13
...equalize subtly; use the left sides of the -5 knobs (cut ) at the center detent position. Turn it down a little to the channel controls will affect the AUX signal. anywhere from 100Hz to set the amount of boost, you can create an audible low frequency boost without boosting stage rumble, mic handling clunks, and breath pops. In pre-fader mode... LOW MID 400Hz -15 +15 LOW 80Hz PAN LR 17-18 ASSIGN MUTE Stereo Channel PRE FADER The aux send rule of thumb: For parallel effects processing, use aux sends in the monitors, he still hears himself in post-fader mode. With this switch ...
...equalize subtly; use the left sides of the -5 knobs (cut ) at the center detent position. Turn it down a little to the channel controls will affect the AUX signal. anywhere from 100Hz to set the amount of boost, you can create an audible low frequency boost without boosting stage rumble, mic handling clunks, and breath pops. In pre-fader mode... LOW MID 400Hz -15 +15 LOW 80Hz PAN LR 17-18 ASSIGN MUTE Stereo Channel PRE FADER The aux send rule of thumb: For parallel effects processing, use aux sends in the monitors, he still hears himself in post-fader mode. With this switch ...
Owner's Manual
Page 15
...? You can make use of "QUICK START" (page 5) will actually display 0 dB on its meters. So ... Engaging a SOLO PFL switch affects these features: PHONES and Meters . Signals feeding the MAIN MIX Fader, after passing through the STEREO GRAPHIC EQ , include: SUB ASSIGN , MAIN INSERT , STEREO EFX RETURN 1 and 2 (including the EMAC EFFECTS PROCESSOR ), and TAPE INPUT . Most amplifiers clip at the...
...? You can make use of "QUICK START" (page 5) will actually display 0 dB on its meters. So ... Engaging a SOLO PFL switch affects these features: PHONES and Meters . Signals feeding the MAIN MIX Fader, after passing through the STEREO GRAPHIC EQ , include: SUB ASSIGN , MAIN INSERT , STEREO EFX RETURN 1 and 2 (including the EMAC EFFECTS PROCESSOR ), and TAPE INPUT . Most amplifiers clip at the...
Owner's Manual
Page 16
... channel's SOLO PFL is first controlled by the solo signal, allowing the engineer to set the levels at the block diagram on hearing protection. OO OO OO OO OO U +20 EFX 1 RETURN U +20 TAPE LEVEL BREAK SWITCH (MUTES ALL CHANNELS) ZE LEV SE MAX PHONES LEVEL U +10 UTILITY OUT LEVEL 1 SUB ASSIGN ... allowing you to the TAPE INPUT jacks and engage the BREAK SWITCH. PHONES LEVEL After the MAIN MIX Fader , the mix is within 3 to 6 inches of your intermission entertainment device to set headphone levels as a "Master Mute" switch, simply by plugging nothing into the TAPE INPUT .
... channel's SOLO PFL is first controlled by the solo signal, allowing the engineer to set the levels at the block diagram on hearing protection. OO OO OO OO OO U +20 EFX 1 RETURN U +20 TAPE LEVEL BREAK SWITCH (MUTES ALL CHANNELS) ZE LEV SE MAX PHONES LEVEL U +10 UTILITY OUT LEVEL 1 SUB ASSIGN ... allowing you to the TAPE INPUT jacks and engage the BREAK SWITCH. PHONES LEVEL After the MAIN MIX Fader , the mix is within 3 to 6 inches of your intermission entertainment device to set headphone levels as a "Master Mute" switch, simply by plugging nothing into the TAPE INPUT .
Owner's Manual
Page 18
... monitors. Tails are normal and warm with vocals and electric and acoustic tional gain, the center "U" mark is adjustable from 1 second and fully down is used to add effects to DIGITAL STEREO EFFECTS PROCESSOR spring reverb effect. Also works well with long RETURN and the EMAC output. Pre-delay set at the 0 position and able from 250ms to 2.5 seconds. No pre-delay. switch is adjustable...
... monitors. Tails are normal and warm with vocals and electric and acoustic tional gain, the center "U" mark is adjustable from 1 second and fully down is used to add effects to DIGITAL STEREO EFFECTS PROCESSOR spring reverb effect. Also works well with long RETURN and the EMAC output. Pre-delay set at the 0 position and able from 250ms to 2.5 seconds. No pre-delay. switch is adjustable...
Owner's Manual
Page 19
... darkest tone at 0 and the brightest tone at 10. An excellent delay for some country vocals. Rate is adjustable from 0.5Hz to light and mutes the effects' output signal. Just like the channels' ZERO LEVEL LED, this button causes the adjacent EFX BYPASS indicator to 35Hz. This is the speed of electric and acoustic guitar and bass. If it is adjustable from...
... darkest tone at 0 and the brightest tone at 10. An excellent delay for some country vocals. Rate is adjustable from 0.5Hz to light and mutes the effects' output signal. Just like the channels' ZERO LEVEL LED, this button causes the adjacent EFX BYPASS indicator to 35Hz. This is the speed of electric and acoustic guitar and bass. If it is adjustable from...
Owner's Manual
Page 20
... a left output is presumed dead, switch the left speaker is still dead, it 's one by a 240VAC center-tapped service entrance transformer. Troubleshooting Bad Channel • Is the ASSIGN switch set correctly? • Is the channel Fader turned up? • On mono channels, try unplugging all the outlets should be connected to the outlet and then plugging in place. If the left and right cords, at the...
... a left output is presumed dead, switch the left speaker is still dead, it 's one by a 240VAC center-tapped service entrance transformer. Troubleshooting Bad Channel • Is the ASSIGN switch set correctly? • Is the channel Fader turned up? • On mono channels, try unplugging all the outlets should be connected to the outlet and then plugging in place. If the left and right cords, at the...
Owner's Manual
Page 21
...Ω source impedance) Equivalent Input Noise (EIN): -127 dBu Residual Output Noise: Main, Monitor, & Effects outputs Channel & Master levels off -95 dBu Common Mode Rejection Ratio (CMRR) 60 dB @ 1kHz, Trim @ 0 dB Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1kHz Fader Off -90 dB @ 1kHz Mute Switch and Break Switch Mute -80 dB @ 1kHz Input Level Trim Control Range +6 to -50 dB Phantom Power +48V DC Equalization Low Cut: 100Hz...
...Ω source impedance) Equivalent Input Noise (EIN): -127 dBu Residual Output Noise: Main, Monitor, & Effects outputs Channel & Master levels off -95 dBu Common Mode Rejection Ratio (CMRR) 60 dB @ 1kHz, Trim @ 0 dB Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1kHz Fader Off -90 dB @ 1kHz Mute Switch and Break Switch Mute -80 dB @ 1kHz Input Level Trim Control Range +6 to -50 dB Phantom Power +48V DC Equalization Low Cut: 100Hz...
Owner's Manual
Page 22
... dB 50 dB 45 dB 30 dB 30 dB 5.0"/ 127mm Input Impedance Mic Input: 3kΩ, balanced Line Input: 40kΩ, balanced Insert Input, Stereo Line Input, Tape Input, and Effects Returns: 10kΩ, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends: 150Ω Digital Effects Resolution: Number of Presets: 16-bit, 2-channel 16 Channel Level Set LED (Sensitivity) 0 dBu (normal operating level) VU Meters Main L/R 12 segments: Clip, +10, +7, +4, +2, 0, -2, -4, -7, -10, -20, -30...
... dB 50 dB 45 dB 30 dB 30 dB 5.0"/ 127mm Input Impedance Mic Input: 3kΩ, balanced Line Input: 40kΩ, balanced Insert Input, Stereo Line Input, Tape Input, and Effects Returns: 10kΩ, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends: 150Ω Digital Effects Resolution: Number of Presets: 16-bit, 2-channel 16 Channel Level Set LED (Sensitivity) 0 dBu (normal operating level) VU Meters Main L/R 12 segments: Clip, +10, +7, +4, +2, 0, -2, -4, -7, -10, -20, -30...