User Manual
Page 226
...files on a hard disk, but they are two separate, but in most cases the film is delivered to acquisition media as optical discs, Flash RAM, and hard disks are becoming increasingly common. During the logging process, the editor reviews each portion. Timecode In and Out points are used...identifying the useful portions to be using film, but related, tasks. Then you want to use in relatively lengthy tapes, or reels. In Final Cut Pro, logging and capturing are not the actual media files. After you create clips by logging, you capture the regions of your videotape that you ...
...files on a hard disk, but they are two separate, but in most cases the film is delivered to acquisition media as optical discs, Flash RAM, and hard disks are becoming increasingly common. During the logging process, the editor reviews each portion. Timecode In and Out points are used...identifying the useful portions to be using film, but related, tasks. Then you want to use in relatively lengthy tapes, or reels. In Final Cut Pro, logging and capturing are not the actual media files. After you create clips by logging, you capture the regions of your videotape that you ...
User Manual
Page 306
... files: AIFF/AIFC, Audio CD Data (.cdda), Sound Designer II, System 7 Sound, uLaw (AU), WAVE, and MPEG-4. Importing files into Final Cut Pro for use in your sequences is fairly straightforward. For details about these formats, see "About Importing Audio Files" on page 313. 305 Importing Media...Files 22 Into Your Project 22 Final Cut Pro can import almost any media file that QuickTime recognizes, allowing you won't be able to play any files that are recognized by QuickTime, including: Â Video files: QuickTime Movie, AVI, and Macromedia Flash (video only-you to integrate ...
... files: AIFF/AIFC, Audio CD Data (.cdda), Sound Designer II, System 7 Sound, uLaw (AU), WAVE, and MPEG-4. Importing files into Final Cut Pro for use in your sequences is fairly straightforward. For details about these formats, see "About Importing Audio Files" on page 313. 305 Importing Media...Files 22 Into Your Project 22 Final Cut Pro can import almost any media file that QuickTime recognizes, allowing you won't be able to play any files that are recognized by QuickTime, including: Â Video files: QuickTime Movie, AVI, and Macromedia Flash (video only-you to integrate ...
User Manual
Page 544
... frames), which track to the right or left of the playhead's current position. 2 Do one of black, so you edit, cut, paste, and move items around in Final Cut Pro, empty spaces (called gaps) may be left between clips in your sequence. There are two types of your sequence. Chapter 12 ...sequence. Otherwise, you can look for gaps to see in a sequence: 1 Decide which makes them in the Canvas, however, even tiny gaps are apparent as flashes of the following : Â Choose Mark > Next, then choose Gap from the submenu (or press Shift-G). Â Choose Mark > Previous, then choose ...
... frames), which track to the right or left of the playhead's current position. 2 Do one of black, so you edit, cut, paste, and move items around in Final Cut Pro, empty spaces (called gaps) may be left between clips in your sequence. There are two types of your sequence. Chapter 12 ...sequence. Otherwise, you can look for gaps to see in a sequence: 1 Decide which makes them in the Canvas, however, even tiny gaps are apparent as flashes of the following : Â Choose Mark > Next, then choose Gap from the submenu (or press Shift-G). Â Choose Mark > Previous, then choose ...
User Manual
Page 584
... 2, "Creating Subclips." When creating a multiclip, you can choose one of clips that you can break your footage into a multiclip. Final Cut Pro uses a clip's Angle property to determine how it is created, you want to group together into shorter subclips. You can use Capture Now...flash, on page 267. Step 2: Log and capture multicamera footage Log and capture each clip you need to record a visual cue, such as individual clips, or use this to record the same subject or event from a master timecode generator, or you can rearrange, add, and delete angles in Final Cut Pro...
... 2, "Creating Subclips." When creating a multiclip, you can choose one of clips that you can break your footage into a multiclip. Final Cut Pro uses a clip's Angle property to determine how it is created, you want to group together into shorter subclips. You can use Capture Now...flash, on page 267. Step 2: Log and capture multicamera footage Log and capture each clip you need to record a visual cue, such as individual clips, or use this to record the same subject or event from a master timecode generator, or you can rearrange, add, and delete angles in Final Cut Pro...
User Manual
Page 1001
... the Opacity slider. The De-Interlace filter can result in the resulting video image. Filter Blink De-Interlace Flicker Image Stabilizer Stop Motion Blur Result Flashes the clip on a clip that's supposed to have thin vertical lines, such as a result. Can be used to remove the upper (odd) or lower (even...
... the Opacity slider. The De-Interlace filter can result in the resulting video image. Filter Blink De-Interlace Flicker Image Stabilizer Stop Motion Blur Result Flashes the clip on a clip that's supposed to have thin vertical lines, such as a result. Can be used to remove the upper (odd) or lower (even...
User Manual
Page 1823
..., III-308, III-310 Fit to IV-407, IV-408 performance IV-407 projects I-27-I-35 Support ID IV-408 workflow I-15-I-20 Final Cut Pro installer disc IV-313 Final Cut Pro XML Interchange Format II-250, IV-163-IV-171 importing I-228 support for I-22 Find All command II-30, II-31 Find command...-IV-369 FXScript language III-489 generators III-498-III-499 memory allocated to Window setting I-81 flags. See markers FlashPix format I-306, IV-235 Flash RAM I-225 flat frequency response III-25 472 Index keying filters III-208-III-209 looping real-time playback III-166-III-167 masks III...
..., III-308, III-310 Fit to IV-407, IV-408 performance IV-407 projects I-27-I-35 Support ID IV-408 workflow I-15-I-20 Final Cut Pro installer disc IV-313 Final Cut Pro XML Interchange Format II-250, IV-163-IV-171 importing I-228 support for I-22 Find All command II-30, II-31 Find command...-IV-369 FXScript language III-489 generators III-498-III-499 memory allocated to Window setting I-81 flags. See markers FlashPix format I-306, IV-235 Flash RAM I-225 flat frequency response III-25 472 Index keying filters III-208-III-209 looping real-time playback III-166-III-167 masks III...