Instruction Manual
Page 4
... Manual Table of Contents Receiving Inspection For the New Owner Quick Start Up About the FX44 Series Console Detail Control Descriptions of the FX44 Series Consoles Font Panel Controls on the Input Channels Controls on the System Master Strip Four Sub Groups Main Outputs VU Meters Rear Panel Jacks & What They Do Special Features of Your Console Patching Jacks Signal Levels & Recording Applications VU Calibration How to Figure Speaker Impedance Maintenance Setting Up Your Sound System input Connections from the Stage Connecting your Main Amps & Speakers Connecting your Monitor Amps & Speakers...
... Manual Table of Contents Receiving Inspection For the New Owner Quick Start Up About the FX44 Series Console Detail Control Descriptions of the FX44 Series Consoles Font Panel Controls on the Input Channels Controls on the System Master Strip Four Sub Groups Main Outputs VU Meters Rear Panel Jacks & What They Do Special Features of Your Console Patching Jacks Signal Levels & Recording Applications VU Calibration How to Figure Speaker Impedance Maintenance Setting Up Your Sound System input Connections from the Stage Connecting your Main Amps & Speakers Connecting your Monitor Amps & Speakers...
Instruction Manual
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... flashes occasionally). Quick Start Up GETTING STARTED QUICKLY If you're like most new owners, you're probably in a hurry to the proper voltage. This control should set the EFF6 send levels eign and set the MIC or LINE "Gain" controls (above the MONO level control) . With the mixer unplugged, turn the mixer off and complete the following procedures: 1) CONNECTING AC POWER TO YOUR MIXER • Check and change if necessary the rear AC Line Voltage Switch to plug...
... flashes occasionally). Quick Start Up GETTING STARTED QUICKLY If you're like most new owners, you're probably in a hurry to the proper voltage. This control should set the EFF6 send levels eign and set the MIC or LINE "Gain" controls (above the MONO level control) . With the mixer unplugged, turn the mixer off and complete the following procedures: 1) CONNECTING AC POWER TO YOUR MIXER • Check and change if necessary the rear AC Line Voltage Switch to plug...
Instruction Manual
Page 9
... FX44 series mixers utilize ultra-low noise differential mic pre-amps, separate mic and line gain controls, and ultra low noise op-amps. The result is below -90 dB! The residual output noise is cleaner and quieter performance. At CARVIN, we decided to look for a way to make the FX44 series consoles a "natural" for today's demanding live mixing. mixing with the FX44 series consoles is exceptionall Each channel also has two monitor sends and four effect sends. (Internal DIP switches...
... FX44 series mixers utilize ultra-low noise differential mic pre-amps, separate mic and line gain controls, and ultra low noise op-amps. The result is below -90 dB! The residual output noise is cleaner and quieter performance. At CARVIN, we decided to look for a way to make the FX44 series consoles a "natural" for today's demanding live mixing. mixing with the FX44 series consoles is exceptionall Each channel also has two monitor sends and four effect sends. (Internal DIP switches...
Instruction Manual
Page 10
....) The CARVIN FX44 series mixers are built using only the finest components. The FX44 series mixers were carefully engineered to be measured accurately without first switching off the compressor (rear panel switch). FX44 Mixer About the FX44 Series Mixers Section 2 The power amps compressor effectively allows the amp to achieve volume levels that could only be removed easily and quickly. Careful attention to signal routing and gain levels through the computer ribbon-type interconnect cables allow...
....) The CARVIN FX44 series mixers are built using only the finest components. The FX44 series mixers were carefully engineered to be measured accurately without first switching off the compressor (rear panel switch). FX44 Mixer About the FX44 Series Mixers Section 2 The power amps compressor effectively allows the amp to achieve volume levels that could only be removed easily and quickly. Careful attention to signal routing and gain levels through the computer ribbon-type interconnect cables allow...
Instruction Manual
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FX44 Mixer Detailed Control Descriptions Features of the FX44 Series Mixers Section 3 • Mic and Line Mixing at Each Channel (doubles the available inputs) • Channel Assignment to Four Sub Groups or Two-Track • Four Band Channel EQ • Six Channel Sends (normally two monitor and four effects sends) • Channel Sends Selectable Pre/Post Fader (via internal DIP switches) • Four Effects Returns (3 stereo and 1 mono) • Two Nine Band Graphic Equalizers • Built-in Reverberation System •...
FX44 Mixer Detailed Control Descriptions Features of the FX44 Series Mixers Section 3 • Mic and Line Mixing at Each Channel (doubles the available inputs) • Channel Assignment to Four Sub Groups or Two-Track • Four Band Channel EQ • Six Channel Sends (normally two monitor and four effects sends) • Channel Sends Selectable Pre/Post Fader (via internal DIP switches) • Four Effects Returns (3 stereo and 1 mono) • Two Nine Band Graphic Equalizers • Built-in Reverberation System •...
Instruction Manual
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... reverb or delay units. Each channel has two monitor send controls (MON 1 & MON 2). For instance. Use these controls are independent of the sources you can effectively control this particular channel. It is most natural sounding response of the main mix. The EQ controls allow a singer to concentrate on the Input Channels Each channel of the controls on your console has 13 knobs, 4 switches and a linear fader. They are taken "pre fader" so that the channel fader...
... reverb or delay units. Each channel has two monitor send controls (MON 1 & MON 2). For instance. Use these controls are independent of the sources you can effectively control this particular channel. It is most natural sounding response of the main mix. The EQ controls allow a singer to concentrate on the Input Channels Each channel of the controls on your console has 13 knobs, 4 switches and a linear fader. They are taken "pre fader" so that the channel fader...
Instruction Manual
Page 13
... the channel (or channels) selected, even though you to solo audition each input that will be sending many signals through the mixer to SUB 2 only. For example if you pull down the fader on individual sources, even during a performance. Panning the channel all the way down . Turning the P AN control fully right sends the signal to the main mix. You can drive effects units directly. The internal reverb return...
... the channel (or channels) selected, even though you to solo audition each input that will be sending many signals through the mixer to SUB 2 only. For example if you pull down the fader on individual sources, even during a performance. Panning the channel all the way down . Turning the P AN control fully right sends the signal to the main mix. You can drive effects units directly. The internal reverb return...
Instruction Manual
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The PEAK warning light will flash whenever a signal exceeds a level of these controls is to start by rotating the gain control (corresponding to the input you are very important for the input. Whenever you see below the peak threshold will set the GAIN controls on the fader markings. Careful use of these controls will assure you of a distortion free mix with the lowest possible noise. 6) MIC and LINE GAIN Controls The FX44 series mixers utilize a unique...
The PEAK warning light will flash whenever a signal exceeds a level of these controls is to start by rotating the gain control (corresponding to the input you are very important for the input. Whenever you see below the peak threshold will set the GAIN controls on the fader markings. Careful use of these controls will assure you of a distortion free mix with the lowest possible noise. 6) MIC and LINE GAIN Controls The FX44 series mixers utilize a unique...
Instruction Manual
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... have connected the signal from the monitor SEND master control(s) at the mixer. After you are not using the Phantom power switch with the FX44 mixers. The meters normally show the output ley e.s of your unit has an input level control it is used . Then you can also be set effects return levels. voltage to hear more condenser type miss, you will not affect the operation of light where house lighting is kept low. The...
... have connected the signal from the monitor SEND master control(s) at the mixer. After you are not using the Phantom power switch with the FX44 mixers. The meters normally show the output ley e.s of your unit has an input level control it is used . Then you can also be set effects return levels. voltage to hear more condenser type miss, you will not affect the operation of light where house lighting is kept low. The...
Instruction Manual
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... 2 TRACK mix and subsequently be auditioned in the stereo field. FX44 Mixer Detailed Control Descriptions Section 3 5) EFFECTS RETURNS Controls All FX44 series mixers provide four effects return inputs. Example: use a digital delay set the EFF 6 send level at the channels and at the EFF 6 send master fairly high (at your two-track or mono mix. The MONO D return PAN control allows you to the control room has been temporarily replaced by depressing the PFL (solo) switch at the rear panel...
... 2 TRACK mix and subsequently be auditioned in the stereo field. FX44 Mixer Detailed Control Descriptions Section 3 5) EFFECTS RETURNS Controls All FX44 series mixers provide four effects return inputs. Example: use a digital delay set the EFF 6 send level at the channels and at the EFF 6 send master fairly high (at your two-track or mono mix. The MONO D return PAN control allows you to the control room has been temporarily replaced by depressing the PFL (solo) switch at the rear panel...
Instruction Manual
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This is a pre fader send. 3) Two-Track Level and PAN Controls The 2 TRK level control is soloed. Any line input signals present at the first four channels will also be heard so you depress a PFL switch the associated green LED will light up on to indicate that that sub-group is used for recording the 2 TRK and PAN controls allow you to the MON 1 monitor mix. Whenever you should take care to...
This is a pre fader send. 3) Two-Track Level and PAN Controls The 2 TRK level control is soloed. Any line input signals present at the first four channels will also be heard so you depress a PFL switch the associated green LED will light up on to indicate that that sub-group is used for recording the 2 TRK and PAN controls allow you to the MON 1 monitor mix. Whenever you should take care to...
Instruction Manual
Page 18
... the way it . FX44 Mixer Detailed Control Descriptions Section 3 The Main Outputs 1) The 2 TRACK Master Faders This stereo fader pair sets the overall level at the mono output of the mixer (one balanced XLR connector). When using these sliders, think of them as a pair of RCA phono jacks. if you raise or lower all the bands of tonal flexibility. Run some prerecorded music through the corresponding graphic...
... the way it . FX44 Mixer Detailed Control Descriptions Section 3 The Main Outputs 1) The 2 TRACK Master Faders This stereo fader pair sets the overall level at the mono output of the mixer (one balanced XLR connector). When using these sliders, think of them as a pair of RCA phono jacks. if you raise or lower all the bands of tonal flexibility. Run some prerecorded music through the corresponding graphic...
Instruction Manual
Page 19
... in stereo PA setups to normally have to display the signal levels at the meters simply to display relative signal levels. This allows the meters set your eyes on the system master strip allow monitoring of the console. The factory setting is normal for the meter level that would indicate from -10 to the type and number of the VU meters can be sure to the maximum output level of meter function switches on the mixer...
... in stereo PA setups to normally have to display the signal levels at the meters simply to display relative signal levels. This allows the meters set your eyes on the system master strip allow monitoring of the console. The factory setting is normal for the meter level that would indicate from -10 to the type and number of the VU meters can be sure to the maximum output level of meter function switches on the mixer...
Instruction Manual
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... output for low impedance signals. Since the signal from the microphone. CHANNEL JACKS As you look rather complex and confusing to use of that jack. Line level (or preamp) signals are "shielded." the type of plug found at the input of the console. Because this connector is a Line Input connection. FX44 Mixer Detailed Control Descriptions Section 3 REAR PANEL JACKS AND WHAT THEY DO Although the back panel of any console can be injected into the cable...
... output for low impedance signals. Since the signal from the microphone. CHANNEL JACKS As you look rather complex and confusing to use of that jack. Line level (or preamp) signals are "shielded." the type of plug found at the input of the console. Because this connector is a Line Input connection. FX44 Mixer Detailed Control Descriptions Section 3 REAR PANEL JACKS AND WHAT THEY DO Although the back panel of any console can be injected into the cable...
Instruction Manual
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... stereo. This would allow you access to feed the monitor amplifier inputs, with a properly shielded cord, it will allow the signal returned to be "pre-amp", meaning "Pre" amplifier (Sometimes called "Line Level"). The jack should be connected to a power amplifier In order to drive. Effects "A" through 6. The "L" and "R" allow you to adjust the amount of the Effects Send to drive your effect 3-11 To use with such signal processing equipment as compressors, limiters, delays...
... stereo. This would allow you access to feed the monitor amplifier inputs, with a properly shielded cord, it will allow the signal returned to be "pre-amp", meaning "Pre" amplifier (Sometimes called "Line Level"). The jack should be connected to a power amplifier In order to drive. Effects "A" through 6. The "L" and "R" allow you to adjust the amount of the Effects Send to drive your effect 3-11 To use with such signal processing equipment as compressors, limiters, delays...
Instruction Manual
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... better signal levels and lower overall noise. "2 TRK", "OUT', and the jacks are "pre-amp" inputs to both amps! 3-12 FX44 Mixer Detailed Control Descriptions Section 3 7a) "2 TRK" "OUT", 2 Track Left and Right Outputs These two jacks are "pre-amp" outputs from the Master Effects Strip, on the front panel. In general, the preferred choice is a "pre-amp" monaural output. These 2 jacks feed directly into the 2 TRACK mix. They deliver the output selected from the 2-Track Master controls. It can use...
... better signal levels and lower overall noise. "2 TRK", "OUT', and the jacks are "pre-amp" inputs to both amps! 3-12 FX44 Mixer Detailed Control Descriptions Section 3 7a) "2 TRK" "OUT", 2 Track Left and Right Outputs These two jacks are "pre-amp" outputs from the Master Effects Strip, on the front panel. In general, the preferred choice is a "pre-amp" monaural output. These 2 jacks feed directly into the 2 TRACK mix. They deliver the output selected from the 2-Track Master controls. It can use...
Instruction Manual
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... your console to oscillate from the 2 TRACK. The MONO output would feed the monitor to the lecturer (or additional speakers if needed). 12) "LEFT (MONO)" and "RIGHT (MON 1)" Power Amp Connections (Powered Models only) These jacks are output jacks used (Left or Right), to adjust the signal. So, by simply plugging any possibility of power to your amplifier. One or both power amplifiers. These jacks make the power amplifiers in your cables are access inputs to the two power amplifiers...
... your console to oscillate from the 2 TRACK. The MONO output would feed the monitor to the lecturer (or additional speakers if needed). 12) "LEFT (MONO)" and "RIGHT (MON 1)" Power Amp Connections (Powered Models only) These jacks are output jacks used (Left or Right), to adjust the signal. So, by simply plugging any possibility of power to your amplifier. One or both power amplifiers. These jacks make the power amplifiers in your cables are access inputs to the two power amplifiers...
Instruction Manual
Page 30
... input channels may be mixed to the loudspeakers is recommended. The "MONO OUT" XLR jack would oe used in the mixing console. You may be used as the main pre-amp outputs to the mixer usually has provisions for taping. All other cables in power amplifiers) you will carry the signal, from the "MON1" and "MON2" outputs. The XLR "MONO OUT" delivers is recommended. Keep in damaging the amplifier circuits. 6) Connecting the Monitor Amps...
... input channels may be mixed to the loudspeakers is recommended. The "MONO OUT" XLR jack would oe used in the mixing console. You may be used as the main pre-amp outputs to the mixer usually has provisions for taping. All other cables in power amplifiers) you will carry the signal, from the "MON1" and "MON2" outputs. The XLR "MONO OUT" delivers is recommended. Keep in damaging the amplifier circuits. 6) Connecting the Monitor Amps...
Instruction Manual
Page 31
... unused channel will defeat the reverb and send any signal to the console's internal reverb. rotate the effects' device mix entirely to the 2 TRACK directly. Outboard effects are normally mixed back in volume when adjusting either an analog delay, digital delay, or tape echo delay. Outboard effects devices can control both send to the "wet" or processed signal). Because the effects send and return levels of all effects that allows you may want to use the line input of effect is returned...
... unused channel will defeat the reverb and send any signal to the console's internal reverb. rotate the effects' device mix entirely to the 2 TRACK directly. Outboard effects are normally mixed back in volume when adjusting either an analog delay, digital delay, or tape echo delay. Outboard effects devices can control both send to the "wet" or processed signal). Because the effects send and return levels of all effects that allows you may want to use the line input of effect is returned...
Instruction Manual
Page 32
... highest setting. With the input channel GAIN controls set up the Master Section mix. Start with raised faders. You should now hear combined audio from your channels properly. Proceed to adjust the channel faders to create the mix of unused input channels should not be depressed. The faders of input signals that they help block out some of the other switches will no effect except for proper operation. For mono mixing the channel pan controls are adjusting the SUBs' or main 2 TRACK mix. For...
... highest setting. With the input channel GAIN controls set up the Master Section mix. Start with raised faders. You should now hear combined audio from your channels properly. Proceed to adjust the channel faders to create the mix of unused input channels should not be depressed. The faders of input signals that they help block out some of the other switches will no effect except for proper operation. For mono mixing the channel pan controls are adjusting the SUBs' or main 2 TRACK mix. For...