User Manual
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... to Customize Keyboard Shortcuts 153 Working With Shortcut Buttons and Button Bars Part III Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Setting Up Your Editing System 159 Overview of Setting Up 159 The Setup Process 160 Connecting Video and Audio Input and Output to Your Computer 160 Connecting an External Video Monitor and Audio Speakers 161 Choosing an Easy Setup to Configure Final Cut Pro 161 Choosing a Scratch Disk Location for Captured...
... to Customize Keyboard Shortcuts 153 Working With Shortcut Buttons and Button Bars Part III Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Setting Up Your Editing System 159 Overview of Setting Up 159 The Setup Process 160 Connecting Video and Audio Input and Output to Your Computer 160 Connecting an External Video Monitor and Audio Speakers 161 Choosing an Easy Setup to Configure Final Cut Pro 161 Choosing a Scratch Disk Location for Captured...
User Manual
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.... Final Cut Pro allows you to capture video and audio from a wide variety of identifying which there is up to a hard disk. Step 4: Editing The editing process involves taking the video and audio you . Often, the type of project you're working on tape you want to capture to your hard disk for a movie in sequence. While you log, you start with any time, although most clips before batch capturing them...
.... Final Cut Pro allows you to capture video and audio from a wide variety of identifying which there is up to a hard disk. Step 4: Editing The editing process involves taking the video and audio you . Often, the type of project you're working on tape you want to capture to your hard disk for a movie in sequence. While you log, you start with any time, although most clips before batch capturing them...
User Manual
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... the window's button bar. Using Keyboard Shortcuts Keyboard shortcuts let you work faster and more efficiently. You can use shortcut menus or the mouse to that isn't readily available by pointing and clicking. These shortcuts can also create different keyboard layouts for performing commands. others prefer to use keyboard shortcuts to better suit your editing style. Final Cut Pro allows you may find out which method best suits your needs. For example, you to change the default keyboard shortcuts...
... the window's button bar. Using Keyboard Shortcuts Keyboard shortcuts let you work faster and more efficiently. You can use shortcut menus or the mouse to that isn't readily available by pointing and clicking. These shortcuts can also create different keyboard layouts for performing commands. others prefer to use keyboard shortcuts to better suit your editing style. Final Cut Pro allows you may find out which method best suits your needs. For example, you to change the default keyboard shortcuts...
User Manual
Page 75
... pop-up menu: You use these to set edit points (In and Out points) and add markers and keyframes to your clips. Â Zoom pop-up menu: This lets you enlarge or shrink the image that can be used to create color mattes and text of different types. Â Recent Clips pop-up menu: This gives you options for example, they can be generated by Final Cut Pro; Generators are special clips that appears...
... pop-up menu: You use these to set edit points (In and Out points) and add markers and keyframes to your clips. Â Zoom pop-up menu: This lets you enlarge or shrink the image that can be used to create color mattes and text of different types. Â Recent Clips pop-up menu: This gives you options for example, they can be generated by Final Cut Pro; Generators are special clips that appears...
User Manual
Page 91
...-up menu: This gives you options for locking the movement of the Canvas to perform the edit. 90 Part II Learning About the Final Cut Pro Interface Once you've marked a clip in the Viewer with In and Out points defining how much more information, see Volume II, Chapter 24, "Matching Frames and Playhead Synchronization." Â Current Timecode field: This field displays...
...-up menu: This gives you options for locking the movement of the Canvas to perform the edit. 90 Part II Learning About the Final Cut Pro Interface Once you've marked a clip in the Viewer with In and Out points defining how much more information, see Volume II, Chapter 24, "Matching Frames and Playhead Synchronization." Â Current Timecode field: This field displays...
User Manual
Page 132
... Timeline is locked to the playhead in this list contains the number of duplicated frames, the timecode value of the first duplicated frame, and the name of the Timeline window. The Canvas displays the frame currently at the top of the clip that item. II Control-click a clip with duplicate frames to see a shortcut menu with the following option: Â Dupe...
... Timeline is locked to the playhead in this list contains the number of duplicated frames, the timecode value of the first duplicated frame, and the name of the Timeline window. The Canvas displays the frame currently at the top of the clip that item. II Control-click a clip with duplicate frames to see a shortcut menu with the following option: Â Dupe...
User Manual
Page 144
... Option key and choose Window > Arrange, then choose one of your computer, when you save the state of each currently open window in Final Cut Pro, including the number and order of all tool tabs in mind the following folder location: [Home]/Library/Preferences/ Final Cut Pro User Data/Window Layouts. To save the layout, enter another computer, or name a layout yourself, you can arrange Final Cut Pro windows on both screens. 2 Choose Window...
... Option key and choose Window > Arrange, then choose one of your computer, when you save the state of each currently open window in Final Cut Pro, including the number and order of all tool tabs in mind the following folder location: [Home]/Library/Preferences/ Final Cut Pro User Data/Window Layouts. To save the layout, enter another computer, or name a layout yourself, you can arrange Final Cut Pro windows on both screens. 2 Choose Window...
User Manual
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... Selections After Logging Once a clip is logged, you can make channel grouping adjustments by choosing Modify > Clip Settings, or by relinking clip items in one of two ways: Â Clip Settings command: You can only recognize media files if you capture them with a single stereo pair audio track. Important: In Final Cut Pro 5, mono audio channels are each captured to a single QuickTime audio track. If you change an offline clip's track settings by choosing Modify > Clip Settings, and then enabling different...
... Selections After Logging Once a clip is logged, you can make channel grouping adjustments by choosing Modify > Clip Settings, or by relinking clip items in one of two ways: Â Clip Settings command: You can only recognize media files if you capture them with a single stereo pair audio track. Important: In Final Cut Pro 5, mono audio channels are each captured to a single QuickTime audio track. If you change an offline clip's track settings by choosing Modify > Clip Settings, and then enabling different...
User Manual
Page 688
... you selected multiple edit points on clip items on several tracks using the Edit Selection tool, all of these clip edit points are very useful for the clips you want to extend using either the Selection tool or the Edit Selection tool. The selected edit point is disabled, extend edits are moved to the position of the playhead. After If you want all the clips to end, and then use extend edits to quickly line up a lot of edit points to the same position in a clip, Final Cut Pro...
... you selected multiple edit points on clip items on several tracks using the Edit Selection tool, all of these clip edit points are very useful for the clips you want to extend using either the Selection tool or the Edit Selection tool. The selected edit point is disabled, extend edits are moved to the position of the playhead. After If you want all the clips to end, and then use extend edits to quickly line up a lot of edit points to the same position in a clip, Final Cut Pro...
User Manual
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... select a range of keyframes to modify: m Use the Range Selection tool to delete, then choose Clear from the shortcut menu. When the pointer turns into the Delete Point tool, click to delete the keyframe. Place the Delete Point tool on the keyframe you were dragging the entire overlay. m With the Selection tool selected, press and hold down , as if you want to select a group of keyframes. To adjust a section of a clip...
... select a range of keyframes to modify: m Use the Range Selection tool to delete, then choose Clear from the shortcut menu. When the pointer turns into the Delete Point tool, click to delete the keyframe. Place the Delete Point tool on the keyframe you were dragging the entire overlay. m With the Selection tool selected, press and hold down , as if you want to select a group of keyframes. To adjust a section of a clip...
User Manual
Page 919
... stereo pan using keyframes: 1 Open the car sound effect in the Viewer so you can see it in your edited sequence to zoom from left to the right to match the movement of the car effect's waveform, right before the car sound starts playing, and click the Pan Keyframe button to set a keyframe. 132 Part I Media and Project Management Changing pan over time.
... stereo pan using keyframes: 1 Open the car sound effect in the Viewer so you can see it in your edited sequence to zoom from left to the right to match the movement of the car effect's waveform, right before the car sound starts playing, and click the Pan Keyframe button to set a keyframe. 132 Part I Media and Project Management Changing pan over time.
User Manual
Page 973
... filter parameters for Keyframed Effects," on page 249. Other filters, such as keyframing motion settings. In this case, apply the color correction filter to a Clip You can copy and paste filter settings using the Paste Attributes command. 186 Part II Project Interchange Keying filters create alpha channels based on page 203. For more information, see "Video Filters Available in Final Cut Pro" on blue, green, white...
... filter parameters for Keyframed Effects," on page 249. Other filters, such as keyframing motion settings. In this case, apply the color correction filter to a Clip You can copy and paste filter settings using the Paste Attributes command. 186 Part II Project Interchange Keying filters create alpha channels based on page 203. For more information, see "Video Filters Available in Final Cut Pro" on blue, green, white...
User Manual
Page 1155
...; Choosing View > Clip in Editor  Control-clicking the file in the Browser or Timeline, then choosing Open in Editor from the shortcut menu You can make changes to be seen. Once you may need to make changes to any of separate graphics elements and import them as a sequence, with their position and layer ordering intact. You can select separate editing applications for use in a composited Final Cut Pro sequence...
...; Choosing View > Clip in Editor  Control-clicking the file in the Browser or Timeline, then choosing Open in Editor from the shortcut menu You can make changes to be seen. Once you may need to make changes to any of separate graphics elements and import them as a sequence, with their position and layer ordering intact. You can select separate editing applications for use in a composited Final Cut Pro sequence...
User Manual
Page 1353
... and state laws. Use of the "keyboard" Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of Apple Computer, Inc., registered in the U.S. AppleCare is a service mark of Apple Computer, Inc. Apple, the Apple logo, DVD Studio Pro, Final Cut, Final Cut Pro, FireWire, iDVD, iMovie, Mac, Macintosh, Mac OS, PowerBook, Power Mac, QuickTime, Soundtrack, and...
... and state laws. Use of the "keyboard" Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of Apple Computer, Inc., registered in the U.S. AppleCare is a service mark of Apple Computer, Inc. Apple, the Apple logo, DVD Studio Pro, Final Cut, Final Cut Pro, FireWire, iDVD, iMovie, Mac, Macintosh, Mac OS, PowerBook, Power Mac, QuickTime, Soundtrack, and...
User Manual
Page 1386
..., Final Cut Pro uses the value in this property when available. for a clip and its corresponding media file. To change a clip's name in the Browser or Item Properties window at any time. You can change this property, the clip must use the Clip Settings command in the Modify menu. The camera angle number (or letter) of each audio sample (typically 16- The bit depth of a clip from a combination of a sequence or a clip's media file. Chapter 3 Elements...
..., Final Cut Pro uses the value in this property when available. for a clip and its corresponding media file. To change a clip's name in the Browser or Item Properties window at any time. You can change this property, the clip must use the Clip Settings command in the Modify menu. The camera angle number (or letter) of each audio sample (typically 16- The bit depth of a clip from a combination of a sequence or a clip's media file. Chapter 3 Elements...
User Manual
Page 1433
... a specified location. When using the Recompress option, clips' motion attributes are changed to match the new dimensions of files (such as the Copy option, but media files that appears. Important: You cannot use the currently existing media that rely upon temporal compression, such as Sorenson and Cinepak. the Media Manager deletes each media file as soon as a sequence preset; Media Pop-Up Menu The choices in Final Cut Pro. You choose the recompression settings used only for...
... a specified location. When using the Recompress option, clips' motion attributes are changed to match the new dimensions of files (such as the Copy option, but media files that appears. Important: You cannot use the currently existing media that rely upon temporal compression, such as Sorenson and Cinepak. the Media Manager deletes each media file as soon as a sequence preset; Media Pop-Up Menu The choices in Final Cut Pro. You choose the recompression settings used only for...
User Manual
Page 1434
.... You can also choose Custom to copy actual media. These settings cannot be saved as an option to include render files when using " pop-up menu, which you for all sequence presets in the new project are created or processed, and your selection is always copied to make a copy of the Media Manager 83 Include Render Files Checkbox Select this option is selected, the master clips in Final Cut Pro, as well as a sequence...
.... You can also choose Custom to copy actual media. These settings cannot be saved as an option to include render files when using " pop-up menu, which you for all sequence presets in the new project are created or processed, and your selection is always copied to make a copy of the Media Manager 83 Include Render Files Checkbox Select this option is selected, the master clips in Final Cut Pro, as well as a sequence...
User Manual
Page 1655
...) editing. The newly selected presets or external video and audio settings applies to all currently installed Easy Setups. To choose an Easy Setup: 1 Choose Final Cut Pro > Easy Setup. 2 Select the Show All option to the device later, you buy a thirdparty video interface, Easy Setups that support the interface are often included. For more information, see "Creating a New Preset" on page 309. 304 Part IV Settings and Preferences If you regularly use a specific set up menu, then click Setup. For information, see "Creating Custom Easy Setups...
...) editing. The newly selected presets or external video and audio settings applies to all currently installed Easy Setups. To choose an Easy Setup: 1 Choose Final Cut Pro > Easy Setup. 2 Select the Show All option to the device later, you buy a thirdparty video interface, Easy Setups that support the interface are often included. For more information, see "Creating a New Preset" on page 309. 304 Part IV Settings and Preferences If you regularly use a specific set up menu, then click Setup. For information, see "Creating Custom Easy Setups...
User Manual
Page 1668
... adjust the slider to set the image quality of Mac OS X to use for Capture Presets Final Cut Pro uses the built-in the Log and Capture window. Many third- FireWire DV video has only one option, so when FireWire is selected as 23.98 fps (720p24) by adding redundant frames within 29.97 fps by choosing Tools > Remove Advanced Pulldown. For example, the DVX100 can record multiple frame rates, such...
... adjust the slider to set the image quality of Mac OS X to use for Capture Presets Final Cut Pro uses the built-in the Log and Capture window. Many third- FireWire DV video has only one option, so when FireWire is selected as 23.98 fps (720p24) by adding redundant frames within 29.97 fps by choosing Tools > Remove Advanced Pulldown. For example, the DVX100 can record multiple frame rates, such...
User Manual
Page 1759
Problems Importing an EDL or Batch Capture List You cannot import an EDL or batch capture list. Â Final Cut Pro does not support the import of Mac OS X you are using. Â How much RAM is different from the Apple menu in the Finder. To import information from an RTF file, you encounter playback problems with a reference movie, export the media as a self-contained movie (which includes all its media files), and not as...
Problems Importing an EDL or Batch Capture List You cannot import an EDL or batch capture list. Â Final Cut Pro does not support the import of Mac OS X you are using. Â How much RAM is different from the Apple menu in the Finder. To import information from an RTF file, you encounter playback problems with a reference movie, export the media as a self-contained movie (which includes all its media files), and not as...