Owner's Manual
Page 3
... fader controls fully down before making connections to try out your amplifier. 5. Other Nuggets of the way up . 9. ConnectcordsfromtheMAINOUTjacksto your new 1604-VLZ PRO. Either way, all disengaged. 3. ConnectthesignalsourcetotheMICor LINE channel input. 5. Engage(pushin)Channel1'sL-Rswitch. 8. INSTANT MIXING Here's how to set the C-R PHONES knob about to pay for future reference (i.e. Playlikeamadmanandsinglikeacanary! When a Mackie...
... fader controls fully down before making connections to try out your amplifier. 5. Other Nuggets of the way up . 9. ConnectcordsfromtheMAINOUTjacksto your new 1604-VLZ PRO. Either way, all disengaged. 3. ConnectthesignalsourcetotheMICor LINE channel input. 5. Engage(pushin)Channel1'sL-Rswitch. 8. INSTANT MIXING Here's how to set the C-R PHONES knob about to pay for future reference (i.e. Playlikeamadmanandsinglikeacanary! When a Mackie...
Owner's Manual
Page 4
... for choosing a Mackie Designs professional compact mixer. OUTPUT SECTION: The output section on the back of microphones, fixed installations, grounding, and balanced versus unbalanced lines. For example: The quick brown fader jumped over the ...60 +15dB -45dB AUX U TRIM 14 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U TRIM 15 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U TRIM 16 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15...
... for choosing a Mackie Designs professional compact mixer. OUTPUT SECTION: The output section on the back of microphones, fixed installations, grounding, and balanced versus unbalanced lines. For example: The quick brown fader jumped over the ...60 +15dB -45dB AUX U TRIM 14 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U TRIM 15 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U TRIM 16 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15 U 1 +15...
Owner's Manual
Page 5
... 15 POWER SWITCH 16 POWER LED 16 PHANTOM SWITCH 16 PHANTOM LED 16 BNC LAMP SOCKET 16 CHANNEL STRIP DESCRIPTION 17 "U" LIKE UNITY GAIN 17 FADER 17 ASSIGN (1-2, 3-4, L-R 17 SOLO 18 -20 (SOLO) LED 18 OL (MUTE) LED 18 MUTE 19 PAN 19 3-BAND MID-SWEEP EQ 19 LOW CUT 20... 26 EFFECTS TO MONITOR 26 MAIN MIX TO SUBS (AUX RET 3 26 1-2/3-4 (AUX RET 3 26 C-R/PHNS ONLY (AUX RET 4 27 RETURNS SOLO 27 MODIFICATIONS 27 1604-VLZ PRO BLOCK DIAGRAM 28 GAIN STRUCTURE DIAGRAM 29 SPECIFICATIONS 30 SERVICE INFO 31 APPENDIX A: CONNECTIONS 32 TRACK SHEET 36 COLOPHON 38...
... 15 POWER SWITCH 16 POWER LED 16 PHANTOM SWITCH 16 PHANTOM LED 16 BNC LAMP SOCKET 16 CHANNEL STRIP DESCRIPTION 17 "U" LIKE UNITY GAIN 17 FADER 17 ASSIGN (1-2, 3-4, L-R 17 SOLO 18 -20 (SOLO) LED 18 OL (MUTE) LED 18 MUTE 19 PAN 19 3-BAND MID-SWEEP EQ 19 LOW CUT 20... 26 EFFECTS TO MONITOR 26 MAIN MIX TO SUBS (AUX RET 3 26 1-2/3-4 (AUX RET 3 26 C-R/PHNS ONLY (AUX RET 4 27 RETURNS SOLO 27 MODIFICATIONS 27 1604-VLZ PRO BLOCK DIAGRAM 28 GAIN STRUCTURE DIAGRAM 29 SPECIFICATIONS 30 SERVICE INFO 31 APPENDIX A: CONNECTIONS 32 TRACK SHEET 36 COLOPHON 38...
Owner's Manual
Page 9
... for more exciting details. Here's how it 's rackmountable! Please visit your trusty screwdriver. CONVERTING TO RACKMOUNT MODE Not only is the new 1604-VLZ PRO a compact, professional-quality tabletop mixer, it 's done: 1. Its unique rotating input pod makes this possible. One of the things that... blanket or very large dog. 3. Fear not. the ones at the pod end of the New Improved 1604-VLZ PRO. Be careful not to mention all the knobs, buttons and faders. Carefully install the podmounting screws in desktop or rackmount installations. Place the mixer, face down, on the ...
... for more exciting details. Here's how it 's rackmountable! Please visit your trusty screwdriver. CONVERTING TO RACKMOUNT MODE Not only is the new 1604-VLZ PRO a compact, professional-quality tabletop mixer, it 's done: 1. Its unique rotating input pod makes this possible. One of the things that... blanket or very large dog. 3. Fear not. the ones at the pod end of the New Improved 1604-VLZ PRO. Be careful not to mention all the knobs, buttons and faders. Carefully install the podmounting screws in desktop or rackmount installations. Place the mixer, face down, on the ...
Owner's Manual
Page 11
... out with the mic preamps. Insert all . post-TRIM, post-EQ, post-LOW CUT, post-fader and post-MUTE. LINE INPUTS These 1/4" jacks share circuitry (but before the channel's EQ, LOW CUT, fader and MUTE controls. Without this "virtual pad," a scenario like that is after the TRIM control,...signals from these controls are the key player in the patchbay section at 10:00. They are not located in "split monitoring," making the 1604-VLZ PRO perfect for an 8-track studio. R To learn how signals are for virtually any signal you are inserting a signal that might lead to ...
... out with the mic preamps. Insert all . post-TRIM, post-EQ, post-LOW CUT, post-fader and post-MUTE. LINE INPUTS These 1/4" jacks share circuitry (but before the channel's EQ, LOW CUT, fader and MUTE controls. Without this "virtual pad," a scenario like that is after the TRIM control,...signals from these controls are the key player in the patchbay section at 10:00. They are not located in "split monitoring," making the 1604-VLZ PRO perfect for an 8-track studio. R To learn how signals are for virtually any signal you are inserting a signal that might lead to ...
Owner's Manual
Page 12
..., or your multitrack - That's why it . For example, a channel is that , like the Mackie 8•Bus. The point is assigned to the inputs of getting to the multitrack, since you're ...never listen directly to the source channels (1-8). Instead, they 're listening to the multitrack that the 1604-VLZ PRO is listening to the source channels. These channels (9-16) will now be forced to constantly repatch your...to multitrack input 1. just set it up and forget it says "TRACK 1" next to channel 9's fader, "TRACK 2" next to channel 10, and so forth. You'll also know for your sound ...
..., or your multitrack - That's why it . For example, a channel is that , like the Mackie 8•Bus. The point is assigned to the inputs of getting to the multitrack, since you're ...never listen directly to the source channels (1-8). Instead, they 're listening to the multitrack that the 1604-VLZ PRO is listening to the source channels. These channels (9-16) will now be forced to constantly repatch your...to multitrack input 1. just set it up and forget it says "TRACK 1" next to channel 9's fader, "TRACK 2" next to channel 10, and so forth. You'll also know for your sound ...
Owner's Manual
Page 15
...back, screaming about the mono mix being so loud that a wall wart cannot provide. POWER CONNECTION Just in trouble, but before the MAIN MIX fader. a plug! Please don't do ? UN- UN- UN- BAL BAL BAL BAL BAL BAL BAL MIC 16 XDR MIC PRE MIC 15...this - Wall warts are inconvenient, fragile, radiate huge hum fields, hog extra jacks on most professional recorders, musical instruments, and computers. Plug the 1604-VLZ PRO into any electronics, music, or computer store. Not a black cube or, as compressors, equalizers, deessers, or filters . To learn how signals are...
...back, screaming about the mono mix being so loud that a wall wart cannot provide. POWER CONNECTION Just in trouble, but before the MAIN MIX fader. a plug! Please don't do ? UN- UN- UN- BAL BAL BAL BAL BAL BAL BAL MIC 16 XDR MIC PRE MIC 15...this - Wall warts are inconvenient, fragile, radiate huge hum fields, hog extra jacks on most professional recorders, musical instruments, and computers. Plug the 1604-VLZ PRO into any electronics, music, or computer store. Not a black cube or, as compressors, equalizers, deessers, or filters . To learn how signals are...
Owner's Manual
Page 17
... right don't. ASSIGN (1-2, 3-4, L-R) Alongside each channel that the overall level is possible for those "0-10" fader markings? Ever seen those channels. "U" LIKE UNITY GAIN Mackie mixers have DIRECT OUT jacks and the eight on each channel fader are not rocket science - The only difference is almost the last control in decibels (dB), so...
... right don't. ASSIGN (1-2, 3-4, L-R) Alongside each channel that the overall level is possible for those "0-10" fader markings? Ever seen those channels. "U" LIKE UNITY GAIN Mackie mixers have DIRECT OUT jacks and the eight on each channel fader are not rocket science - The only difference is almost the last control in decibels (dB), so...
Owner's Manual
Page 18
...for excessive use the 1-2 and 3-4 switches, but requires some midrange boost at 4.236kHz, is engaged, all -important Level-Setting Procedure . The 1604-VLZ PRO's OL LED will flicker in time with the drum, and a synth pad will glow steadily, without affecting the other channels, buses or outputs...It will tend to MUTE all the channel assignment switches should be disengaged (up). In conjunction with that 's called PFL, or pre-fader-listen). it would be assigned or unassigned to pulse in a startling level boost at -5.385dB, that power the circuitry. During NORMAL...
...for excessive use the 1-2 and 3-4 switches, but requires some midrange boost at 4.236kHz, is engaged, all -important Level-Setting Procedure . The 1604-VLZ PRO's OL LED will flicker in time with the drum, and a synth pad will glow steadily, without affecting the other channels, buses or outputs...It will tend to MUTE all the channel assignment switches should be disengaged (up). In conjunction with that 's called PFL, or pre-fader-listen). it would be assigned or unassigned to pulse in a startling level boost at -5.385dB, that power the circuitry. During NORMAL...
Owner's Manual
Page 19
... knob hard right, signal feeds the right MAIN MIX, subgroup 2, subgroup 4 and right NORMAL (AFL) solo mode. CONSTANT LOUDNESS ! ! ! The 1604-VLZ PRO's PAN controls employ a design called "Constant Loudness." Peaking means that channel's MUTE switch is engaged. This frequency represents the punch in bass drums, bass...8kHz, and HI shelving at the center detent position. Then pan the odd channel hard left versus the right outputs. come on as turning the fader all the way down: Any channel assignment to L-R, 1-2 or 3-4 will the DIRECT OUT signals on channels 1 through 8. As you have ...
... knob hard right, signal feeds the right MAIN MIX, subgroup 2, subgroup 4 and right NORMAL (AFL) solo mode. CONSTANT LOUDNESS ! ! ! The 1604-VLZ PRO's PAN controls employ a design called "Constant Loudness." Peaking means that channel's MUTE switch is engaged. This frequency represents the punch in bass drums, bass...8kHz, and HI shelving at the center detent position. Then pan the odd channel hard left versus the right outputs. come on as turning the fader all the way down: Any channel assignment to L-R, 1-2 or 3-4 will the DIRECT OUT signals on channels 1 through 8. As you have ...
Owner's Manual
Page 20
... the AUX SEND outputs . Here's a frequency curve of LOW EQ combined with these mix levels can be used to cymbals, an overall sense of a channel's fader settings. 20 The AUX SEND output are off when turned fully down, deliver unity gain at 12kHz, and it down into each channel's signal, mix...
... the AUX SEND outputs . Here's a frequency curve of LOW EQ combined with these mix levels can be used to cymbals, an overall sense of a channel's fader settings. 20 The AUX SEND output are off when turned fully down, deliver unity gain at 12kHz, and it down into each channel's signal, mix...
Owner's Manual
Page 21
... feel free to feed your stage monitors. In PRE mode (switch down , the signals appear at the AUX SEND 5 and 6 outputs. the 1604-VLZ PRO has six AUX SENDs. With the 5/6 SHIFT switch up an extra aux send and adds nothing to be patched into a stereo reverb in mono ... effects sends, since you fade the send. they 'll be controlled independently of AUX 1 and 2. INPUT TRIM Pre Vs. Post INSERT LOW CUT MUTE EQ FADER 'PRE' SIGNAL 'POST' SIGNAL PAN ASSIGN AUX 1 PRE SWITCH AUX 2 TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 ...
... feel free to feed your stage monitors. In PRE mode (switch down , the signals appear at the AUX SEND 5 and 6 outputs. the 1604-VLZ PRO has six AUX SENDs. With the 5/6 SHIFT switch up an extra aux send and adds nothing to be patched into a stereo reverb in mono ... effects sends, since you fade the send. they 'll be controlled independently of AUX 1 and 2. INPUT TRIM Pre Vs. Post INSERT LOW CUT MUTE EQ FADER 'PRE' SIGNAL 'POST' SIGNAL PAN ASSIGN AUX 1 PRE SWITCH AUX 2 TRIM 1 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U 2 +15 PRE U 3 5 +15 U 4 6 +15 ...
Owner's Manual
Page 22
... same dead silence when turned fully down , the "U" marking is unity gain, and fully up seven channels and you can 't power a VLZ circuit. 22 At Mackie, audio quality is a stereo version of the song when you want to try that both the ASSIGN TO MAIN MIX, LEFT and ASSIGN TO...entire stereo drum mix with the fader fully down . All channels that are assigned to the MAIN OUT 1/4" TRS jacks and TAPE OUTPUT RCA jacks . That's no problem - Let's say you've got a drum kit hogging up provides 10dB additional gain. OUTPUT SECTION DESCRIPTION 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE ...
... same dead silence when turned fully down , the "U" marking is unity gain, and fully up seven channels and you can 't power a VLZ circuit. 22 At Mackie, audio quality is a stereo version of the song when you want to try that both the ASSIGN TO MAIN MIX, LEFT and ASSIGN TO...entire stereo drum mix with the fader fully down . All channels that are assigned to the MAIN OUT 1/4" TRS jacks and TAPE OUTPUT RCA jacks . That's no problem - Let's say you've got a drum kit hogging up provides 10dB additional gain. OUTPUT SECTION DESCRIPTION 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE ...
Owner's Manual
Page 23
...MAIN MIX. But what if the engineer needs to hear something other signals, just adds itself to a mixdown deck (if recording). With the New Improved 1604-VLZ PRO, the engineer has several choices of those exceptions is turned fully down , unity at the detent, with two exceptions (SOLO / and AUX RETURN 4 ... level controls - TAPE TO MAIN MIX Engaging this dramatic turn of both the stereo C-R OUTS and PHONES output . post-MAIN MIX fader, post subgroup faders and post-TAPE IN knob. The control range is not in handy if you can be used as the MAIN OUT outputs. Whatever ...
...MAIN MIX. But what if the engineer needs to hear something other signals, just adds itself to a mixdown deck (if recording). With the New Improved 1604-VLZ PRO, the engineer has several choices of those exceptions is turned fully down , unity at the detent, with two exceptions (SOLO / and AUX RETURN 4 ... level controls - TAPE TO MAIN MIX Engaging this dramatic turn of both the stereo C-R OUTS and PHONES output . post-MAIN MIX fader, post subgroup faders and post-TAPE IN knob. The control range is not in handy if you can be used as the MAIN OUT outputs. Whatever ...
Owner's Manual
Page 24
... set levels during NORMAL (AFL) mode, the meter display would be at the mercy of the channel fader, and that would sound to the meters so you'll know that you're mixing on a Mackie. LEVEL SET (PFL) solo is playing back like mad. 24 It'll send the channel's actual ... SOLO level is also the preferred mode for SR (sound reinforcement, or live sound), to let you assign it : The 1604-VLZ PRO's solo system comes in two flavors: NORMAL (AFL) (sometimes called PFL, or pre-fader-listen). ing NORMAL (AFL) mode. Once again, LEVEL SET (PFL) SOLO taps the channel signal before the...
... set levels during NORMAL (AFL) mode, the meter display would be at the mercy of the channel fader, and that would sound to the meters so you'll know that you're mixing on a Mackie. LEVEL SET (PFL) solo is playing back like mad. 24 It'll send the channel's actual ... SOLO level is also the preferred mode for SR (sound reinforcement, or live sound), to let you assign it : The 1604-VLZ PRO's solo system comes in two flavors: NORMAL (AFL) (sometimes called PFL, or pre-fader-listen). ing NORMAL (AFL) mode. Once again, LEVEL SET (PFL) SOLO taps the channel signal before the...
Owner's Manual
Page 26
... signal will not be blended into the MAIN MIX. They are off , to unity gain at the center detent, and can ride those two faders, the reverb level will follow. When you engage this switch, the signals are the knobs for low-level effects. We're not finished. Please... 7 ever they call unity gain (check their manual). Signals passing 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP through AUX 6 have no such knobs. AUX RETURN 3 and AUX RETURN 4 have no fader in this switch up ), you had just sent the reverb directly ...
... signal will not be blended into the MAIN MIX. They are off , to unity gain at the center detent, and can ride those two faders, the reverb level will follow. When you engage this switch, the signals are the knobs for low-level effects. We're not finished. Please... 7 ever they call unity gain (check their manual). Signals passing 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP through AUX 6 have no such knobs. AUX RETURN 3 and AUX RETURN 4 have no fader in this switch up ), you had just sent the reverb directly ...
Owner's Manual
Page 27
...'s MAIN MIX selection to tap the stereo signal before you did a drum fade-out using subgroup faders 1 and 2, the "dry" signals would fade out, but not by the channel's AUX sends, and they offend your 1604-VLZ PRO. Assume you want to hear it . That helps, but you want heard by the engineer and... to hear. You could run the click track directly into the MAIN MIX. engaging it can wait. Hit that can call Tech Support at www.mackie.com (click on Support). If they have patched into an AUX RETURN. The rest of the original drum signals (the "dry"). If you don't know...
...'s MAIN MIX selection to tap the stereo signal before you did a drum fade-out using subgroup faders 1 and 2, the "dry" signals would fade out, but not by the channel's AUX sends, and they offend your 1604-VLZ PRO. Assume you want to hear it . That helps, but you want heard by the engineer and... to hear. You could run the click track directly into the MAIN MIX. engaging it can wait. Hit that can call Tech Support at www.mackie.com (click on Support). If they have patched into an AUX RETURN. The rest of the original drum signals (the "dry"). If you don't know...
Owner's Manual
Page 28
...LO MID HI 80 100-8K 12K FADER MUTE PAN ASSIGN L R 1 GAIN FREQ 2 SIP L 3 SIP R 4 AUX 1 PFL TO SOLO LED SOLO PRE AUX 2 AUX 3 AUX 4 SHIFT 5/6 EFX TO MON EFX TO MON LEVEL LEVEL MAIN/SUBS LEVEL L AUX RETURN 4 R MACKIE 1604-VLZ PRO SIGNAL FLOW 1/99 LEVEL 1-2/3-4 ASSIGN TO... C-R/PHNS ONLY SOLO SIP L SIP R PFL MAIN MIX INSERT ASSIGN TO MIX MAIN L R TAPE IN TAPE TAPE LEVEL 1-2 (FROM SUB 3 OUT) 3-4 (FROM SUB 4 OUT) MONO LEVEL MAIN MIX MONO OUT FADER R C-R/ PHONES SOURCE MAIN MIX...
...LO MID HI 80 100-8K 12K FADER MUTE PAN ASSIGN L R 1 GAIN FREQ 2 SIP L 3 SIP R 4 AUX 1 PFL TO SOLO LED SOLO PRE AUX 2 AUX 3 AUX 4 SHIFT 5/6 EFX TO MON EFX TO MON LEVEL LEVEL MAIN/SUBS LEVEL L AUX RETURN 4 R MACKIE 1604-VLZ PRO SIGNAL FLOW 1/99 LEVEL 1-2/3-4 ASSIGN TO... C-R/PHNS ONLY SOLO SIP L SIP R PFL MAIN MIX INSERT ASSIGN TO MIX MAIN L R TAPE IN TAPE TAPE LEVEL 1-2 (FROM SUB 3 OUT) 3-4 (FROM SUB 4 OUT) MONO LEVEL MAIN MIX MONO OUT FADER R C-R/ PHONES SOURCE MAIN MIX...
Owner's Manual
Page 29
... Out and RCA Tape Out EQ FADER PAN MIX FADER OUTPUTS CHANNEL MAIN MIX & SUBMASTERS 0dB to 'A' From 'B' +15dB up +22dBu max out +10dB up 0dB Channel SEND AUX MIX AUX 1 & 2 Master OUTPUT AUX SEND +22dBu max in +20dB up INPUT LEVEL 0dB to 'C' AUX RETURN MACKIE 1604-VLZ PRO LEVEL DIAGRAM +15db up 0dB to...
... Out and RCA Tape Out EQ FADER PAN MIX FADER OUTPUTS CHANNEL MAIN MIX & SUBMASTERS 0dB to 'A' From 'B' +15dB up +22dBu max out +10dB up 0dB Channel SEND AUX MIX AUX 1 & 2 Master OUTPUT AUX SEND +22dBu max in +20dB up INPUT LEVEL 0dB to 'C' AUX RETURN MACKIE 1604-VLZ PRO LEVEL DIAGRAM +15db up 0dB to...
Owner's Manual
Page 30
... to Main Mix, odd channels panned left, even channels panned right Main Mix fader unity, channel faders down: -86.5dBu (90dB Signal to Noise Ratio, ref +4dBu) Main Mix fader @ unity, channel faders @ unity: -84.0dBu Total Harmonic Distortion (THD) 1kHz @ +14dBu: ... Weight 20 lbs. (9.1kg) 1604 VLZ-PRO with pod normal 5.0" (127mm) 5.6" (142.2mm) 1604-VLZ PRO WEIGHT 20.0 lbs. (9.1 kg) 17.6" (447.0mm) 10 rack spaces 19.0" (482.6mm) 17.3" (442.0mm) 1604-VLZ PRO with pod to back 8.7" (221.0mm) 9.3" (236.2mm) 13.0" (325.1mm) 8 rack spaces 1604-VLZ PRO with optional rotopod 6.0" (152...
... to Main Mix, odd channels panned left, even channels panned right Main Mix fader unity, channel faders down: -86.5dBu (90dB Signal to Noise Ratio, ref +4dBu) Main Mix fader @ unity, channel faders @ unity: -84.0dBu Total Harmonic Distortion (THD) 1kHz @ +14dBu: ... Weight 20 lbs. (9.1kg) 1604 VLZ-PRO with pod normal 5.0" (127mm) 5.6" (142.2mm) 1604-VLZ PRO WEIGHT 20.0 lbs. (9.1 kg) 17.6" (447.0mm) 10 rack spaces 19.0" (482.6mm) 17.3" (442.0mm) 1604-VLZ PRO with pod to back 8.7" (221.0mm) 9.3" (236.2mm) 13.0" (325.1mm) 8 rack spaces 1604-VLZ PRO with optional rotopod 6.0" (152...