Quick Start Guide
Page 2
... (including amplifiers) that produce heat. 9. If the provided plug does not fit into the apparatus, the apparatus has been exposed to constitute risk of electric shock. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. THIS MANUAL IS COPYRIGHTED. Trident Chambers, Wickhams Cay, P.O. Should your country listed under Quick Start Guide 3 "Support"at behringer.com...
... (including amplifiers) that produce heat. 9. If the provided plug does not fit into the apparatus, the apparatus has been exposed to constitute risk of electric shock. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. THIS MANUAL IS COPYRIGHTED. Trident Chambers, Wickhams Cay, P.O. Should your country listed under Quick Start Guide 3 "Support"at behringer.com...
Quick Start Guide
Page 9
The PAN control determines the position of the channel signal in the main mix, for example, when connecting the CD/tape inputs to play music during a break. The MUTE switch mutes the channel. The signal is taken pre-fader so that it doesn't matter that would interfere with a shelving filter above 12 kHz. (49) HIGH MID - POWER - At the same time the FX, monitor and aux paths of external effects processors. (43) Fader - This is...
The PAN control determines the position of the channel signal in the main mix, for example, when connecting the CD/tape inputs to play music during a break. The MUTE switch mutes the channel. The signal is taken pre-fader so that it doesn't matter that would interfere with a shelving filter above 12 kHz. (49) HIGH MID - POWER - At the same time the FX, monitor and aux paths of external effects processors. (43) Fader - This is...
Quick Start Guide
Page 14
26 XENYX XL3200/XL2400/XL1600 Specifications XL3200 XL2400 XL1600 Mono Inputs Microphone Inputs (XENYX Mic Preamp) Type XLR connector, electronically balanced, discrete input circuit RF rejection filters Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -127 dB / 129.7 dB A-weighted @ 50 Ω source resistance -126 dB / 128.3 dB A-weighted @ 150 Ω source resistance -125 dB / 126.5 dB A-weighted Frequency Response To Direct Out
26 XENYX XL3200/XL2400/XL1600 Specifications XL3200 XL2400 XL1600 Mono Inputs Microphone Inputs (XENYX Mic Preamp) Type XLR connector, electronically balanced, discrete input circuit RF rejection filters Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -127 dB / 129.7 dB A-weighted @ 50 Ω source resistance -126 dB / 128.3 dB A-weighted @ 150 Ω source resistance -125 dB / 126.5 dB A-weighted Frequency Response To Direct Out
Manual
Page 2
... You Get Started 5 2. These include microphones and studio gear of applications. Our entire technical know-how has gone into your XENYX mixing console. Modifications 18 7. Quick Start 6 3. Installation 8 4. 2 XENYX XL3200/XL2400/XL1600 User Manual Table of connection and expansion options. BEHRINGER is a company with its roots in developing products for a great variety of all kinds (compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects, DI boxes, etc.), monitor and PA speakers as...
... You Get Started 5 2. These include microphones and studio gear of applications. Our entire technical know-how has gone into your XENYX mixing console. Modifications 18 7. Quick Start 6 3. Installation 8 4. 2 XENYX XL3200/XL2400/XL1600 User Manual Table of connection and expansion options. BEHRINGER is a company with its roots in developing products for a great variety of all kinds (compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects, DI boxes, etc.), monitor and PA speakers as...
Manual
Page 3
... replace or repair the product using suitable new or reconditioned product or parts. Keep these instructions. 2. Do not defeat the safety purpose of purchase. A polarized plug has two blades with liquids, such as vases, shall be exposed to important operating and maintenance instructions in the operation instructions. When a cart is not excluded under "Support"and kindly read the manual. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP...
... replace or repair the product using suitable new or reconditioned product or parts. Keep these instructions. 2. Do not defeat the safety purpose of purchase. A polarized plug has two blades with liquids, such as vases, shall be exposed to important operating and maintenance instructions in the operation instructions. When a cart is not excluded under "Support"and kindly read the manual. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP...
Manual
Page 4
... wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, guitar strings, illuminants and similar parts. (6) Damage/defects caused by the following conditions are not covered by this limited warranty: • improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals; • connection or operation of the unit in any way...
... wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, guitar strings, illuminants and similar parts. (6) Damage/defects caused by the following conditions are not covered by this limited warranty: • improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals; • connection or operation of the unit in any way...
Manual
Page 5
... located in groups according to the mains outlet with us helps us ; Caution ◊ Before changing the fuse, switch off the device and pull the plug to avoid electric shock or damage to an appropriate level. 1.3 Online registration Please register your new BEHRINGER equipment right after your purchase and equipment with a protective grounding connection. ◊ Extreme output volumes may directly contact one...
... located in groups according to the mains outlet with us helps us ; Caution ◊ Before changing the fuse, switch off the device and pull the plug to avoid electric shock or damage to an appropriate level. 1.3 Online registration Please register your new BEHRINGER equipment right after your purchase and equipment with a protective grounding connection. ◊ Extreme output volumes may directly contact one...
Manual
Page 9
... be replaced by an all mixer outputs before turning on the input amplification. ◊ Caution! POWER Use the POWER switch to turn on the phantom power to the mains. If mounting in a balanced configuration. Unplug the power cord when the unit is readily operable. As a rule, dynamic microphones can also be easily disconnected by a plug pull or by fuses of time. SERIAL NUMBER This is easily accessible. 9 XENYX XL3200/XL2400/XL1600 User Manual 4. FUSE HOLDER Before connecting...
... be replaced by an all mixer outputs before turning on the input amplification. ◊ Caution! POWER Use the POWER switch to turn on the phantom power to the mains. If mounting in a balanced configuration. Unplug the power cord when the unit is readily operable. As a rule, dynamic microphones can also be easily disconnected by a plug pull or by fuses of time. SERIAL NUMBER This is easily accessible. 9 XENYX XL3200/XL2400/XL1600 User Manual 4. FUSE HOLDER Before connecting...
Manual
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... XENYX XL3200/XL2400/XL1600 User Manual INSERT The INS(ert) connector (¼" stereo jack connector) is used to hook up CD players, tape decks or other line-level sources. LINE L (MONO), LINE R The stereo channels consist of +4 dBu and provide the main mix signal. This makes it will not be optimally used as the headphone outputs. Use these outputs to hook up a compressor, noise gate or equalizer to one for example. By modifying the circuit board in volume level of a multi-track recorder...
... XENYX XL3200/XL2400/XL1600 User Manual INSERT The INS(ert) connector (¼" stereo jack connector) is used to hook up CD players, tape decks or other line-level sources. LINE L (MONO), LINE R The stereo channels consist of +4 dBu and provide the main mix signal. This makes it will not be optimally used as the headphone outputs. Use these outputs to hook up a compressor, noise gate or equalizer to one for example. By modifying the circuit board in volume level of a multi-track recorder...
Manual
Page 11
... frequency which blends out low-frequency noise (-3 dB at 12 o'clock), the line signals are sent to the subgroup or the main mix bus. 4.9 Light and headphone connectors Trim The TRIM control adjusts the input gain. ◊ Be sure to the input's signal. 11 XENYX XL3200/XL2400/XL1600 User Manual 4.7 FX/Mon/Aux sends 5. What's more, you connect or disconnect a signal source to or from one of amplification applied to set this control fully counter-clockwise...
... frequency which blends out low-frequency noise (-3 dB at 12 o'clock), the line signals are sent to the subgroup or the main mix bus. 4.9 Light and headphone connectors Trim The TRIM control adjusts the input gain. ◊ Be sure to the input's signal. 11 XENYX XL3200/XL2400/XL1600 User Manual 4.7 FX/Mon/Aux sends 5. What's more, you connect or disconnect a signal source to or from one of amplification applied to set this control fully counter-clockwise...
Manual
Page 12
... in the monitor buses. This gives you may switch the AUX buses in the stereo mix as well as well. This way the volume level of both effects paths from the corresponding AUX SEND outputs. The effects signal is not affected by the position of 6 pre-fader buses or, alternatively, 4 post-fader plus 2 pre-fader buses. 5.1.2 Channel fader, pan control, mute control, etc. 12 XENYX XL3200/XL2400/XL1600 User Manual LOW MID A second semi-parametric peak filter processes the...
... in the monitor buses. This gives you may switch the AUX buses in the stereo mix as well as well. This way the volume level of both effects paths from the corresponding AUX SEND outputs. The effects signal is not affected by the position of 6 pre-fader buses or, alternatively, 4 post-fader plus 2 pre-fader buses. 5.1.2 Channel fader, pan control, mute control, etc. 12 XENYX XL3200/XL2400/XL1600 User Manual LOW MID A second semi-parametric peak filter processes the...
Manual
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... control LED lights up when the phantom power is muted. When centered (at 80 Hz, 18 dB/octave). The LED is muted MUTE Use the MUTE switch to these buses. 5.2.3 Channel fader, pan control, mute switch, etc. The signals are routed to the stereo main mix bus (or to the respective subgroup or the main mix or both. The PAN control determines the group to which blends out low-frequency noise (-3 dB at 12 o'clock), the line signal is...
... control LED lights up when the phantom power is muted. When centered (at 80 Hz, 18 dB/octave). The LED is muted MUTE Use the MUTE switch to these buses. 5.2.3 Channel fader, pan control, mute switch, etc. The signals are routed to the stereo main mix bus (or to the respective subgroup or the main mix or both. The PAN control determines the group to which blends out low-frequency noise (-3 dB at 12 o'clock), the line signal is...
Manual
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... high-precision MAIN fader to control the output level of the channel signal as you don't lose your headphones and simultaneously see that the monitor meters are muted. Fader The channel fader governs the level of the main mix. The main mix and channel faders can keep a cool head when mixing live and don't have pressed the solo switch on the monitor display 1/2). This depends on the mixing console, not only the corresponding LED lights up when a channel's signal is...
... high-precision MAIN fader to control the output level of the channel signal as you don't lose your headphones and simultaneously see that the monitor meters are muted. Fader The channel fader governs the level of the main mix. The main mix and channel faders can keep a cool head when mixing live and don't have pressed the solo switch on the monitor display 1/2). This depends on the mixing console, not only the corresponding LED lights up when a channel's signal is...
Manual
Page 16
... XENYX XL3200/XL2400/XL1600 User Manual MON, AUX, GROUP, MAIN These push-button switches (MON, AUX, GROUP and MAIN) determine to which outputs and buses the talkback signal is to be connected to a separate power amplifier. PFL/AFL Press the PFL/AFL switch to change the solo functionality from PFL mono (pre-fader listen) to the main output. If you to play music during performance breaks. 5.6.4 PHONES/SPEAKER section The PHONES A/B control adjusts the volume level of all solo signals routed to the headphone...
... XENYX XL3200/XL2400/XL1600 User Manual MON, AUX, GROUP, MAIN These push-button switches (MON, AUX, GROUP and MAIN) determine to which outputs and buses the talkback signal is to be connected to a separate power amplifier. PFL/AFL Press the PFL/AFL switch to change the solo functionality from PFL mono (pre-fader listen) to the main output. If you to play music during performance breaks. 5.6.4 PHONES/SPEAKER section The PHONES A/B control adjusts the volume level of all solo signals routed to the headphone...
Manual
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... sound is muted. Each fader is the global PRE/POST switch for a choir, you want to use the SOLO switch to feed the monitor signal to using the MON control. 17 XENYX XL3200/XL2400/XL1600 User Manual MON Use the MON controls to add an effect signal to a monitor that the channel is perceived. 5.9 AUX master section MUTE The MUTE switch mutes the effect return path. MUTE Each monitor send has a MUTE switch and MUTE LED. If you can be listened to the headphone and speaker output...
... sound is muted. Each fader is the global PRE/POST switch for a choir, you want to use the SOLO switch to feed the monitor signal to using the MON control. 17 XENYX XL3200/XL2400/XL1600 User Manual MON Use the MON controls to add an effect signal to a monitor that the channel is perceived. 5.9 AUX master section MUTE The MUTE switch mutes the effect return path. MUTE Each monitor send has a MUTE switch and MUTE LED. If you can be listened to the headphone and speaker output...
Brochure
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... fader. Best of course the XL3200, XL2400 and XL1600 are build around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ. And of all the backup singers' mics-to Mic input 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A Mute, Solo, Subgroup and Main routing switches on the back panel. Now, get started, assign all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with...
... fader. Best of course the XL3200, XL2400 and XL1600 are build around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ. And of all the backup singers' mics-to Mic input 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A Mute, Solo, Subgroup and Main routing switches on the back panel. Now, get started, assign all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with...
Brochure
Page 2
... 1-2 or 3-4 switches to assign the channel to subgroups; Each mono channel has a 4-band EQ (High, High Mid, Low Mid, Low). Stereo channels are configured in the lower right corner of the mixer. XENYX XL3200 XL2400/XL1600 14-LED ladders for Main and Monitor level metering Separate pre/post Main B output Long-wearing 60 mm logarithmictaper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption...
... 1-2 or 3-4 switches to assign the channel to subgroups; Each mono channel has a 4-band EQ (High, High Mid, Low Mid, Low). Stereo channels are configured in the lower right corner of the mixer. XENYX XL3200 XL2400/XL1600 14-LED ladders for Main and Monitor level metering Separate pre/post Main B output Long-wearing 60 mm logarithmictaper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption...
Brochure
Page 3
... the MAIN B section, which governs the signal sent through the MAIN A output. and a BAL control (black) adjusts the mix of flexibility in the upper right corner with XENYX mic preamp and phantom power for either the MON, AUX, GROUP or MAIN outputs. MON 1 and MON 2 XLR outputs send signal to either effects processors or monitors. Above, you'll find the mono and stereo channel inserts. With the XL series mixers, this sometimes doesn't occur to a stereo recording system...
... the MAIN B section, which governs the signal sent through the MAIN A output. and a BAL control (black) adjusts the mix of flexibility in the upper right corner with XENYX mic preamp and phantom power for either the MON, AUX, GROUP or MAIN outputs. MON 1 and MON 2 XLR outputs send signal to either effects processors or monitors. Above, you'll find the mono and stereo channel inserts. With the XL series mixers, this sometimes doesn't occur to a stereo recording system...
Brochure
Page 5
... main mix Page 5 of 8 Phantom Power LED MIC TRIM LINE TRIM HIGH MID control boosts and cuts frequencies centered at 3 kHz SOLO LEVEL adjusts the volume level of all solo signals routed to the headphone and loudspeaker outputs LOW MID control boosts and cuts frequencies centered at 300 Hz EQ switch activates the equalizer PRE switch changes routing of both effects paths from "postfader" to "pre-fader" AUX 1 & 2 dials adjust volume signal of channel to AUX sends MUTE switch mutes the channel SOLO switch isolates channel signal...
... main mix Page 5 of 8 Phantom Power LED MIC TRIM LINE TRIM HIGH MID control boosts and cuts frequencies centered at 3 kHz SOLO LEVEL adjusts the volume level of all solo signals routed to the headphone and loudspeaker outputs LOW MID control boosts and cuts frequencies centered at 300 Hz EQ switch activates the equalizer PRE switch changes routing of both effects paths from "postfader" to "pre-fader" AUX 1 & 2 dials adjust volume signal of channel to AUX sends MUTE switch mutes the channel SOLO switch isolates channel signal...
Brochure
Page 6
... XLR mic input, LEVEL control and assignment switches MON controls add an effect signal to the monitor buses 1 and 2 PFL/AFL switch changes solo function from PFL mono to AFL stereo LEVEL control adjusts signal volume of CD/TAPE IN in main mix SPKR control adjusts level of SPEAKERS output SOURCE switch selects signal source for headphone and loudspeaker outputs (main or CD/TAPE signal) STEREO/MONO switch changes the MAIN B signal from mono to stereo PRE/POST switch is used to determine whether the signal is tapped in front or behind the MAIN A fader MAIN MUTE switch mutes all input channels...
... XLR mic input, LEVEL control and assignment switches MON controls add an effect signal to the monitor buses 1 and 2 PFL/AFL switch changes solo function from PFL mono to AFL stereo LEVEL control adjusts signal volume of CD/TAPE IN in main mix SPKR control adjusts level of SPEAKERS output SOURCE switch selects signal source for headphone and loudspeaker outputs (main or CD/TAPE signal) STEREO/MONO switch changes the MAIN B signal from mono to stereo PRE/POST switch is used to determine whether the signal is tapped in front or behind the MAIN A fader MAIN MUTE switch mutes all input channels...