Manual
Page 4
... assignment: pin 1 = shielding; Audio Connection Use a balanced XLR microphone cable with gold-plated connectors. 5. To get the sound you want, try changing the mic position relative to a commercially available suspension mount. 4. pin 3 = -. Only when the desired basic sound has been achieved, should be helpful. 4 STUDIO CONDENSER MICROPHONE C-1 User Manual If necessary, you can bend the...
... assignment: pin 1 = shielding; Audio Connection Use a balanced XLR microphone cable with gold-plated connectors. 5. To get the sound you want, try changing the mic position relative to a commercially available suspension mount. 4. pin 3 = -. Only when the desired basic sound has been achieved, should be helpful. 4 STUDIO CONDENSER MICROPHONE C-1 User Manual If necessary, you can bend the...
Manual
Page 6
SPL (1% THD @ 1 kHz) Nominal impedance Load impedance condenser, 16 mm cardioid gold-plated balanced XLR connector -33 ± 2 dBV (0 dBV = 1 V/Pa) 40 Hz - 20 kHz 136 dB 100 Ω >1 kΩ Mains Voltage / Fuse Supply voltage Supply current +36 - 52 V 2.5 mA Physical/Weight Dimensions Weight Ø shaft: 54 mm length: 169 mm approx. 0.45 kg Specifications Transducer type Polar pattern Connection: Open circuit sensitivity Frequency response Max. 6 STUDIO CONDENSER MICROPHONE C-1 User Manual 6.
SPL (1% THD @ 1 kHz) Nominal impedance Load impedance condenser, 16 mm cardioid gold-plated balanced XLR connector -33 ± 2 dBV (0 dBV = 1 V/Pa) 40 Hz - 20 kHz 136 dB 100 Ω >1 kΩ Mains Voltage / Fuse Supply voltage Supply current +36 - 52 V 2.5 mA Physical/Weight Dimensions Weight Ø shaft: 54 mm length: 169 mm approx. 0.45 kg Specifications Transducer type Polar pattern Connection: Open circuit sensitivity Frequency response Max. 6 STUDIO CONDENSER MICROPHONE C-1 User Manual 6.