User Manual
Page 5
...room cannot be as linear (flat) as low-frequency "sound reflectors" for two reasons: Varying studio size, shape, and acoustical treatment: Elevate 6 monitors are designed to have a flat frequency response, you hear at the "mixing position." These settings compensate for a studio that sounds...mixes sound good in an anechoic chamber to be easily modified to improve acoustics. Acoustic Compensation Since studio monitors (including the Elevate 6) are tested and tuned in the studio but sound too "crispy" or "brittle" and contain too much highfrequency reflection around the room)....
...room cannot be as linear (flat) as low-frequency "sound reflectors" for two reasons: Varying studio size, shape, and acoustical treatment: Elevate 6 monitors are designed to have a flat frequency response, you hear at the "mixing position." These settings compensate for a studio that sounds...mixes sound good in an anechoic chamber to be easily modified to improve acoustics. Acoustic Compensation Since studio monitors (including the Elevate 6) are tested and tuned in the studio but sound too "crispy" or "brittle" and contain too much highfrequency reflection around the room)....