User Guide
Page 7
... than Final Cut Pro 4.1 and earlier. For historical and background information about working with DVCPRO HD in Final Cut Pro, see the corresponding chapters in this document. High Definition Video Capturing, editing, and output of Final Cut Pro, covering Final Cut Pro 4.0 through Final Cut Pro HD (version 4.5). Preface New Features in Final Cut Pro HD This is an overview of new features of DVCPRO HD high definition video Final Cut Pro HD natively supports DVCPRO HD media...
... than Final Cut Pro 4.1 and earlier. For historical and background information about working with DVCPRO HD in Final Cut Pro, see the corresponding chapters in this document. High Definition Video Capturing, editing, and output of Final Cut Pro, covering Final Cut Pro 4.0 through Final Cut Pro HD (version 4.5). Preface New Features in Final Cut Pro HD This is an overview of new features of DVCPRO HD high definition video Final Cut Pro HD natively supports DVCPRO HD media...
User Guide
Page 41
... x 720 Scanning method Interlaced Progressive Progressive Progressive 41 For additional background information about the DVCPRO HD format, see "High Definition Video Fundamentals" on page 103. In Final Cut Pro, you can capture, edit, and output DVCPRO HD video using the built-in Final Cut Pro Final Cut Pro natively supports the following DVCPRO HD formats. For details about high definition video, see "DVCPRO...
... x 720 Scanning method Interlaced Progressive Progressive Progressive 41 For additional background information about the DVCPRO HD format, see "High Definition Video Fundamentals" on page 103. In Final Cut Pro, you can capture, edit, and output DVCPRO HD video using the built-in Final Cut Pro Final Cut Pro natively supports the following DVCPRO HD formats. For details about high definition video, see "DVCPRO...
User Guide
Page 76
... an example of a time-tracking mechanism. For one thing, the timecode track stored within the source media file did not change . Some Background About Working With 24 @ 25 in Final Cut Pro When you conform PAL video from 25 fps to 24 fps, the result is still 25 fps-even though the source media...
... an example of a time-tracking mechanism. For one thing, the timecode track stored within the source media file did not change . Some Background About Working With 24 @ 25 in Final Cut Pro When you conform PAL video from 25 fps to 24 fps, the result is still 25 fps-even though the source media...