Owners Manual
Page 2
... E S • 16 Mono channels (6 channels for the PMX-600) plus 2 Aux Returns and a stereo Tape In for a combined total of 20 inputs (10 inputs for selecting NADY AUDIO as your choice of the finest powered mixing units on all Channels, Groups 1-2, Main L-R, and Effects ...729 x 437mm); 35.25 lbs. (16 Kg) PMX-600: (HWD) 6.4" x 16.9" x 17.2" (163 x 430 x 437mm); 24.5 lbs. (11.1 Kg) CONTENTS FEATURES 2 WARNING 3 INSTALLATION 4 1. Left and Right dual 1/4" amplifier outputs for live or recording applications • Stereo L-R Master Mix and G1-2 Group Submix buses, with 4 master faders...
... E S • 16 Mono channels (6 channels for the PMX-600) plus 2 Aux Returns and a stereo Tape In for a combined total of 20 inputs (10 inputs for selecting NADY AUDIO as your choice of the finest powered mixing units on all Channels, Groups 1-2, Main L-R, and Effects ...729 x 437mm); 35.25 lbs. (16 Kg) PMX-600: (HWD) 6.4" x 16.9" x 17.2" (163 x 430 x 437mm); 24.5 lbs. (11.1 Kg) CONTENTS FEATURES 2 WARNING 3 INSTALLATION 4 1. Left and Right dual 1/4" amplifier outputs for live or recording applications • Stereo L-R Master Mix and G1-2 Group Submix buses, with 4 master faders...
Owners Manual
Page 5
... will be adjusted to accommodate input signals from a wide variety of sources, from the high outputs from keyboards or drum machines to a channel or the mix. Insert points are usually added to ground, as : Tip = send, Ring = return, Sleeve = ground. Unlike reverbs, etc., which will be inappropriate. Never short the +48VDC...
... will be adjusted to accommodate input signals from a wide variety of sources, from the high outputs from keyboards or drum machines to a channel or the mix. Insert points are usually added to ground, as : Tip = send, Ring = return, Sleeve = ground. Unlike reverbs, etc., which will be inappropriate. Never short the +48VDC...
Owners Manual
Page 6
...channel Pan positions the output of the channel in the studio; For almost all drum channels onto just 1 or 2 submaster faders, or to mix together a vocal quartet and then control their frequencies fixed at 75Hz) for a headphone cue system. (9) AUX 2 / EFFECT CONTROL (POST-FADER...will be used carefully in conjunction with the Equalizer Controls (7). (7) EQUALIZER CONTROLS All channels are in recording applications, such as a convenient mixing aid both live performances or a studio room The channel Aux 2 control is approaching overload. It detects the peak level after altering the...
...channel Pan positions the output of the channel in the studio; For almost all drum channels onto just 1 or 2 submaster faders, or to mix together a vocal quartet and then control their frequencies fixed at 75Hz) for a headphone cue system. (9) AUX 2 / EFFECT CONTROL (POST-FADER...will be used carefully in conjunction with the Equalizer Controls (7). (7) EQUALIZER CONTROLS All channels are in recording applications, such as a convenient mixing aid both live performances or a studio room The channel Aux 2 control is approaching overload. It detects the peak level after altering the...
Owners Manual
Page 7
... purpose, such as monitor feeds. AUX EFFECTS SECTION (15) (14) AUX SEND 1 & 2 LEVEL CONTROLS These controls adjust the final mixed level of signal input into the PMX Series powered mixer or they can be set to 200mS delays. This EQ can be used to shape and mold the tone...This push button switch determines if the Channel Aux 2 Eff Send signals are then sent to adjust the frequency response of the Master L and R mix providing a maximum of +/12dB of multi-track recorders. These can be applied to the internal Echo Effects section (button depressed). Settings around 100mS ...
... purpose, such as monitor feeds. AUX EFFECTS SECTION (15) (14) AUX SEND 1 & 2 LEVEL CONTROLS These controls adjust the final mixed level of signal input into the PMX Series powered mixer or they can be set to 200mS delays. This EQ can be used to shape and mold the tone...This push button switch determines if the Channel Aux 2 Eff Send signals are then sent to adjust the frequency response of the Master L and R mix providing a maximum of +/12dB of multi-track recorders. These can be applied to the internal Echo Effects section (button depressed). Settings around 100mS ...
Owners Manual
Page 8
...AUX SEND 1 & 2 OUTPUTS These mono unbalanced 1/4" jacks output the auxiliary signals which can be used to monitor either the Master or Group mix. depressed for Group 1 & 2, out for Master Stereo. (33) HEADPHONE OUTPUT The Headphone 1/4" stereo output can be used to maintain proper...jacks output the Group 1 and 2 line level signals. (36) MAIN OUTPUTS These balanced XLR and unbalanced 1/4" jacks output the final Master/Main Mix line level signals. 8 This allows controlling the combined volume of multiple channels with impedances of 8Ω or greater. (34) CONTROL ROOM L-R OUTPUTS...
...AUX SEND 1 & 2 OUTPUTS These mono unbalanced 1/4" jacks output the auxiliary signals which can be used to monitor either the Master or Group mix. depressed for Group 1 & 2, out for Master Stereo. (33) HEADPHONE OUTPUT The Headphone 1/4" stereo output can be used to maintain proper...jacks output the Group 1 and 2 line level signals. (36) MAIN OUTPUTS These balanced XLR and unbalanced 1/4" jacks output the final Master/Main Mix line level signals. 8 This allows controlling the combined volume of multiple channels with impedances of 8Ω or greater. (34) CONTROL ROOM L-R OUTPUTS...