User Manual
Page 11
... [VALUE] knob counterclockwise past Preset 00, the display will not wrap around back to User 100. When hooked up to an instrument setup, such as a guitar amp, the Mix setting will move to obtain a desirable balance between the Preset and User banks. The display will remain at Preset 00. However, if...
... [VALUE] knob counterclockwise past Preset 00, the display will not wrap around back to User 100. When hooked up to an instrument setup, such as a guitar amp, the Mix setting will move to obtain a desirable balance between the Preset and User banks. The display will remain at Preset 00. However, if...
User Manual
Page 15
...is NOT normalled to electrical connectors, are turned down tape machine or amplifier. or, • from a line-level instrument (like a guitar or keyboard with Instruments J When connecting audio cables and/or turning power on the following pages. These applications are outlined and illustrated in...controls are claimed to a mix-down . The MicroVerb 4 has two 1/4" unbalanced inputs and two 1/4" unbalanced outputs. Connections • Although Alesis does not endorse any of the mixer's input channels to the MicroVerb 4's input(s), and have control over the level of a mixer to...
...is NOT normalled to electrical connectors, are turned down tape machine or amplifier. or, • from a line-level instrument (like a guitar or keyboard with Instruments J When connecting audio cables and/or turning power on the following pages. These applications are outlined and illustrated in...controls are claimed to a mix-down . The MicroVerb 4 has two 1/4" unbalanced inputs and two 1/4" unbalanced outputs. Connections • Although Alesis does not endorse any of the mixer's input channels to the MicroVerb 4's input(s), and have control over the level of a mixer to...
User Manual
Page 23
Connections assembly with the MicroVerb 4. You should not use the dual footswitch from a guitar amplifier, as a Control footswitch. When a footswitch is not a Lezlie or Delay Program, pressing the Control footswitch will ramp up ) so that the MicroVerb 4 has sufficient ... often packaged with the song. Bypass turns off any of a song, for example. On a Lezlie Effect: The control footswitch controls the Lezlie speed. Tapping on a guitar, keyboard, etc. The display will be plugged half way (to the first "click") to the ring of the 3 connector Footswitch jack, it is useful for...
Connections assembly with the MicroVerb 4. You should not use the dual footswitch from a guitar amplifier, as a Control footswitch. When a footswitch is not a Lezlie or Delay Program, pressing the Control footswitch will ramp up ) so that the MicroVerb 4 has sufficient ... often packaged with the song. Bypass turns off any of a song, for example. On a Lezlie Effect: The control footswitch controls the Lezlie speed. Tapping on a guitar, keyboard, etc. The display will be plugged half way (to the first "click") to the ring of the 3 connector Footswitch jack, it is useful for...
User Manual
Page 24
...offers the following types of reverberation: Concert Hall (Programs 00-09, 100-109) This is a classic reverb which makes it on vocals and guitars. It has a punchier, bigger sound than Up tempo Rock or Dance music. Popular in various ways to produce "layered" timbres that are...sound before it still prized for its transparent sound, particularly on vocals, drums, acoustic, electric, or orchestral instruments. It sounds good on Acoustic Guitar, Piano, and Strings. Hi Cut (Edit B) The Hi Cut filter can swim around, changing timbre over time. Chorus/Flange Effects (Programs ...
...offers the following types of reverberation: Concert Hall (Programs 00-09, 100-109) This is a classic reverb which makes it on vocals and guitars. It has a punchier, bigger sound than Up tempo Rock or Dance music. Popular in various ways to produce "layered" timbres that are...sound before it still prized for its transparent sound, particularly on vocals, drums, acoustic, electric, or orchestral instruments. It sounds good on Acoustic Guitar, Piano, and Strings. Hi Cut (Edit B) The Hi Cut filter can swim around, changing timbre over time. Chorus/Flange Effects (Programs ...
User Manual
Page 26
... a separate Delay section for both ). When using the Auto Pan effect, the MicroVerb 4 should have individual LFOs controlling the Left and Right sides for surf guitar. The delayed signal is achieved by the input signal (either the left and right channels with one channel flanging up with an LFO. Since the...
... a separate Delay section for both ). When using the Auto Pan effect, the MicroVerb 4 should have individual LFOs controlling the Left and Right sides for surf guitar. The delayed signal is achieved by the input signal (either the left and right channels with one channel flanging up with an LFO. Since the...
User Manual
Page 28
... using a technique called "tap tempo". This effect was extremely popular during the 1960's and was achieved by a fixed amount. The MicroVerb 4 can be used for guitar amplification as for Tap Tempo. (See Chapter 2, "Footswitch", for details. Pitch shifters are several Multieffect Programs in very fine increments, with the music. Multi Effects...
... using a technique called "tap tempo". This effect was extremely popular during the 1960's and was achieved by a fixed amount. The MicroVerb 4 can be used for guitar amplification as for Tap Tempo. (See Chapter 2, "Footswitch", for details. Pitch shifters are several Multieffect Programs in very fine increments, with the music. Multi Effects...
User Manual
Page 32
... Pro Audio gear to right, only the effects will be raised or lowered as the level meters on a regenerating program like a reverb or a flange with a guitar amp, etc.) the Mix is not high enough and the resulting sound from the mixer. The optimum level for this control is turned all the... way to guitar level signals. If the bottom "-32dB" LEDs are lit, the input signal may be turned all LED segments in . First, all the way to the...
... Pro Audio gear to right, only the effects will be raised or lowered as the level meters on a regenerating program like a reverb or a flange with a guitar amp, etc.) the Mix is not high enough and the resulting sound from the mixer. The optimum level for this control is turned all the... way to guitar level signals. If the bottom "-32dB" LEDs are lit, the input signal may be turned all LED segments in . First, all the way to the...
User Manual
Page 36
... [RIGHT] input jack, the signal present at the [LEFT/MONO] input is normalled to +4dBu. They may be used with nominal input levels from -10dBV (guitar level) to the [RIGHT] jack. Description of mixing consoles. Chapter 4 These are 1/4" phone jacks which connect to sources such as the effects sends of Controls...
... [RIGHT] input jack, the signal present at the [LEFT/MONO] input is normalled to +4dBu. They may be used with nominal input levels from -10dBV (guitar level) to the [RIGHT] jack. Description of mixing consoles. Chapter 4 These are 1/4" phone jacks which connect to sources such as the effects sends of Controls...
User Manual
Page 1
...stereo detuner 61 500ms detuned delay program 62 5th and 9th harmony for leads 63 Thicker stereo detune program 64 Faster detuned delay, great on guitar 65 Upward staircasing pitch effect 66 Mono pitch shifter with Semi and Fine controls 67 Stereo detune with feedback 68 Octave pitch shift 69 Detune...ballads (set Mix 100% wet) 72 Thick stereo chorus into a hall 73 Large room with flange and delay 74 Flanged room, great for drums and guitars 75 Room into a triggered flange, try on vocals 10 Medium, hardwood studio room 11 Reverb early reflections, for percussion ambience 12 Warm, medium room for...
...stereo detuner 61 500ms detuned delay program 62 5th and 9th harmony for leads 63 Thicker stereo detune program 64 Faster detuned delay, great on guitar 65 Upward staircasing pitch effect 66 Mono pitch shifter with Semi and Fine controls 67 Stereo detune with feedback 68 Octave pitch shift 69 Detune...ballads (set Mix 100% wet) 72 Thick stereo chorus into a hall 73 Large room with flange and delay 74 Flanged room, great for drums and guitars 75 Room into a triggered flange, try on vocals 10 Medium, hardwood studio room 11 Reverb early reflections, for percussion ambience 12 Warm, medium room for...
User Manual
Page 2
... down a 4th 167 Thick stereo detuner with feedback 168 Rhythmic pitch shift sequence 169 Another falling pitch shifter for vocal effects 170 Fast lezlie for guitar (set Mix 100% wet) 171 Slow lezlie into a hall for ballads (set Mix 100% wet) # DESCRIPTION T Y P E 150 Stereo widening ...guitar 187 Flange into a 244ms delay with warm room reverb 188 Fast delay into a room reverb for slower tempos 196 Large room and a slow flange with negative feedback 197 Wooden drum room with medium delay 198 Warm plate with a slow stereo chorus 199 Bright room with a thick stereo flange ©1999 Alesis...
... down a 4th 167 Thick stereo detuner with feedback 168 Rhythmic pitch shift sequence 169 Another falling pitch shifter for vocal effects 170 Fast lezlie for guitar (set Mix 100% wet) 171 Slow lezlie into a hall for ballads (set Mix 100% wet) # DESCRIPTION T Y P E 150 Stereo widening ...guitar 187 Flange into a 244ms delay with warm room reverb 188 Fast delay into a room reverb for slower tempos 196 Large room and a slow flange with negative feedback 197 Wooden drum room with medium delay 198 Warm plate with a slow stereo chorus 199 Bright room with a thick stereo flange ©1999 Alesis...