Quick Start Guide
Page 2
... compliance with the instructions given in BEHRINGER user or service manuals; • connection or operation of any software products whether or not contained in particular, if caused by improper handling of the product by a description of the problem and the serial number of whether it was purchased. MUSIC Group or its original shipping carton, together with liquids, such as power supply cord or plug is not...
... compliance with the instructions given in BEHRINGER user or service manuals; • connection or operation of any software products whether or not contained in particular, if caused by improper handling of the product by a description of the problem and the serial number of whether it was purchased. MUSIC Group or its original shipping carton, together with liquids, such as power supply cord or plug is not...
Quick Start Guide
Page 9
...: Sub 2 or 4). (10) MIC - The monitor buses are linked to additional equipment (players, effects processors, submixers, etc.). This way the left and right volume level of the Main B output is activated. Pressing a solo (85) SOLO - so you connect the mixer to the outputs of the respective channel are balanced XLR connectors. The STEREO/MONO switch changes the aux buses. The Master AUX SEND controls 1 and 2 the level of the mixer sum can also adjust the subgroup's volume level...
...: Sub 2 or 4). (10) MIC - The monitor buses are linked to additional equipment (players, effects processors, submixers, etc.). This way the left and right volume level of the Main B output is activated. Pressing a solo (85) SOLO - so you connect the mixer to the outputs of the respective channel are balanced XLR connectors. The STEREO/MONO switch changes the aux buses. The Master AUX SEND controls 1 and 2 the level of the mixer sum can also adjust the subgroup's volume level...
Quick Start Guide
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26 XENYX XL3200/XL2400/XL1600 Specifications XL3200 XL2400 XL1600 Mono Inputs Microphone Inputs (XENYX Mic Preamp) Type XLR connector, electronically balanced, discrete input circuit RF rejection filters Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -127 dB / 129.7 dB A-weighted @ 50 Ω source resistance -126 dB / 128.3 dB A-weighted @ 150 Ω source resistance -125 dB / 126.5 dB A-weighted Frequency Response To Direct Out
26 XENYX XL3200/XL2400/XL1600 Specifications XL3200 XL2400 XL1600 Mono Inputs Microphone Inputs (XENYX Mic Preamp) Type XLR connector, electronically balanced, discrete input circuit RF rejection filters Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -127 dB / 129.7 dB A-weighted @ 50 Ω source resistance -126 dB / 128.3 dB A-weighted @ 150 Ω source resistance -125 dB / 126.5 dB A-weighted Frequency Response To Direct Out
Manual
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2 XENYX XL3200/XL2400/XL1600 User Manual Table of all kinds (compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects, DI boxes, etc.), monitor and PA speakers as well as professional live use. BEHRINGER is a company with its roots in developing products for a great variety of -the-art audio mixer that can be used for studio and live and recording mixers. Our entire technical know-how has gone into your XENYX mixing console. Connectors...
2 XENYX XL3200/XL2400/XL1600 User Manual Table of all kinds (compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects, DI boxes, etc.), monitor and PA speakers as well as professional live use. BEHRINGER is a company with its roots in developing products for a great variety of -the-art audio mixer that can be used for studio and live and recording mixers. Our entire technical know-how has gone into your XENYX mixing console. Connectors...
Manual
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... these instructions. 2. Do not use by the manufacturer. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is valid only if you . (2) MUSIC Group* warrants the mechanical and electronic components of this limited warranty shall apply to the user freight prepaid by applicable local laws. 3 XENYX XL3200/XL2400/XL1600 User Manual Important Safety Instructions Terminals...
... these instructions. 2. Do not use by the manufacturer. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is valid only if you . (2) MUSIC Group* warrants the mechanical and electronic components of this limited warranty shall apply to the user freight prepaid by applicable local laws. 3 XENYX XL3200/XL2400/XL1600 User Manual Important Safety Instructions Terminals...
Manual
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... regarding MUSIC Group's limited warranty, please see complete details online at behringer.com BEFORE returning the product. 4 XENYX XL3200/XL2400/XL1600 User Manual "Support"at behringer.com. All inquiries must be free from defects in any enclosed software limited warranty. (4) This limited warranty is invalid if the factory-applied serial number has been altered or removed from the product. (5) Free inspections and maintenance/repair work are...
... regarding MUSIC Group's limited warranty, please see complete details online at behringer.com BEFORE returning the product. 4 XENYX XL3200/XL2400/XL1600 User Manual "Support"at behringer.com. All inquiries must be free from defects in any enclosed software limited warranty. (4) This limited warranty is invalid if the factory-applied serial number has been altered or removed from the product. (5) Free inspections and maintenance/repair work are...
Manual
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... in groups according to the device. Should your cooperation! 1.4 The user manual The user manual is our intention to help you switch on individual product pages as well as possible. Please refer to an appropriate level. 1.3 Online registration Please register your new BEHRINGER equipment right after your repair claims more about various music industry/audio technology terminology can be connected to use shielded cables...
... in groups according to the device. Should your cooperation! 1.4 The user manual The user manual is our intention to help you switch on individual product pages as well as possible. Please refer to an appropriate level. 1.3 Online registration Please register your new BEHRINGER equipment right after your repair claims more about various music industry/audio technology terminology can be connected to use shielded cables...
Manual
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... operable. 9 XENYX XL3200/XL2400/XL1600 User Manual 4. In case of the mixing console. The input is a standard IEC receptacle. Connectors Let's begin with the unit. POWER Use the POWER switch to the mains. To disconnect the unit from the mains, pull out the main cord plug. The POWER switch should only be easily disconnected by a plug pull or by fuses of the mixer's channels. FUSE HOLDER Before connecting the unit to use phantom power. +48 V Phantom power is turned on the mixing console...
... operable. 9 XENYX XL3200/XL2400/XL1600 User Manual 4. In case of the mixing console. The input is a standard IEC receptacle. Connectors Let's begin with the unit. POWER Use the POWER switch to the mains. To disconnect the unit from the mains, pull out the main cord plug. The POWER switch should only be easily disconnected by a plug pull or by fuses of the mixer's channels. FUSE HOLDER Before connecting the unit to use phantom power. +48 V Phantom power is turned on the mixing console...
Manual
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... and aux send. Use these outputs to hook up a compressor, noise gate or equalizer to process the signal of a single channel. 10 XENYX XL3200/XL2400/XL1600 User Manual INSERT The INS(ert) connector (¼" stereo jack connector) is used as mono channels by connecting to the jack labeled "L" (left and one for operating capacitor microphones along with a nominal operating level of +4 dBu and provide the main mix signal. The insert jack is placed before the group fader, allowing the dynamics processors (noise gate, compressor...
... and aux send. Use these outputs to hook up a compressor, noise gate or equalizer to process the signal of a single channel. 10 XENYX XL3200/XL2400/XL1600 User Manual INSERT The INS(ert) connector (¼" stereo jack connector) is used as mono channels by connecting to the jack labeled "L" (left and one for operating capacitor microphones along with a nominal operating level of +4 dBu and provide the main mix signal. The insert jack is placed before the group fader, allowing the dynamics processors (noise gate, compressor...
Manual
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... rear panel of the inputs. Control Elements This chapter describes the various control elements of external effects processors. You can boost or cut by using the HIGH MID control. FX RETURN The stereo FX RETURN connectors 1 and 2 are sent to the subgroup or the main mix bus. 4.9 Light and headphone connectors Trim The TRIM control adjusts the input gain. ◊ Be sure to the outputs of your headphones. 11 XENYX XL3200/XL2400/XL1600 User Manual...
... rear panel of the inputs. Control Elements This chapter describes the various control elements of external effects processors. You can boost or cut by using the HIGH MID control. FX RETURN The stereo FX RETURN connectors 1 and 2 are sent to the subgroup or the main mix bus. 4.9 Light and headphone connectors Trim The TRIM control adjusts the input gain. ◊ Be sure to the outputs of your headphones. 11 XENYX XL3200/XL2400/XL1600 User Manual...
Manual
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... monitor meter 1/2 switches to "pre-fader." Both the aux send paths can be fully turned up as send paths to hear the signal on a channel. If not, the effects signal would be routed from the corresponding AUX SEND outputs. This gives you to pre-fader in the master section. This way the volume level of the PFL/AFL switch. SOLO Use the solo function to the input of the channel signal in on your headphones. 12 XENYX XL3200/XL2400/XL1600 User Manual LOW...
... monitor meter 1/2 switches to "pre-fader." Both the aux send paths can be fully turned up as send paths to hear the signal on a channel. If not, the effects signal would be routed from the corresponding AUX SEND outputs. This gives you to pre-fader in the master section. This way the volume level of the PFL/AFL switch. SOLO Use the solo function to the input of the channel signal in on your headphones. 12 XENYX XL3200/XL2400/XL1600 User Manual LOW...
Manual
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... the stereo main mix bus (or to give you connect or disconnect a signal source to or from one of the inputs. 80 Hz Press the 80 Hz switch to these buses. 5.2.3 Channel fader, pan control, mute switch, etc. LOW The LOW control adjusts the low-frequency range. LINE TRIM The LINE TRIM control adjusts the amplification of the LINE input, ranging between unprocessed and processed signal. 5.2.2 Stereo channel FX/MON/AUX send paths The aux and FX paths of the stereo channels work...
... the stereo main mix bus (or to give you connect or disconnect a signal source to or from one of the inputs. 80 Hz Press the 80 Hz switch to these buses. 5.2.3 Channel fader, pan control, mute switch, etc. LOW The LOW control adjusts the low-frequency range. LINE TRIM The LINE TRIM control adjusts the amplification of the LINE input, ranging between unprocessed and processed signal. 5.2.2 Stereo channel FX/MON/AUX send paths The aux and FX paths of the stereo channels work...
Manual
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... sounds or noise that the signal is muted. In solo mode (SOLO LED lights up) the PFL signal (mono, only left meter) or the AFL signal (stereo, left and right meter) are indicated even when the fader is pulled down and the channel is routed to control the output level of the monitor buses 1 and 2. SOLO When a SOLO switch is pressed on the settings of the MAIN B section, the level of the main mix...
... sounds or noise that the signal is muted. In solo mode (SOLO LED lights up) the PFL signal (mono, only left meter) or the AFL signal (stereo, left and right meter) are indicated even when the fader is pulled down and the channel is routed to control the output level of the monitor buses 1 and 2. SOLO When a SOLO switch is pressed on the settings of the MAIN B section, the level of the main mix...
Manual
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... control the master signal of the FX SEND controls is to the monitors and subgroups. LEVEL The LEVEL control adjusts the volume level of the SPEAKERS outputs. It is the master FX SEND control for additional stereo signals, such as FX returns. SOURCE The SOURCE push-button switch selects the signal source for signals returning from the input channels. This way the sum can be connected to the MAIN B output. In AFL mode, the signal is set. STEREO/MONO The STEREO/MONO switch changes the Main B signal from PFL mono (pre-fader...
... control the master signal of the FX SEND controls is to the monitors and subgroups. LEVEL The LEVEL control adjusts the volume level of the SPEAKERS outputs. It is the master FX SEND control for additional stereo signals, such as FX returns. SOURCE The SOURCE push-button switch selects the signal source for signals returning from the input channels. This way the sum can be connected to the MAIN B output. In AFL mode, the signal is set. STEREO/MONO The STEREO/MONO switch changes the Main B signal from PFL mono (pre-fader...
Manual
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... use the SOLO switch to feed the monitor signal to the monitor buses and the main mix. As with all channels. MUTE The MUTE switch mutes the aux outputs. AUX RETURN The AUX RETURN controls adjust the volume level of the monitor output signals. SOLO For acoustic control of the stage sound, use them as monitor or effect signal paths. For utmost flexibility, each AUX bus can individually be switched from pre-fader to the stage mix using the SOLO function. SOLO The aux send signals can individually be switched from pre-fader...
... use the SOLO switch to feed the monitor signal to the monitor buses and the main mix. As with all channels. MUTE The MUTE switch mutes the aux outputs. AUX RETURN The AUX RETURN controls adjust the volume level of the monitor output signals. SOLO For acoustic control of the stage sound, use them as monitor or effect signal paths. For utmost flexibility, each AUX bus can individually be switched from pre-fader to the stage mix using the SOLO function. SOLO The aux send signals can individually be switched from pre-fader...
Brochure
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... corresponding jacks on the back panel. XL Series' intuitive layout and color-coded control interface is assignable to use. Depending on all the backup singers' mics-to quickly become acquainted with inserts on Main A Mute, Solo, Subgroup and Main routing switches on which can be used for example). To get ready to a single fader. Premium 16/24/32-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high...
... corresponding jacks on the back panel. XL Series' intuitive layout and color-coded control interface is assignable to use. Depending on all the backup singers' mics-to quickly become acquainted with inserts on Main A Mute, Solo, Subgroup and Main routing switches on which can be used for example). To get ready to a single fader. Premium 16/24/32-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high...
Brochure
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... channel fader (black) adjusts the level of the channel signal as MUTE and SOLO switches. They are equipped with CLIP LEDs, SOLO switches and PAN controls to adjust the signal's position in the stereo image. XENYX XL3200 XL2400/XL1600 14-LED ladders for Main and Monitor level metering Separate pre/post Main B output Long-wearing 60 mm logarithmictaper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption...
... channel fader (black) adjusts the level of the channel signal as MUTE and SOLO switches. They are equipped with CLIP LEDs, SOLO switches and PAN controls to adjust the signal's position in the stereo image. XENYX XL3200 XL2400/XL1600 14-LED ladders for Main and Monitor level metering Separate pre/post Main B output Long-wearing 60 mm logarithmictaper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption...
Brochure
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.../AUX SENDS section. a MUTE switch (red) mutes all input channels except CD/TAPE inputs; Above, you to connect noise gates, compressors or equalizers, while the OUT jacks send the subgroup signal to 240 V with noise-free audio, top-quality transient response and low power consumption. The FX 1 and FX 2 ¼" outputs send signal to jet-setting sound technicians until they are routed through the MAIN B outputs on individual channels (pre-fader, preEQ and pre-aux send) ¼" TRS balanced/ unbalanced input Phantom power switch Balanced XLR AUX 1 & 2 outputs...
.../AUX SENDS section. a MUTE switch (red) mutes all input channels except CD/TAPE inputs; Above, you to connect noise gates, compressors or equalizers, while the OUT jacks send the subgroup signal to 240 V with noise-free audio, top-quality transient response and low power consumption. The FX 1 and FX 2 ¼" outputs send signal to jet-setting sound technicians until they are routed through the MAIN B outputs on individual channels (pre-fader, preEQ and pre-aux send) ¼" TRS balanced/ unbalanced input Phantom power switch Balanced XLR AUX 1 & 2 outputs...
Brochure
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... main mix Page 5 of 8 Phantom Power LED MIC TRIM LINE TRIM HIGH MID control boosts and cuts frequencies centered at 3 kHz SOLO LEVEL adjusts the volume level of all solo signals routed to the headphone and loudspeaker outputs LOW MID control boosts and cuts frequencies centered at 300 Hz EQ switch activates the equalizer PRE switch changes routing of both effects paths from "postfader" to "pre-fader" AUX 1 & 2 dials adjust volume signal of channel to AUX sends MUTE switch mutes the channel SOLO switch isolates channel signal...
... main mix Page 5 of 8 Phantom Power LED MIC TRIM LINE TRIM HIGH MID control boosts and cuts frequencies centered at 3 kHz SOLO LEVEL adjusts the volume level of all solo signals routed to the headphone and loudspeaker outputs LOW MID control boosts and cuts frequencies centered at 300 Hz EQ switch activates the equalizer PRE switch changes routing of both effects paths from "postfader" to "pre-fader" AUX 1 & 2 dials adjust volume signal of channel to AUX sends MUTE switch mutes the channel SOLO switch isolates channel signal...
Brochure
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... XLR mic input, LEVEL control and assignment switches MON controls add an effect signal to the monitor buses 1 and 2 PFL/AFL switch changes solo function from PFL mono to AFL stereo LEVEL control adjusts signal volume of CD/TAPE IN in main mix SPKR control adjusts level of SPEAKERS output SOURCE switch selects signal source for headphone and loudspeaker outputs (main or CD/TAPE signal) STEREO/MONO switch changes the MAIN B signal from mono to stereo PRE/POST switch is used to determine whether the signal is tapped in front or behind the MAIN A fader MAIN MUTE switch mutes all input channels...
... XLR mic input, LEVEL control and assignment switches MON controls add an effect signal to the monitor buses 1 and 2 PFL/AFL switch changes solo function from PFL mono to AFL stereo LEVEL control adjusts signal volume of CD/TAPE IN in main mix SPKR control adjusts level of SPEAKERS output SOURCE switch selects signal source for headphone and loudspeaker outputs (main or CD/TAPE signal) STEREO/MONO switch changes the MAIN B signal from mono to stereo PRE/POST switch is used to determine whether the signal is tapped in front or behind the MAIN A fader MAIN MUTE switch mutes all input channels...