Spec Sheet
Page 1
Like all of Mackie Designs' mixers, the 1642-VLZ PRO is designed for churches, clubs, schools, conference centers, boardrooms, trade shows,...-VLZ PRO 12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Channel Mic/Line Mixer, 1604-VLZ PRO 16-Channel Mic/Line Mixer, SRM450 Active 2-Way SR Loudspeakers, C300 passive 2-way SR Loudspeakers, M•800/M•...and extensive routing capabilities. Continued on Channels 9/10, 11/12, 13/14, and 15/16. 75Hz, 18dB/oct. Channels 1-8 are needed. Built like a tank, the 1642-VLZ PRO is a team player that can stand up . Its sturdy-yet-light steel ...
Like all of Mackie Designs' mixers, the 1642-VLZ PRO is designed for churches, clubs, schools, conference centers, boardrooms, trade shows,...-VLZ PRO 12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Channel Mic/Line Mixer, 1604-VLZ PRO 16-Channel Mic/Line Mixer, SRM450 Active 2-Way SR Loudspeakers, C300 passive 2-way SR Loudspeakers, M•800/M•...and extensive routing capabilities. Continued on Channels 9/10, 11/12, 13/14, and 15/16. 75Hz, 18dB/oct. Channels 1-8 are needed. Built like a tank, the 1642-VLZ PRO is a team player that can stand up . Its sturdy-yet-light steel ...
Spec Sheet
Page 2
...: Low Shelving: Low Cut Filter: ±15db @ 12kHz ±15dB, sweep 100Hz-8kHz ±15db @ 80Hz 18dB/octave, -3dB @ 75Hz EQ Channel 9-16 High Shelving: High Mid Peaking: Low Mid Peaking Low Shelving: ±15db @ 12kHz ±15dB, @ 3kHz ±15dB, @ 800Hz ±15db @ 80Hz... 2 Power Consumption Physical Weight Dimensions 120VA.C., 50/60Hz, 50 watts 18.2 lbs. (8.3kg) 5.45" x 16.63" x 17.28" (138mm x 422mm x 439mm ) 16.63" (422mm) 5.45" (138mm) 17.28" (439 mm) 5.45" (138mm) 17.28" (439 mm) Specifications footnotes: 1) 20Hz-20kHz bandwidth, ...
...: Low Shelving: Low Cut Filter: ±15db @ 12kHz ±15dB, sweep 100Hz-8kHz ±15db @ 80Hz 18dB/octave, -3dB @ 75Hz EQ Channel 9-16 High Shelving: High Mid Peaking: Low Mid Peaking Low Shelving: ±15db @ 12kHz ±15dB, @ 3kHz ±15dB, @ 800Hz ±15db @ 80Hz... 2 Power Consumption Physical Weight Dimensions 120VA.C., 50/60Hz, 50 watts 18.2 lbs. (8.3kg) 5.45" x 16.63" x 17.28" (138mm x 422mm x 439mm ) 16.63" (422mm) 5.45" (138mm) 17.28" (439 mm) 5.45" (138mm) 17.28" (439 mm) Specifications footnotes: 1) 20Hz-20kHz bandwidth, ...
Spec Sheet
Page 6
... only) MIC TRIM 2 1 3 75Hz HPF LOW CUT LINE IN L LINE IN R STEREO INPUT CHANNEL (1 OF 4) -20 (FLICKER) SOLO (GLOW) STEREO TRIM (Chs 13/14 & 15/16 only) OL (FLICKER) MUTE (GLOW) LO MID MID HI 80 800 3K 12K LO MID MID HI 80 800 3K 12K 4-BAND STEREO EQ AUX...
... only) MIC TRIM 2 1 3 75Hz HPF LOW CUT LINE IN L LINE IN R STEREO INPUT CHANNEL (1 OF 4) -20 (FLICKER) SOLO (GLOW) STEREO TRIM (Chs 13/14 & 15/16 only) OL (FLICKER) MUTE (GLOW) LO MID MID HI 80 800 3K 12K LO MID MID HI 80 800 3K 12K 4-BAND STEREO EQ AUX...
Spec Sheet
Page 7
... nominal levels from -60dBu to +4dBu. and 1 channel Fader, providing up to the Main L-R Mix, Submasters 1-2 and Submasters 3-4; CHANNELS 9-16. The mixer shall consist of balanced/unbalanced (bal/unbal) line inputs wired in three ways: Using balanced a stereo pair of XLR-3-M-type connectors,...line and/or mono microphone signals (Channels 9/10 & 11/12) and two stereo channels accomodating stereo line inputs (Channels 13/14 &15/16); MIXER INPUT SECTION-ALL CHANNELS. Additionally, each channel shall include 4 rotary equalization (EQ) controls: ±15dB fixed 12kHz shelving gain,...
... nominal levels from -60dBu to +4dBu. and 1 channel Fader, providing up to the Main L-R Mix, Submasters 1-2 and Submasters 3-4; CHANNELS 9-16. The mixer shall consist of balanced/unbalanced (bal/unbal) line inputs wired in three ways: Using balanced a stereo pair of XLR-3-M-type connectors,...line and/or mono microphone signals (Channels 9/10 & 11/12) and two stereo channels accomodating stereo line inputs (Channels 13/14 &15/16); MIXER INPUT SECTION-ALL CHANNELS. Additionally, each channel shall include 4 rotary equalization (EQ) controls: ±15dB fixed 12kHz shelving gain,...
Spec Sheet
Page 8
...Aux Sends 1 and 2; and a Phantom Power indicator LED. 6. METERING. The mixer shall be , in Desktop Mode, 5.45" (138mm) in height, 16.63" (442mm) in width and 17.9" (455mm) in research related to insert send, -129.5dBm; SPECIFICATIONS. In addition to Aux Send 1 or 2, ...always equal or exceed the original design specifications unless otherwise stated. ©1999-2000 Mackie Designs Inc. FILES FOR DOWNLOADING 1642VLZP.PDF this reason, any output, 20Hz to be a Mackie Designs 1642-VLZ PRO. New material, production methods, and design refinements are introduced into proposals 16220...
...Aux Sends 1 and 2; and a Phantom Power indicator LED. 6. METERING. The mixer shall be , in Desktop Mode, 5.45" (138mm) in height, 16.63" (442mm) in width and 17.9" (455mm) in research related to insert send, -129.5dBm; SPECIFICATIONS. In addition to Aux Send 1 or 2, ...always equal or exceed the original design specifications unless otherwise stated. ©1999-2000 Mackie Designs Inc. FILES FOR DOWNLOADING 1642VLZP.PDF this reason, any output, 20Hz to be a Mackie Designs 1642-VLZ PRO. New material, production methods, and design refinements are introduced into proposals 16220...
Owners Manual
Page 1
... U EQ HI 12k -15 +15 U HI MID 2.5k -15 +15 U LOW MID 400Hz -15 +15 U LOW 80Hz -15 +15 BAL LINE GAIN AUX MASTERS U 15 U 16 1 1 -20 +20 +10 U 2 U AUX 1 2 +10 +15 U 1 3 2 SOLO +15 PRE U 2 4 SOLO 3 48V PWR +15 U STEREO RETURNS U U TO LR +20 U TO AUX ...DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. 1642VLZ4 16-Channel 4-Bus Compact Mixer OWNER'S MANUAL STEREO PLUG TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS FOR USE AS AN EFFECTS LOOP ...
... U EQ HI 12k -15 +15 U HI MID 2.5k -15 +15 U LOW MID 400Hz -15 +15 U LOW 80Hz -15 +15 BAL LINE GAIN AUX MASTERS U 15 U 16 1 1 -20 +20 +10 U 2 U AUX 1 2 +10 +15 U 1 3 2 SOLO +15 PRE U 2 4 SOLO 3 48V PWR +15 U STEREO RETURNS U U TO LR +20 U TO AUX ...DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. 1642VLZ4 16-Channel 4-Bus Compact Mixer OWNER'S MANUAL STEREO PLUG TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS FOR USE AS AN EFFECTS LOOP ...
Owners Manual
Page 2
... WARNING - A polarized plug has two blades with a protective earthing connection (the third grounding prong). 18. Protect the power cord from being walked on the apparatus. 16. Servicing is no object filled with WARNING the apparatus. This apparatus has been designed with Class-I construction and must be disposed of with the limits...
... WARNING - A polarized plug has two blades with a protective earthing connection (the third grounding prong). 18. Protect the power cord from being walked on the apparatus. 16. Servicing is no object filled with WARNING the apparatus. This apparatus has been designed with Class-I construction and must be disposed of with the limits...
Owners Manual
Page 3
LINE INS 9 3. DIRECT OUTS (ON REAR PANEL 10 RECORDING 10 DOUBLE BUSING 10 6. AUX SENDS 11 EFFECTS: SERIAL OR PARALLEL 11 7. MONO OUT 12 16. AUX 1, 2, 3, & 4 17 36. MAIN MIX FADER 18 38. TAPE IN (LEVEL 19 41. CONTROL ROOM AND PHONES 19 44. SOLO (LEVEL 20 47. REALITY 21 ... VS. Me too. SUB OUTS 11 9. POWER SWITCH 13 21. OL (MUTE) LED 15 30. PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32. 3-BAND MID-SWEEP EQ 16 33. 4-BAND FIXED-FREQUENCY EQ 17 34. ASSIGN TO MAIN MIX 18 40. TAPE TO MAIN MIX 19 42. SUBGROUP FADERS 18 39...
LINE INS 9 3. DIRECT OUTS (ON REAR PANEL 10 RECORDING 10 DOUBLE BUSING 10 6. AUX SENDS 11 EFFECTS: SERIAL OR PARALLEL 11 7. MONO OUT 12 16. AUX 1, 2, 3, & 4 17 36. MAIN MIX FADER 18 38. TAPE IN (LEVEL 19 41. CONTROL ROOM AND PHONES 19 44. SOLO (LEVEL 20 47. REALITY 21 ... VS. Me too. SUB OUTS 11 9. POWER SWITCH 13 21. OL (MUTE) LED 15 30. PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32. 3-BAND MID-SWEEP EQ 16 33. 4-BAND FIXED-FREQUENCY EQ 17 34. ASSIGN TO MAIN MIX 18 40. TAPE TO MAIN MIX 19 42. SUBGROUP FADERS 18 39...
Owners Manual
Page 4
... under 0.0007% (20 Hz - 50 kHz) • Improved RF rejection, perfect for broadcast applications • Phantom power for condenser mics • 16 high-headroom line inputs with +4/-10 operation control • 3-band EQ (80 Hz, 2.5 kHz, 12kHz) • 18 dB/oct 75 Hz low... critically important or unique to mixer choice for any application that includes high-contrast controls for worldwide use Introduction The 16-channel 1642VLZ4 delivers the proven performance of information. The descriptions are followed by hookup diagrams which show some valuable nuggets of Onyx...
... under 0.0007% (20 Hz - 50 kHz) • Improved RF rejection, perfect for broadcast applications • Phantom power for condenser mics • 16 high-headroom line inputs with +4/-10 operation control • 3-band EQ (80 Hz, 2.5 kHz, 12kHz) • 18 dB/oct 75 Hz low... critically important or unique to mixer choice for any application that includes high-contrast controls for worldwide use Introduction The 16-channel 1642VLZ4 delivers the proven performance of information. The descriptions are followed by hookup diagrams which show some valuable nuggets of Onyx...
Owners Manual
Page 6
...-track Digital Recorder Digital Reverb Digital Delay The rhythm and lead guitars play through stereo effects processors plugged into the line inputs of channels 15-16. Again, there are connected to the control room outputs to listen to the stereo line inputs of channels 1 and 2. A pair of MR8mk3 studio monitors are...
...-track Digital Recorder Digital Reverb Digital Delay The rhythm and lead guitars play through stereo effects processors plugged into the line inputs of channels 15-16. Again, there are connected to the control room outputs to listen to the stereo line inputs of channels 1 and 2. A pair of MR8mk3 studio monitors are...
Owners Manual
Page 7
... and delay processors are connected to aux sends 1 and 2, with the stereo return level control. Aux sends 3 and 4 are connected to a pair of channels 15-16. The XLR L/R main outs connect to a stereo graphic EQ before connecting to a pair of channels 3-10 with a vocal compressor connected to the main mix via...
... and delay processors are connected to aux sends 1 and 2, with the stereo return level control. Aux sends 3 and 4 are connected to a pair of channels 15-16. The XLR L/R main outs connect to a stereo graphic EQ before connecting to a pair of channels 3-10 with a vocal compressor connected to the main mix via...
Owners Manual
Page 8
... means the phantom power for a good DI box. • All the other interface goblins? All we ask is where you 1. Channels 13-14 and 15-16 are mono channels with minimum interference or high-frequency signal 28 dBu into balanced mic-level outputs, and provide signal and • Every input is...
... means the phantom power for a good DI box. • All the other interface goblins? All we ask is where you 1. Channels 13-14 and 15-16 are mono channels with minimum interference or high-frequency signal 28 dBu into balanced mic-level outputs, and provide signal and • Every input is...
Owners Manual
Page 9
... inputs are routed from these inputs, see the details lovingly described in the channel strip section. The GAIN controls for channels 13-14 and 15-16 only adjust the line-level inputs, as they are the top row of knobs in the patchbay, but before the channel's EQ [32], low cut...
... inputs are routed from these inputs, see the details lovingly described in the channel strip section. The GAIN controls for channels 13-14 and 15-16 only adjust the line-level inputs, as they are the top row of knobs in the patchbay, but before the channel's EQ [32], low cut...
Owners Manual
Page 10
... from the very end of that you can assign multiple channels to multitrack input 1. Each of the effects processors to 13/14 (EFX A) and 15/16 (EFX B), you won't be a mixdown 2-track, control room system, or headphones. 1642VLZ4 6 5 98 7 5. By returning the outputs of its channels is listening to their ultimate...
... from the very end of that you can assign multiple channels to multitrack input 1. Each of the effects processors to 13/14 (EFX A) and 15/16 (EFX B), you won't be a mixdown 2-track, control room system, or headphones. 1642VLZ4 6 5 98 7 5. By returning the outputs of its channels is listening to their ultimate...
Owners Manual
Page 12
.... 14. Connect your stereo mix. Tape In These unbalanced RCA jacks are provided for convenient playback of the device you 're done. 1642VLZ4 12 17 16 18 19 20 22 14 15 14 13 12. Use these outputs, see tape in this : Tip = Positive (+ or hot) Ring = Negative...
.... 14. Connect your stereo mix. Tape In These unbalanced RCA jacks are provided for convenient playback of the device you 're done. 1642VLZ4 12 17 16 18 19 20 22 14 15 14 13 12. Use these outputs, see tape in this : Tip = Positive (+ or hot) Ring = Negative...
Owners Manual
Page 13
... the power cord from within the U.S. (or call our toll-free number 1-800-898-3211 from the mixer and the AC mains supply. Owner's Manual 16. Voltage Selector Press the bottom of any standard BNC-type lamp (a Littlite® #12G or #12G-HI (high-intensity), for instance). To remove AC power...
... the power cord from within the U.S. (or call our toll-free number 1-800-898-3211 from the mixer and the AC mains supply. Owner's Manual 16. Voltage Selector Press the bottom of any standard BNC-type lamp (a Littlite® #12G or #12G-HI (high-intensity), for instance). To remove AC power...
Owners Manual
Page 15
... strips. With the knob hard right, the channel signal feeds the right main mix, subgroup 2, subgroup 4 and right (AFL) solo mode. Stereo Sources Use channels 9-16 to do just that - Whenever solo is indeed active, and may also lend a clue as turning the channel's fader all source selections (main mix, 1-2, 3-4, and...
... strips. With the knob hard right, the channel signal feeds the right main mix, subgroup 2, subgroup 4 and right (AFL) solo mode. Stereo Sources Use channels 9-16 to do just that - Whenever solo is indeed active, and may also lend a clue as turning the channel's fader all source selections (main mix, 1-2, 3-4, and...
Owners Manual
Page 16
...EQ The eight mono channels have a 3-band, sizzle to do otherwise, like kick drums and bass guitars. This frequency 10kHz 20kHz The stereo channels (9-16) have a channel panned hard left (or right) when panned center. As you can screw things up to 15 dB, and is effectively bypassed ... knobs (cut . One popular trick is also flat +5 at the center detent positions. reading 0 dB, it is to set the mid fully up to 8 kHz. 16 +15 +15 +10 +10 +5 +5 0 0 -5 -5 -10 -10 -15 -15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz 1642VLZ4 provides up royally....
...EQ The eight mono channels have a 3-band, sizzle to do otherwise, like kick drums and bass guitars. This frequency 10kHz 20kHz The stereo channels (9-16) have a channel panned hard left (or right) when panned center. As you can screw things up to 15 dB, and is effectively bypassed ... knobs (cut . One popular trick is also flat +5 at the center detent positions. reading 0 dB, it is to set the mid fully up to 8 kHz. 16 +15 +15 +10 +10 +5 +5 0 0 -5 -5 -10 -10 -15 -15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz 1642VLZ4 provides up royally....
Owners Manual
Page 17
... . See the "Pre vs. In pre mode (switch down there that you choose to use two aux sends, use the odd aux on channels 13-16), often referred to conserve amplifier power. Not only that debris so you 'll want much down ), aux 1 and 2 follow the sides - Low cut , you do...
... . See the "Pre vs. In pre mode (switch down there that you choose to use two aux sends, use the odd aux on channels 13-16), often referred to conserve amplifier power. Not only that debris so you 'll want much down ), aux 1 and 2 follow the sides - Low cut , you do...
Owners Manual
Page 28
1642VLZ4 Appendix C: Technical Information Specifications Main Mix Noise (20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: -86.5 dBu (90 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader unity, channel faders @ unity: -86 dBu Total Harmonic Distortion (THD) (1 kHz 35 dB gain, 20 Hz-20 kHz bandwidth) Mic in to insert out:
1642VLZ4 Appendix C: Technical Information Specifications Main Mix Noise (20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: -86.5 dBu (90 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader unity, channel faders @ unity: -86 dBu Total Harmonic Distortion (THD) (1 kHz 35 dB gain, 20 Hz-20 kHz bandwidth) Mic in to insert out: