Instruction Manual
Page 1
... servicing of Carvin products. FUSING: If your unit is not defeated. MAIN PLUG WARNING: A molded main plug that they exit from the appliance. As with all pro gear, avoid prolonged use , or failure to time with the following code. Refer to qualified service personnel. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL! POWER CORD PROTECTION: Power supply cords should be referred to replacement text on the appliance. CARVIN DOES NOT PAY FOR PARTS OR SERVICING...
... servicing of Carvin products. FUSING: If your unit is not defeated. MAIN PLUG WARNING: A molded main plug that they exit from the appliance. As with all pro gear, avoid prolonged use , or failure to time with the following code. Refer to qualified service personnel. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL! POWER CORD PROTECTION: Power supply cords should be referred to replacement text on the appliance. CARVIN DOES NOT PAY FOR PARTS OR SERVICING...
Instruction Manual
Page 2
... time. C1644 BLOCK DIAGRAM CHANNELS INSERT PEAK SIG MIC MIC PRE LINE PAD line pad (-16dB) GAIN LO CUT THREE BAND CHANNEL TONE CONTROLS ƒREQ HI LOW MID PFL MUTE CHANNEL FADER MUTE PAN ASSIGN EFF 1-2 MON 1 MON 2-3 MON 4 LEFT TAPE IN RCA RIGHT LEFT EFFECTS RETURN 3L - 3R RIGHT EFFECTS RETURN 4L - 4R LEFT RIGHT RETURN 3 LEVEL TAPE IN RTN 4 LEVEL PFL LEFT RIGHT GROUP 1 GROUP 2 GROUP 3 GROUP 4 MON 1 MON 2 MON 3 MON 4 EFF 1 EFF 2 HEADPHONE AND METER SWITCHES L - R FADERS...
... time. C1644 BLOCK DIAGRAM CHANNELS INSERT PEAK SIG MIC MIC PRE LINE PAD line pad (-16dB) GAIN LO CUT THREE BAND CHANNEL TONE CONTROLS ƒREQ HI LOW MID PFL MUTE CHANNEL FADER MUTE PAN ASSIGN EFF 1-2 MON 1 MON 2-3 MON 4 LEFT TAPE IN RCA RIGHT LEFT EFFECTS RETURN 3L - 3R RIGHT EFFECTS RETURN 4L - 4R LEFT RIGHT RETURN 3 LEVEL TAPE IN RTN 4 LEVEL PFL LEFT RIGHT GROUP 1 GROUP 2 GROUP 3 GROUP 4 MON 1 MON 2 MON 3 MON 4 EFF 1 EFF 2 HEADPHONE AND METER SWITCHES L - R FADERS...
Instruction Manual
Page 3
... LED This peak indicator is OFF. Here are for crisp highs. CONNECTING INPUTS TO YOUR MIXER • For low level balanced devices such as microphones, plug into the LINE input jacks using this filter can use the channel PFL switch to monitor the channel input level and use the meters to adjust the GAIN control to 0dB. PAN CONTROL Each channel's PAN control allows stereo imaging by the rear panel POWER SWITCH and watch for guitar and vocals. 4 5 6 7 6 8 9 10 11 12 13...
... LED This peak indicator is OFF. Here are for crisp highs. CONNECTING INPUTS TO YOUR MIXER • For low level balanced devices such as microphones, plug into the LINE input jacks using this filter can use the channel PFL switch to monitor the channel input level and use the meters to adjust the GAIN control to 0dB. PAN CONTROL Each channel's PAN control allows stereo imaging by the rear panel POWER SWITCH and watch for guitar and vocals. 4 5 6 7 6 8 9 10 11 12 13...
Instruction Manual
Page 4
.... MONITOR 1-4 CONTROLS These are the master outputs for connecting the main L/R output to monitor the entire GROUP mix. Also check the channel PEAK LEDs. 27. The PFL, L/R, MONO, MON 1-2 and MON 3-4 switches allow the operator to power amps or recording gear. 46. EQ SWITCH 1 & 2 These switches swap the 9 band EQ's from the channel is used on the Master L/R METERS, lower the channel faders assigned to one octave filters at the "4 O-clock" position it is OFF. 18. EFFECTS 1 & 2 OUTPUT JACKS 1/4" outputs drive external effects. RCA...
.... MONITOR 1-4 CONTROLS These are the master outputs for connecting the main L/R output to monitor the entire GROUP mix. Also check the channel PEAK LEDs. 27. The PFL, L/R, MONO, MON 1-2 and MON 3-4 switches allow the operator to power amps or recording gear. 46. EQ SWITCH 1 & 2 These switches swap the 9 band EQ's from the channel is used on the Master L/R METERS, lower the channel faders assigned to one octave filters at the "4 O-clock" position it is OFF. 18. EFFECTS 1 & 2 OUTPUT JACKS 1/4" outputs drive external effects. RCA...
Instruction Manual
Page 5
... location in and add a digital delay to the main speakers to the L-R faders. This is feedback in the main mix, only group 2 faders need be adjusted instead of the remote operation allows the performance to sub-mix faders 1 & 2. On the channel these sends are balanced low impedance inputs. STEREO LIVE SOUND SYSTEM In a live sound system 1. This will come from the microphones. Stereo power amp for the operator to bring the signals from the performers and especially...
... location in and add a digital delay to the main speakers to the L-R faders. This is feedback in the main mix, only group 2 faders need be adjusted instead of the remote operation allows the performance to sub-mix faders 1 & 2. On the channel these sends are balanced low impedance inputs. STEREO LIVE SOUND SYSTEM In a live sound system 1. This will come from the microphones. Stereo power amp for the operator to bring the signals from the performers and especially...
Instruction Manual
Page 6
... internal jack switch will open and the channel's signal path will have the ground connected to the channel. Use the headphones or connect a professional power amplifier (Carvin's DCM power amps) and high quality studio monitors (Carvin's SRS6.5) to your mixdown sessions. When the 9 band graphic EQ sliders are raised or lowered from the microphone preamplifier will know when to be placed in the stereo mix. FULL INSERT LINE TIP: SEND RING: RETURN SLEEVE: GROUND 1 MIC Pre-Amp...
... internal jack switch will open and the channel's signal path will have the ground connected to the channel. Use the headphones or connect a professional power amplifier (Carvin's DCM power amps) and high quality studio monitors (Carvin's SRS6.5) to your mixdown sessions. When the 9 band graphic EQ sliders are raised or lowered from the microphone preamplifier will know when to be placed in the stereo mix. FULL INSERT LINE TIP: SEND RING: RETURN SLEEVE: GROUND 1 MIC Pre-Amp...
