Reference Manual
Page 4
... Contents The Alesis Hardware Direct Monitoring and Routing Application 35 Using the Hardware Direct Monitoring (HDM) panel 35 1. Stereo Channel Linking and Unlinking 36 5. ADAT-S/PDIF Toggle 37 11. Main Level 37 12. Channel Names 36 6. Headphones 2 Assignment 38 15. Volume...36 4. Master HDM Mix Fader 36 ...Rates: 44.1/88.2 46 176.4kHz versus 48/96/192kHz 46 High Resolution Recording 46 The Upside of High Definition recording 46 The Downsides of High Definition Recording 47 Surround Sound (IO|26 only 49 Using the IO14/26 with Sonar and other WDM applications 50...
... Contents The Alesis Hardware Direct Monitoring and Routing Application 35 Using the Hardware Direct Monitoring (HDM) panel 35 1. Stereo Channel Linking and Unlinking 36 5. ADAT-S/PDIF Toggle 37 11. Main Level 37 12. Channel Names 36 6. Headphones 2 Assignment 38 15. Volume...36 4. Master HDM Mix Fader 36 ...Rates: 44.1/88.2 46 176.4kHz versus 48/96/192kHz 46 High Resolution Recording 46 The Upside of High Definition recording 46 The Downsides of High Definition Recording 47 Surround Sound (IO|26 only 49 Using the IO14/26 with Sonar and other WDM applications 50...
Reference Manual
Page 12
... signals peak at -9dB (or even lower). At this distortion. Turn the gain knob back down the channel gain in detail on the front of your IO|14/26 allow you 're recording a microphone or a line-level instrument (keyboard, sampler, DJ mixer, etc.) then set this switch to...in order to "Guitar." 4. Inserts - then slowly turn up (even occasionally), it means you 're recording a guitar or bass with the gain knob turned all the way down (counterclockwise); The IO|14/26 features "insert" jacks on the other end.. Start with passive (standard) pickups, set this input...
... signals peak at -9dB (or even lower). At this distortion. Turn the gain knob back down the channel gain in detail on the front of your IO|14/26 allow you 're recording a microphone or a line-level instrument (keyboard, sampler, DJ mixer, etc.) then set this switch to...in order to "Guitar." 4. Inserts - then slowly turn up (even occasionally), it means you 're recording a guitar or bass with the gain knob turned all the way down (counterclockwise); The IO|14/26 features "insert" jacks on the other end.. Start with passive (standard) pickups, set this input...
Reference Manual
Page 13
...This knob controls the amount of channels 1/2. 9. This knob sets the output level of direct signal (from the analog and digital inputs) that gets blended in order to outputs 1/2. Note that have higher gain and an "RIAA equalization curve" in to playback records correctly. Phantom Power - Each ...require power. Stereo output meters show the precise, digital input signal for condenser microphones. Mic/Line or Phono Switch (IO|26 only) - If you 'll hear the Hardware Direct Monitoring mix at full volume as well as the signal coming back from your DAW. 6. Check your...
...This knob controls the amount of channels 1/2. 9. This knob sets the output level of direct signal (from the analog and digital inputs) that gets blended in order to outputs 1/2. Note that have higher gain and an "RIAA equalization curve" in to playback records correctly. Phantom Power - Each ...require power. Stereo output meters show the precise, digital input signal for condenser microphones. Mic/Line or Phono Switch (IO|26 only) - If you 'll hear the Hardware Direct Monitoring mix at full volume as well as the signal coming back from your DAW. 6. Check your...
Reference Manual
Page 23
...the CD now. Begin by running the Alesis installer(s). The CoreAudio and CoreMIDI drivers allow your multitrack Digital Audio Workstation, install it from Audio/MIDI Setup's "Configure Device" button. These programs (there may describe the IO|14/26 channels simply as your Mac to its outputs for... one installer) will not appear at the end of latency (delay) when recording. Mac OS X 10.4 or later is required.
...the CD now. Begin by running the Alesis installer(s). The CoreAudio and CoreMIDI drivers allow your multitrack Digital Audio Workstation, install it from Audio/MIDI Setup's "Configure Device" button. These programs (there may describe the IO|14/26 channels simply as your Mac to its outputs for... one installer) will not appear at the end of latency (delay) when recording. Mac OS X 10.4 or later is required.
Reference Manual
Page 33
Select the Alesis IO. Once this panel from the "configure device" button of Audio/MIDI Setup. 5 ...| "Device Setup...." | "VST MultiTrack." Create a nickname for your computer does not "see" it 's seen by the recording program. To open the control panel from the shortcut on your desktop, the Programs menu, or from within Cubase in other programs) ...to your IO|14/26 (optional) You can change the name of the device and channel names. On the Mac, access this is entirely optional. 31 Creating a nickname for ...
Select the Alesis IO. Once this panel from the "configure device" button of Audio/MIDI Setup. 5 ...| "Device Setup...." | "VST MultiTrack." Create a nickname for your computer does not "see" it 's seen by the recording program. To open the control panel from the shortcut on your desktop, the Programs menu, or from within Cubase in other programs) ...to your IO|14/26 (optional) You can change the name of the device and channel names. On the Mac, access this is entirely optional. 31 Creating a nickname for ...
Reference Manual
Page 38
...the HDM panel. 36 Experiment with the audio from your Digital Audio Workstation. Also, you are recording a single musician, connect your DAW or mute the corresponding input on outputs 1-4. Stereo Channel Linking and Unlinking Use this slider. 4. Once you have set of the tabs. 6. Audio... mix-use for multiple musicians Most commonly, you are recording multiple musicians-each of these tabs to center. If you are most likely monitoring through both the HDM panel and also your new name. (Names like "vox" and "snare" probably have a stereo set your balances for stereo channel ...
...the HDM panel. 36 Experiment with the audio from your Digital Audio Workstation. Also, you are recording a single musician, connect your DAW or mute the corresponding input on outputs 1-4. Stereo Channel Linking and Unlinking Use this slider. 4. Once you have set of the tabs. 6. Audio... mix-use for multiple musicians Most commonly, you are recording multiple musicians-each of these tabs to center. If you are most likely monitoring through both the HDM panel and also your new name. (Names like "vox" and "snare" probably have a stereo set your balances for stereo channel ...
Reference Manual
Page 39
... can switch between "Narrow" and "Wide" views of different metering options here. At 44.1kHz and 48kHz, the io|26 offers 26 inputs, 2 more likely to red. Metering Options Choose from recording too "hot," resulting in this slider. 7. WHATEVER SETTING YOU CHOOSE, THE ACTUAL AUDIO BEING...guitar or sources where you've inserted a hardware limiter in the recording path, don't be afraid to monitor those last two channels, you from a number of the HDM panel. Hardware Direct Monitoring 6 For outputs 1 and 2, the MIX BLEND knob on screen. Peak Reset Click this HDM application. ...
... can switch between "Narrow" and "Wide" views of different metering options here. At 44.1kHz and 48kHz, the io|26 offers 26 inputs, 2 more likely to red. Metering Options Choose from recording too "hot," resulting in this slider. 7. WHATEVER SETTING YOU CHOOSE, THE ACTUAL AUDIO BEING...guitar or sources where you've inserted a hardware limiter in the recording path, don't be afraid to monitor those last two channels, you from a number of the HDM panel. Hardware Direct Monitoring 6 For outputs 1 and 2, the MIX BLEND knob on screen. Peak Reset Click this HDM application. ...
Reference Manual
Page 47
... clipping before, spend a moment to -18dBfs. ("dBfs" stands for Input Monitoring. Then, go just a bit further. It can easily record such that channel in digital clipping.) 2. In other words, they're totally accurate, unlike analog meters which only approximate the digital signal strength. 3. Notice ... line level source into your recording. You want it is independent of the scale. In the HDM panel, turn up as it as you're creating various custom mixes for an unpredictable player are recording. Your Alesis IO provides a number of the IO show your loudest peaks for the...
... clipping before, spend a moment to -18dBfs. ("dBfs" stands for Input Monitoring. Then, go just a bit further. It can easily record such that channel in digital clipping.) 2. In other words, they're totally accurate, unlike analog meters which only approximate the digital signal strength. 3. Notice ... line level source into your recording. You want it is independent of the scale. In the HDM panel, turn up as it as you're creating various custom mixes for an unpredictable player are recording. Your Alesis IO provides a number of the IO show your loudest peaks for the...
Reference Manual
Page 49
... are operational. 47 The following way: 300 sec x 16 channels x 44,100 x 3 = 635,040,000 byes (about 635 MB) That same song recorded at 176.4k! Getting In Deeper: Recording 8 3. Alesis has designed your available hard disk resources when deciding which sampling rate... to record at high sample rates consumes hard disk space much more quickly than standard rates. The Downsides of the IO|26 are worth it with 16 channels...
... are operational. 47 The following way: 300 sec x 16 channels x 44,100 x 3 = 635,040,000 byes (about 635 MB) That same song recorded at 176.4k! Getting In Deeper: Recording 8 3. Alesis has designed your available hard disk resources when deciding which sampling rate... to record at high sample rates consumes hard disk space much more quickly than standard rates. The Downsides of the IO|26 are worth it with 16 channels...
Reference Manual
Page 50
... 'll use substantially higher amounts of that you -don't worry. If you use many samples when recording at 16 bit (which we do we multiply by 3. The following hypothetical scenario should clarify: Sample ...run on the IO|26 is why your IO14/26, you very much. You don't really need 3 bytes to contain all of this won't affect you can only add 4 channels of recording at 24 bit.... If you're using an external analog-to-digital converter to add more inputs to know this may tilt you can add 8 (IO|14) or 16 (IO|26) channels at the end...
... 'll use substantially higher amounts of that you -don't worry. If you use many samples when recording at 16 bit (which we do we multiply by 3. The following hypothetical scenario should clarify: Sample ...run on the IO|26 is why your IO14/26, you very much. You don't really need 3 bytes to contain all of this won't affect you can only add 4 channels of recording at 24 bit.... If you're using an external analog-to-digital converter to add more inputs to know this may tilt you can add 8 (IO|14) or 16 (IO|26) channels at the end...
Reference Manual
Page 51
... . 49 This may save you 're working on the web for people interested in ! The rear two channels are also many non-standard and "custom" mixing scenarios and every situation has its own rules and requirements on the size and shape of the center speaker. ... or remixing in a location that provides the most applications. Getting In Deeper: Recording 8 Surround Sound (IO|26 only) The IO|26's 8 analog outputs make sure to speak to set up a surround mixing environment. More on Surround Mixing The Grammy organization has excellent (and free) resources available on a commercial project,...
... . 49 This may save you 're working on the web for people interested in ! The rear two channels are also many non-standard and "custom" mixing scenarios and every situation has its own rules and requirements on the size and shape of the center speaker. ... or remixing in a location that provides the most applications. Getting In Deeper: Recording 8 Surround Sound (IO|26 only) The IO|26's 8 analog outputs make sure to speak to set up a surround mixing environment. More on Surround Mixing The Grammy organization has excellent (and free) resources available on a commercial project,...
Reference Manual
Page 53
On the "General" tab, select any available IO14/26 channels as the Playback and Record timing masters. Getting In Deeper: Recording 8 2. Alesis generally recommends using ASIO mode when possible. 3. For WDM operation, be sure that the "Driver Mode" is set to "WDM/KS." (If you change ... and ASIO modes, you may want to experiment with each time you change the sample rate on the Alesis control panel. Finally, re-open SONAR and allow its WDM profiler to all WDM-based recording software. For applications like Sonar that , each to be run again. 51 Therefore, when changing amngst...
On the "General" tab, select any available IO14/26 channels as the Playback and Record timing masters. Getting In Deeper: Recording 8 2. Alesis generally recommends using ASIO mode when possible. 3. For WDM operation, be sure that the "Driver Mode" is set to "WDM/KS." (If you change ... and ASIO modes, you may want to experiment with each time you change the sample rate on the Alesis control panel. Finally, re-open SONAR and allow its WDM profiler to all WDM-based recording software. For applications like Sonar that , each to be run again. 51 Therefore, when changing amngst...
Reference Manual
Page 61
...Explore those options. The power from your "hardware direct monitoring" mix. Audio echoes during recording This is probably happening because your "delayed" signal (the signal...lifter" between your computer and your software, mute the appropriate input channel(s) on battery power. Many poorly constructed cables cause problems. Try...back out to your speakers) is mixing with your notebook computer may be set. Again, if your IO|14/26 to a notebook computer ...and posting your notebook's power adapter and run on the Alesis Hardware Direct Monitoring application. If your computer has a mini...
...Explore those options. The power from your "hardware direct monitoring" mix. Audio echoes during recording This is probably happening because your "delayed" signal (the signal...lifter" between your computer and your software, mute the appropriate input channel(s) on battery power. Many poorly constructed cables cause problems. Try...back out to your speakers) is mixing with your notebook computer may be set. Again, if your IO|14/26 to a notebook computer ...and posting your notebook's power adapter and run on the Alesis Hardware Direct Monitoring application. If your computer has a mini...
Reference Manual
Page 66
... devices to the right. Another name for audio to travel from the IO|14/26, through the computer's recording program, and out again to condenser microphones. They require special "insert"..."microphone" level, "instrument" level and "line" level. A way of a mixer where the main mix is measured in mixers and some audio interfaces that allows you to line level. A special "access point"... a number of audio signals, allowing various types of the signal being sent to the left channel as +48volt power. Glossary fader Firewire gain IEEE 1394a insert latency level master section mic preamp...
... devices to the right. Another name for audio to travel from the IO|14/26, through the computer's recording program, and out again to condenser microphones. They require special "insert"..."microphone" level, "instrument" level and "line" level. A way of a mixer where the main mix is measured in mixers and some audio interfaces that allows you to line level. A special "access point"... a number of audio signals, allowing various types of the signal being sent to the left channel as +48volt power. Glossary fader Firewire gain IEEE 1394a insert latency level master section mic preamp...