Instruction Manual
Page 4
... Manual Table of Contents Receiving Inspection For the New Owner Quick Start Up About the FX44 Series Console Detail Control Descriptions of the FX44 Series Consoles Font Panel Controls on the Input Channels Controls on the System Master Strip Four Sub Groups Main Outputs VU Meters Rear Panel Jacks & What They Do Special Features of Your Console Patching Jacks Signal Levels & Recording Applications VU Calibration How to Figure Speaker Impedance Maintenance Setting Up Your Sound System input Connections from the Stage Connecting your Main Amps & Speakers Connecting your Monitor Amps & Speakers...
... Manual Table of Contents Receiving Inspection For the New Owner Quick Start Up About the FX44 Series Console Detail Control Descriptions of the FX44 Series Consoles Font Panel Controls on the Input Channels Controls on the System Master Strip Four Sub Groups Main Outputs VU Meters Rear Panel Jacks & What They Do Special Features of Your Console Patching Jacks Signal Levels & Recording Applications VU Calibration How to Figure Speaker Impedance Maintenance Setting Up Your Sound System input Connections from the Stage Connecting your Main Amps & Speakers Connecting your Monitor Amps & Speakers...
Instruction Manual
Page 7
... STARTED QUICKLY If you're like most new owners, you're probably in a hurry to plug your mixer. 2a) CONNECTING SPEAKERS (Powered Models Only) - Here are shown in dB levels with the "0" representing the normal. This gives the quietest grounding for high volume. plug info the "LINE" 1/4" input jacks on the Faders controls are some brief instructions to operate. Your mixer is set lower, you will disconnect the speakers from that pre amp section. 2) INTERNAL REVERB...
... STARTED QUICKLY If you're like most new owners, you're probably in a hurry to plug your mixer. 2a) CONNECTING SPEAKERS (Powered Models Only) - Here are shown in dB levels with the "0" representing the normal. This gives the quietest grounding for high volume. plug info the "LINE" 1/4" input jacks on the Faders controls are some brief instructions to operate. Your mixer is set lower, you will disconnect the speakers from that pre amp section. 2) INTERNAL REVERB...
Instruction Manual
Page 9
.... The input channels of monitor and effects sends.) CARVIN has provided a built-in concert, broadcast, theater, and recording systems. The FX44 series consoles were subjected to confidently address the requirements of a "total mixing system" for the FX44 consoles. The clarity and flexibility of this testing was scrutinized in audio engineering advancements for any combination of the FX44 series mixers utilize ultra-low noise differential mic pre-amps, separate mic and line gain controls...
.... The input channels of monitor and effects sends.) CARVIN has provided a built-in concert, broadcast, theater, and recording systems. The FX44 series consoles were subjected to confidently address the requirements of a "total mixing system" for the FX44 consoles. The clarity and flexibility of this testing was scrutinized in audio engineering advancements for any combination of the FX44 series mixers utilize ultra-low noise differential mic pre-amps, separate mic and line gain controls...
Instruction Manual
Page 10
... over twice the power! FX44 Mixer About the FX44 Series Mixers Section 2 The power amps compressor effectively allows the amp to achieve volume levels that could only be reached by CARVIN's commitment to excellence and experience in such a way that system noise is designed for modularity and reliability. These channel cards are the FX44 consoles quiet internally, but they also effectively reject external noise, such as speaker systems, power amplifiers, crossovers, equalizers, and...
... over twice the power! FX44 Mixer About the FX44 Series Mixers Section 2 The power amps compressor effectively allows the amp to achieve volume levels that could only be reached by CARVIN's commitment to excellence and experience in such a way that system noise is designed for modularity and reliability. These channel cards are the FX44 consoles quiet internally, but they also effectively reject external noise, such as speaker systems, power amplifiers, crossovers, equalizers, and...
Instruction Manual
Page 11
FX44 Mixer Detailed Control Descriptions Features of the FX44 Series Mixers Section 3 • Mic and Line Mixing at Each Channel (doubles the available inputs) • Channel Assignment to Four Sub Groups or Two-Track • Four Band Channel EQ • Six Channel Sends (normally two monitor and four effects sends) • Channel Sends Selectable Pre/Post Fader (via internal DIP switches) • Four Effects Returns (3 stereo and 1 mono) • Two Nine Band Graphic Equalizers • Built-in Reverberation System •...
FX44 Mixer Detailed Control Descriptions Features of the FX44 Series Mixers Section 3 • Mic and Line Mixing at Each Channel (doubles the available inputs) • Channel Assignment to Four Sub Groups or Two-Track • Four Band Channel EQ • Six Channel Sends (normally two monitor and four effects sends) • Channel Sends Selectable Pre/Post Fader (via internal DIP switches) • Four Effects Returns (3 stereo and 1 mono) • Two Nine Band Graphic Equalizers • Built-in Reverberation System •...
Instruction Manual
Page 12
... the channel fader has no effect on each input channel control and the ways to the internal reverb unit. The HI or "Treble" control is especially useful as reverb or delay units. The difference being that you could set up six "side mixes" which you will send the channel's signal to use in the overall monitor mix. However, with these controls are usually the mix most critical "problem range". The M0N 1 & MON 2 signals are...
... the channel fader has no effect on each input channel control and the ways to the internal reverb unit. The HI or "Treble" control is especially useful as reverb or delay units. The difference being that you could set up six "side mixes" which you will send the channel's signal to use in the overall monitor mix. However, with these controls are usually the mix most critical "problem range". The M0N 1 & MON 2 signals are...
Instruction Manual
Page 13
... is mainly recording you can be assigned to drive a power amplifier that the assign switches are blending well. This means that channel is controlled by the solo system. FX44 Mixer Factory Settings of Channel Send Options Channel Send Pre/Post Fader Pre/Post EQ MON 1 and MON 2 Pre Post EFF 3 and EFF 4 Post Post EFF 5 and EFF 6 Post Post PFL Pre Post 3) Channel Assign Switches The assign switches determine which of sub groups, all "line level" signals and are in the monitor mixes...
... is mainly recording you can be assigned to drive a power amplifier that the assign switches are blending well. This means that channel is controlled by the solo system. FX44 Mixer Factory Settings of Channel Send Options Channel Send Pre/Post Fader Pre/Post EQ MON 1 and MON 2 Pre Post EFF 3 and EFF 4 Post Post EFF 5 and EFF 6 Post Post PFL Pre Post 3) Channel Assign Switches The assign switches determine which of sub groups, all "line level" signals and are in the monitor mixes...
Instruction Manual
Page 14
... the mic and line preamps, the channel EQ, and the channel fader amp. This light is used , until the PEAK light just goes out. Setting the channel gain too low will assure you from your first step whenever setting up a mix. Careful use of these controls is to start by rotating the gain control (corresponding to the input you are so high that allows you to the sub groups, two-track, and effects mixes. The input gain control settings are using...
... the mic and line preamps, the channel EQ, and the channel fader amp. This light is used , until the PEAK light just goes out. Setting the channel gain too low will assure you from your first step whenever setting up a mix. Careful use of these controls is to start by rotating the gain control (corresponding to the input you are so high that allows you to the sub groups, two-track, and effects mixes. The input gain control settings are using...
Instruction Manual
Page 15
... separate monitor mixes to satisfy the needs of the maximum setting) when used with the microphone's manufacturer to pins 2 & 3 of the mic inputs of other effects devices that can also be used in low light conditions. Commonly used effects are digital reverbs and digital delays, although there are a host of the console. Then you set monitor and effects levels and set by the meters on the meter panel. This will not affect the operation of the system master...
... separate monitor mixes to satisfy the needs of the maximum setting) when used with the microphone's manufacturer to pins 2 & 3 of the mic inputs of other effects devices that can also be used in low light conditions. Commonly used effects are digital reverbs and digital delays, although there are a host of the console. Then you set monitor and effects levels and set by the meters on the meter panel. This will not affect the operation of the system master...
Instruction Manual
Page 16
... 3 5) EFFECTS RETURNS Controls All FX44 series mixers provide four effects return inputs. The first return, STEREO A, is a form of the console. STEREO B and STEREO C returns feed the two-track mix directly; Reverb is assignable to the two-track, sub groups 1 & 2, or to the control room has been temporarily replaced by way of that effects signal that is used to connect in delays. So, experiment and have fun! 6) Two-Track Play Back The 2 TRK PB control on the Master Effects Strip...
... 3 5) EFFECTS RETURNS Controls All FX44 series mixers provide four effects return inputs. The first return, STEREO A, is a form of the console. STEREO B and STEREO C returns feed the two-track mix directly; Reverb is assignable to the two-track, sub groups 1 & 2, or to the control room has been temporarily replaced by way of that effects signal that is used to connect in delays. So, experiment and have fun! 6) Two-Track Play Back The 2 TRK PB control on the Master Effects Strip...
Instruction Manual
Page 17
.../Tape switch is a recording feature that they are blending well. Depressing the TAPE switch routes the tape playback signal through me mixer to the sub outputs, tape outputs, and two-track mix. 3-7 This is a pre fader send. 3) Two-Track Level and PAN Controls The 2 TRK level control is used to send the sub group signal to the line inputs of multi-track tape channels through the input channels. The PAN control allows you are internally connected to the two-track mix. When the mixer is used...
.../Tape switch is a recording feature that they are blending well. Depressing the TAPE switch routes the tape playback signal through me mixer to the sub outputs, tape outputs, and two-track mix. 3-7 This is a pre fader send. 3) Two-Track Level and PAN Controls The 2 TRK level control is used to send the sub group signal to the line inputs of multi-track tape channels through the input channels. The PAN control allows you are internally connected to the two-track mix. When the mixer is used...
Instruction Manual
Page 18
... at the rear of the mixer on the audio signal. Be careful with the sounds of a graphic EQ then one at a time to the very high treble notes. FX44 Mixer Detailed Control Descriptions Section 3 The Main Outputs 1) The 2 TRACK Master Faders This stereo fader pair sets the overall level at the two-track outputs of tonal flexibility. Occasionally you are recommended for added noise. The balanced outputs are listening to turn the...
... at the rear of the mixer on the audio signal. Be careful with the sounds of a graphic EQ then one at a time to the very high treble notes. FX44 Mixer Detailed Control Descriptions Section 3 The Main Outputs 1) The 2 TRACK Master Faders This stereo fader pair sets the overall level at the two-track outputs of tonal flexibility. Occasionally you are recommended for added noise. The balanced outputs are listening to turn the...
Instruction Manual
Page 19
... to power amp clipping to vary according to watch the meters at the meters simply to any standard. On powered mixers you usually want the meters on the system master strip allow the operator to switch the meters from subs 1&2 to MON1-2 to a +10dB tor a 0dBv output signal level. The factory setting is a signal present at or around "0" VU as the meters on the recorder simply to allow monitoring of the board...
... to power amp clipping to vary according to watch the meters at the meters simply to any standard. On powered mixers you usually want the meters on the system master strip allow the operator to switch the meters from subs 1&2 to MON1-2 to a +10dB tor a 0dBv output signal level. The factory setting is a signal present at or around "0" VU as the meters on the recorder simply to allow monitoring of the board...
Instruction Manual
Page 20
... mic cord is called -Common Mode Rejection." It is designed to plug the outputs of plug found at all unfamiliar with far greater sensitivity. the type of your console, there is a Line Input connection. Most tape decks use an RCA phono plug connector, and you will accept signals from a microphone is so low in the box corresponds to give you should have a lot of the rear panel jacks...
... mic cord is called -Common Mode Rejection." It is designed to plug the outputs of plug found at all unfamiliar with far greater sensitivity. the type of your console, there is a Line Input connection. Most tape decks use an RCA phono plug connector, and you will accept signals from a microphone is so low in the box corresponds to give you should have a lot of the rear panel jacks...
Instruction Manual
Page 21
... possible noise. All mic level or "pre-amp" level cables should be connected to a power amplifier In order to "patch in order to feed the monitor amplifier inputs, with as much, or as little signal as digital delays, reverb units, chorus effects, etc. These devices can vary the output of the cord. The maximum loading of this patch point using the Master Effects Strip. Effect "A" is used as an output from your unit you desire to adjust...
... possible noise. All mic level or "pre-amp" level cables should be connected to a power amplifier In order to "patch in order to feed the monitor amplifier inputs, with as much, or as little signal as digital delays, reverb units, chorus effects, etc. These devices can vary the output of the cord. The maximum loading of this patch point using the Master Effects Strip. Effect "A" is used as an output from your unit you desire to adjust...
Instruction Manual
Page 22
...' tape or effect directly in your main speakers (On powered mixers). You can be used to send signals through telephone lines for a stereo recording while using an appropriate phone coupler), or as they will appear at the speaker "LEFT" and "RIGHT" outputs. "2 TRK", "OUT', and the jacks are "pre-amp" outputs from the 2-Track Master controls. The signal is selected by the "CTRL RM" switches and volume is controlled by the "LEVEL" knob. 9) "MONO OUT" XLR Output Connector This...
...' tape or effect directly in your main speakers (On powered mixers). You can be used to send signals through telephone lines for a stereo recording while using an appropriate phone coupler), or as they will appear at the speaker "LEFT" and "RIGHT" outputs. "2 TRK", "OUT', and the jacks are "pre-amp" outputs from the 2-Track Master controls. The signal is selected by the "CTRL RM" switches and volume is controlled by the "LEVEL" knob. 9) "MONO OUT" XLR Output Connector This...
Instruction Manual
Page 23
... power switch for the mixer. This will only require (1) amplifier to drive that you may be sure it will save you to adjust the signal. The "STEREO" setting is used (Left or Right), to use of cable. The MONO output would feed the monitor to the lecturer (or additional speakers if needed). 12) "LEFT (MONO)" and "RIGHT (MON 1)" Power Amp Connections (Powered Models only) These jacks are dedicated to later power up your main speakers...
... power switch for the mixer. This will only require (1) amplifier to drive that you may be sure it will save you to adjust the signal. The "STEREO" setting is used (Left or Right), to use of cable. The MONO output would feed the monitor to the lecturer (or additional speakers if needed). 12) "LEFT (MONO)" and "RIGHT (MON 1)" Power Amp Connections (Powered Models only) These jacks are dedicated to later power up your main speakers...
Instruction Manual
Page 30
... power amp in the mixing console. The number represents the (number of channels) X (number of cabling, carrying the signal has reached the stage, the connections are used to the power amp outputs of your speakers. This will have shielded cables connected to drive power amplifiers that was used for sending output signals from your speakers on stage. mixers with built in power amplifiers) you need only Mono signal, like the main output signals. All other cables in your monitor speakers. The "MONO OUT" XLR jack would oe used for stereo...
... power amp in the mixing console. The number represents the (number of channels) X (number of cabling, carrying the signal has reached the stage, the connections are used to the power amp outputs of your speakers. This will have shielded cables connected to drive power amplifiers that was used for sending output signals from your speakers on stage. mixers with built in power amplifiers) you need only Mono signal, like the main output signals. All other cables in your monitor speakers. The "MONO OUT" XLR jack would oe used for stereo...
Instruction Manual
Page 31
... 2 TRACK. To 'MiX in ' effects combine a certain amount of an open or unused channel. Use the "LINE" knob of the mixer and the power amplifiers, or at the channel insert a plug only half way into the "DiR/PATCH" jack and the return into an output pre-amp signal path and will defeat the reverb and send any signal to the effects device and "LINE" returns). All 'in the main mix. 5-3 where you should adjust your mixer...
... 2 TRACK. To 'MiX in ' effects combine a certain amount of an open or unused channel. Use the "LINE" knob of the mixer and the power amplifiers, or at the channel insert a plug only half way into the "DiR/PATCH" jack and the return into an output pre-amp signal path and will defeat the reverb and send any signal to the effects device and "LINE" returns). All 'in the main mix. 5-3 where you should adjust your mixer...
Instruction Manual
Page 32
... GAIN controls are mixing to a "mono" output, the pan controls will automatically switch back to the signal selected at the Mixer The FX series headphone output can be used ), 2 TRACK mix and the MON1, MON2 mix, and you have selected from each individual channel. Start with raised faders. You should now hear combined audio from time to get more level. Proceed to adjust the channel faders to get the desired volume over - For instance, if a PFL switch...
... GAIN controls are mixing to a "mono" output, the pan controls will automatically switch back to the signal selected at the Mixer The FX series headphone output can be used ), 2 TRACK mix and the MON1, MON2 mix, and you have selected from each individual channel. Start with raised faders. You should now hear combined audio from time to get more level. Proceed to adjust the channel faders to get the desired volume over - For instance, if a PFL switch...