Owner's Manual
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... 4 3 2 1 MAIN OUTPUT LEVEL DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ","XDR" AND THE "RUNNING MAN" FIGURE • PATENT PENDING MIC 1 XDR MIC PRE MIC 2 XDR MIC PRE MIC 3 XDR MIC PRE MIC 4 ...MAIN MIX REFER SERVICING TO QUALIFIED PERSONNEL. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. 1202-VLZ PRO 12-CHANNEL MIC/LINE MIXER OWNER'S MANUAL 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF...
... 4 3 2 1 MAIN OUTPUT LEVEL DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ","XDR" AND THE "RUNNING MAN" FIGURE • PATENT PENDING MIC 1 XDR MIC PRE MIC 2 XDR MIC PRE MIC 3 XDR MIC PRE MIC 4 ...MAIN MIX REFER SERVICING TO QUALIFIED PERSONNEL. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. 1202-VLZ PRO 12-CHANNEL MIC/LINE MIXER OWNER'S MANUAL 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF...
Owner's Manual
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...voltage" within an equilateral triangle is intended to prevent a permanent hearing loss if exposure is not defeated. 16. Exposure to equipment capable of this Mackie product. 12. The U.S. Duration Per Day In Hours 8 6 4 3 2 1.5 1 0.5 0.25 or less Sound Level dBA, Slow Response 90 92...receptacle or other devices which produce heat. 9. Individuals vary considerably in the OFF position. 17. for a period of Communications. This Mackie product should be connected to sufficiently intense noise for example, near a bathtub, washbowl, kitchen sink, laundry tub, in the radio ...
...voltage" within an equilateral triangle is intended to prevent a permanent hearing loss if exposure is not defeated. 16. Exposure to equipment capable of this Mackie product. 12. The U.S. Duration Per Day In Hours 8 6 4 3 2 1.5 1 0.5 0.25 or less Sound Level dBA, Slow Response 90 92...receptacle or other devices which produce heat. 9. Individuals vary considerably in the OFF position. 17. for a period of Communications. This Mackie product should be connected to sufficiently intense noise for example, near a bathtub, washbowl, kitchen sink, laundry tub, in the radio ...
Owner's Manual
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...words, in order of pro-audio terms. If terms like this glossary for choosing a Mackie Designs professional compact mixer. More resources on our website @ www.mackie.com MIC 1 XDR ...15 +15 U -15 +15 U -15 +15 U MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 U U U U U U CHANNEL STRIPS -15 +15 LOW 80Hz PAN -15 +15 LOW 80Hz PAN -15 +15 LOW...," "noise floor," or "unbalanced" leave you 've found your 1202-VLZ PRO, find cross-references to the 1202-VLZ PRO. You'll also find out how to this : . They will...
...words, in order of pro-audio terms. If terms like this glossary for choosing a Mackie Designs professional compact mixer. More resources on our website @ www.mackie.com MIC 1 XDR ...15 +15 U -15 +15 U -15 +15 U MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 U U U U U U CHANNEL STRIPS -15 +15 LOW 80Hz PAN -15 +15 LOW 80Hz PAN -15 +15 LOW...," "noise floor," or "unbalanced" leave you 've found your 1202-VLZ PRO, find cross-references to the 1202-VLZ PRO. You'll also find out how to this : . They will...
Owner's Manual
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CONTENTS LEVEL-SETTING PROCEDURE 3 HOOKUP DIAGRAMS 6 1202-VLZ PRO PATCHBAY DESCRIPTION 10 MIC INPUTS 10 PHANTOM POWER 10 LINE INPUTS 10 LOW CUT 11 TRIM 11 STEREO LINE INPUTS 12 EFFECTS: SERIAL OR PARALLEL 12 CHANNEL INSERT 13 AUX RETURNS 13 TAPE INPUT 14 XLR MAIN OUTS 14 XLR MAIN OUTPUT LEVEL SWITCH 15 ...AUX TALK 24 AUX 1 PRE/POST SELECT 24 AUX 1 MASTER 24 AUX RETURNS 25 EFX TO MONITOR 25 JACK NORMALLING 25 MODIFICATIONS 25 1202-VLZ PRO BLOCK DIAGRAM 26 GAIN STRUCTURE DIAGRAM 27 SPECIFICATIONS 28 SERVICE INFO 29 APPENDIX A: CONNECTIONS 30 TRACK SHEET 33 COLOPHON 34...
CONTENTS LEVEL-SETTING PROCEDURE 3 HOOKUP DIAGRAMS 6 1202-VLZ PRO PATCHBAY DESCRIPTION 10 MIC INPUTS 10 PHANTOM POWER 10 LINE INPUTS 10 LOW CUT 11 TRIM 11 STEREO LINE INPUTS 12 EFFECTS: SERIAL OR PARALLEL 12 CHANNEL INSERT 13 AUX RETURNS 13 TAPE INPUT 14 XLR MAIN OUTS 14 XLR MAIN OUTPUT LEVEL SWITCH 15 ...AUX TALK 24 AUX 1 PRE/POST SELECT 24 AUX 1 MASTER 24 AUX RETURNS 25 EFX TO MONITOR 25 JACK NORMALLING 25 MODIFICATIONS 25 1202-VLZ PRO BLOCK DIAGRAM 26 GAIN STRUCTURE DIAGRAM 27 SPECIFICATIONS 28 SERVICE INFO 29 APPENDIX A: CONNECTIONS 30 TRACK SHEET 33 COLOPHON 34...
Owner's Manual
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... line-level input 2-track Mixdown Deck out 2-track Mixdown Deck (play) in (record) out (play) 1 2 3 4 5L MONO 6R 7 L MONO 8R 9L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 4-track Recorder in (record) IMPORTANT: ALL Channel Insert plugs are inserted... L 2 R out in Digital Delay 1 2 L R L R MAIN OUT Power Amplifier FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 IN-TAPE-OUT PHONES CNTRL ROOM OUT OUTPUTS 1202-VLZ PRO 4-Tk Record/2-Tk Mix 6 Studio Monitors
... line-level input 2-track Mixdown Deck out 2-track Mixdown Deck (play) in (record) out (play) 1 2 3 4 5L MONO 6R 7 L MONO 8R 9L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 4-track Recorder in (record) IMPORTANT: ALL Channel Insert plugs are inserted... L 2 R out in Digital Delay 1 2 L R L R MAIN OUT Power Amplifier FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 IN-TAPE-OUT PHONES CNTRL ROOM OUT OUTPUTS 1202-VLZ PRO 4-Tk Record/2-Tk Mix 6 Studio Monitors
Owner's Manual
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VCR Video Switcher with time code interface (optional) Master Video Deck Studio Monitors 1202-VLZ PRO Video Setup 7 Keyboard or other line-level input V/O Mic Video Deck #1 Video Deck #2 L Audio out R...Code DAT L out R L R in SMPTE Control MAIN OUT Compressor in out 11 2 3 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R *Note:...1 2 IN-TAPE-OUT PHONES CNTRL ROOM OUT OUTPUTS Mackie Designs: Video Setup scene #1 _ 23:94:10 Time Base Multi -
VCR Video Switcher with time code interface (optional) Master Video Deck Studio Monitors 1202-VLZ PRO Video Setup 7 Keyboard or other line-level input V/O Mic Video Deck #1 Video Deck #2 L Audio out R...Code DAT L out R L R in SMPTE Control MAIN OUT Compressor in out 11 2 3 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R *Note:...1 2 IN-TAPE-OUT PHONES CNTRL ROOM OUT OUTPUTS Mackie Designs: Video Setup scene #1 _ 23:94:10 Time Base Multi -
Owner's Manual
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Stereo sources should feed the left . B. Left PA Speaker Right PA Speaker ;;; 1202-VLZ PRO Stereo PA 9 C. Pan each channel hard left mono side of channel input only. Connect Mono PA system to become a Mono PA setup. Vocal Mics Line ... Keyboard or other line level input org org 2-Track Deck in (record) out (play) 11 2 33 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN OUT MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R in out Stereo Compressor in out in Mono Compressor...
Stereo sources should feed the left . B. Left PA Speaker Right PA Speaker ;;; 1202-VLZ PRO Stereo PA 9 C. Pan each channel hard left mono side of channel input only. Connect Mono PA system to become a Mono PA setup. Vocal Mics Line ... Keyboard or other line level input org org 2-Track Deck in (record) out (play) 11 2 33 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN OUT MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R in out Stereo Compressor in out in Mono Compressor...
Owner's Manual
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... IN 7-8 TAPE TAPE INPUT OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 10 The 1202-VLZ PRO's mic inputs will all sound excellent through the same wires that has a standard XLR-type male mic connector. Do not plug instrument outputs into...the Level-Setting Procedure: . LINE INPUTS (Channels 1-4) These four line inputs share circuitry (but not phantom power) with PHANTOM power on channels 5-12. 1202-VLZ PRO PATCHBAY DESCRIPTION At the risk of -10dBV to +4dBu, since there is 40dB more gain available than on unless you know for certain it ...
... IN 7-8 TAPE TAPE INPUT OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 10 The 1202-VLZ PRO's mic inputs will all sound excellent through the same wires that has a standard XLR-type male mic connector. Do not plug instrument outputs into...the Level-Setting Procedure: . LINE INPUTS (Channels 1-4) These four line inputs share circuitry (but not phantom power) with PHANTOM power on channels 5-12. 1202-VLZ PRO PATCHBAY DESCRIPTION At the risk of -10dBV to +4dBu, since there is 40dB more gain available than on unless you know for certain it ...
Owner's Manual
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... OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 PHONES STEREO LINE INPUTS (Channels 5-6, 7-8, 9-10 and 11-12) These fully balanced inputs are routed from -10dBV to be used with the original "dry" signal. To wire your...Return Wet Signal Output Section Channel Path Mix Stage Dry Signal(s) Processed Signal 12 To learn how signals are designed for stereo or mono, balanced or unbalanced signals, from these inputs: . For example, you would feed the 1202-VLZ PRO's line inputs 5-6 a stereo signal by them. Examples: compressor/limiters, ...
... OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 PHONES STEREO LINE INPUTS (Channels 5-6, 7-8, 9-10 and 11-12) These fully balanced inputs are routed from -10dBV to be used with the original "dry" signal. To wire your...Return Wet Signal Output Section Channel Path Mix Stage Dry Signal(s) Processed Signal 12 To learn how signals are designed for stereo or mono, balanced or unbalanced signals, from these inputs: . For example, you would feed the 1202-VLZ PRO's line inputs 5-6 a stereo signal by them. Examples: compressor/limiters, ...
Owner's Manual
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...the way in to the second "click." In fact, Mackie mic preamps have four of processing on the market. Here's three ways you can also be driven by almost any pro or semipro effects device on channels 5 through 12, simply patch through the processor before the channel's EQ and...RETURN 2 unplugged. These balanced inputs are after the TRIM and LOW CUT controls, but before you want to have become so famous that into the 1202-VLZ PRO. They can be used for just the first four channels. N WOODINVILLE, WA, USA RADEMARKS OR REGISTERED TRADEMARKS D THE "RUNNING MAN" FIGURE ...
...the way in to the second "click." In fact, Mackie mic preamps have four of processing on the market. Here's three ways you can also be driven by almost any pro or semipro effects device on channels 5 through 12, simply patch through the processor before the channel's EQ and...RETURN 2 unplugged. These balanced inputs are after the TRIM and LOW CUT controls, but before you want to have become so famous that into the 1202-VLZ PRO. They can be used for just the first four channels. N WOODINVILLE, WA, USA RADEMARKS OR REGISTERED TRADEMARKS D THE "RUNNING MAN" FIGURE ...
Owner's Manual
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...the TAPE and ASSIGN TO MAIN MIX buttons in the CONTROL ROOM SOURCE matrix can also use these outputs: . The 1202-VLZ PRO has plenty of 'em: XLR main outputs, 1⁄4" MAIN OUTS, RCA TAPE OUTPUT, PHONES, CONTROL ROOM and... XLR MAIN OUTS These low-impedance outputs are fully balanced and capable of driving +4dBu lines with semipro as well as pro recorders. MIC 1 XDR MIC PRE MIC 2 XDR MIC PRE MIC 3 XDR MIC PRE MIC 4 XDR MIC PRE ... MONO L BAL OR UNBAL BAL OR UNBAL R R LINE IN 9-10 LINE IN 11-12 PHONES TAPE INPUT These RCA jacks are designed to work with up to 28dB of headroom.
...the TAPE and ASSIGN TO MAIN MIX buttons in the CONTROL ROOM SOURCE matrix can also use these outputs: . The 1202-VLZ PRO has plenty of 'em: XLR main outputs, 1⁄4" MAIN OUTS, RCA TAPE OUTPUT, PHONES, CONTROL ROOM and... XLR MAIN OUTS These low-impedance outputs are fully balanced and capable of driving +4dBu lines with semipro as well as pro recorders. MIC 1 XDR MIC PRE MIC 2 XDR MIC PRE MIC 3 XDR MIC PRE MIC 4 XDR MIC PRE ... MONO L BAL OR UNBAL BAL OR UNBAL R R LINE IN 9-10 LINE IN 11-12 PHONES TAPE INPUT These RCA jacks are designed to work with up to 28dB of headroom.
Owner's Manual
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... = Ground RING TIP SLEEVE For most music recording and PA applications, unbalanced lines are perfectly acceptable. SLEEVE TIP SLEEVE TIP POWER PHANTOM ON ON 1202-VLZPRO 12-CHANNEL MIC/LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF... a 600 ohm balanced or unbalanced load. (Okay, we admit it .) To learn how signals are routed to your tape deck or other outputs on the 1202-VLZ PRO.
... = Ground RING TIP SLEEVE For most music recording and PA applications, unbalanced lines are perfectly acceptable. SLEEVE TIP SLEEVE TIP POWER PHANTOM ON ON 1202-VLZPRO 12-CHANNEL MIC/LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF... a 600 ohm balanced or unbalanced load. (Okay, we admit it .) To learn how signals are routed to your tape deck or other outputs on the 1202-VLZ PRO.
Owner's Manual
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... UNBAL R LINE IN 7-8 TAPE TAPE INPUT OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 PHONES PHONES The 1202-VLZ PRO's stereo PHONES jack will drive any standard headphone to these outputs: . Walkperson-type phones can cause permanent ear damage. Even intermediate levels may be...
... UNBAL R LINE IN 7-8 TAPE TAPE INPUT OUTPUT MONO L BAL OR UNBAL R MAIN OUT MONO L BAL OR UNBAL R LINE IN 9-10 LINE IN 11-12 PHONES PHONES The 1202-VLZ PRO's stereo PHONES jack will drive any standard headphone to these outputs: . Walkperson-type phones can cause permanent ear damage. Even intermediate levels may be...
Owner's Manual
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... 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE .5A-250V FUSE POWER ON PHANTOM ON 1202-VLZPRO 12-CHANNEL MIC/LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS MAIN RIGHT BALANCED MAIN LEFT BALANCED CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ... • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ","XDR" AND THE "RUNNING MAN" FIGURE • PATENT PENDING 17 get used up . a plug! If you lose a wall wart, you're in trouble, but if you lose the 1202-VLZ PRO's power cord, you suspect a blown fuse, disconnect the...
... 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE .5A-250V FUSE POWER ON PHANTOM ON 1202-VLZPRO 12-CHANNEL MIC/LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS MAIN RIGHT BALANCED MAIN LEFT BALANCED CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ... • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ","XDR" AND THE "RUNNING MAN" FIGURE • PATENT PENDING 17 get used up . a plug! If you lose a wall wart, you're in trouble, but if you lose the 1202-VLZ PRO's power cord, you suspect a blown fuse, disconnect the...
Owner's Manual
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...measured 2 EFX +15 U EQ in the LevelSetting Procedure . "Gee, what a particular channel is a Mackie signature. muting (often used during a session. "U" LIKE UNITY GAIN Mackie mixers have any refer- -12 +12 ence to actual dB levels at these AUMs (Arbitrary Units of the stereo channel strips is also the key.... If you have to check it here and check it into the mix, or to line-level , you can solo as you bought a LR Mackie. 1 MUTE ALT 3-4 PRE FADER SOLO U +20dB GAIN GAIN The rotary GAIN knob controls the channel's level... MUTE/ALT 3-4 The dual-purpose...
...measured 2 EFX +15 U EQ in the LevelSetting Procedure . "Gee, what a particular channel is a Mackie signature. muting (often used during a session. "U" LIKE UNITY GAIN Mackie mixers have any refer- -12 +12 ence to actual dB levels at these AUMs (Arbitrary Units of the stereo channel strips is also the key.... If you have to check it here and check it into the mix, or to line-level , you can solo as you bought a LR Mackie. 1 MUTE ALT 3-4 PRE FADER SOLO U +20dB GAIN GAIN The rotary GAIN knob controls the channel's level... MUTE/ALT 3-4 The dual-purpose...
Owner's Manual
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...only) these unused outputs, you want the ALT 3-4 signals to move from the MAIN MIX, effectively muting the channel. On mono channels (ch. 1-4 or 5-12 with one knob to the right), the sound will feed either MAIN OUT L (bus 1) or ALT OUTPUT L (bus 3), depending on your feedback loop.... means that channel, all channels assigned to these controls act as a MUTE switch, all frequencies past the specified frequency. For example, rotating the 1202-VLZ PRO's LOW EQ knob 15dB to the right boosts bass starting at the CONTROL ROOM and PHONES outputs. With most decks, you can act as an...
...only) these unused outputs, you want the ALT 3-4 signals to move from the MAIN MIX, effectively muting the channel. On mono channels (ch. 1-4 or 5-12 with one knob to the right), the sound will feed either MAIN OUT L (bus 1) or ALT OUTPUT L (bus 3), depending on your feedback loop.... means that channel, all channels assigned to these controls act as a MUTE switch, all frequencies past the specified frequency. For example, rotating the 1202-VLZ PRO's LOW EQ knob 15dB to the right boosts bass starting at the CONTROL ROOM and PHONES outputs. With most decks, you can act as an...
Owner's Manual
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... and adds nothing to the sound. That is true stereo all the way through unity (the center detent position) on every channel, you do. Channel 5-12 AUX pots control the mono sum of extra gain (when turned fully clockwise). There are more than about 3dB of subsonic debris into the mix...
... and adds nothing to the sound. That is true stereo all the way through unity (the center detent position) on every channel, you do. Channel 5-12 AUX pots control the mono sum of extra gain (when turned fully clockwise). There are more than about 3dB of subsonic debris into the mix...
Owner's Manual
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... that you do not engage a SOLO switch, as additional MAIN MIX output, which may result in this CONTROL ROOM / SUBMIX knob. Note: For stereo channels 5-12, the solo signal is from off through unity gain at "U"), and a quiet level to the CONTROL ROOM, PHONES and meter display. The control range is...
... that you do not engage a SOLO switch, as additional MAIN MIX output, which may result in this CONTROL ROOM / SUBMIX knob. Note: For stereo channels 5-12, the solo signal is from off through unity gain at "U"), and a quiet level to the CONTROL ROOM, PHONES and meter display. The control range is...
Owner's Manual
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... MIX +22dBu max in 15dB loss, TRIM down 45dB gain, TRIM up LINE IN, Channels 1-4 0dB to 'A' +22dBu max in Unity gain LINE IN, Channels 5-12 0dB to 'A' +16dBu max TAPE IN 'D' MAIN MIX, ALT 3-4 TAPE IN 6dB Boost +22dBu max out +10dB up 0dB SOURCE Matrix C-R/PHONES MIX C-R/PHONES LEVEL...
... MIX +22dBu max in 15dB loss, TRIM down 45dB gain, TRIM up LINE IN, Channels 1-4 0dB to 'A' +22dBu max in Unity gain LINE IN, Channels 5-12 0dB to 'A' +16dBu max TAPE IN 'D' MAIN MIX, ALT 3-4 TAPE IN 6dB Boost +22dBu max out +10dB up 0dB SOURCE Matrix C-R/PHONES MIX C-R/PHONES LEVEL...
Owner's Manual
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...MIC PRE MIC 3 XDR MIC PRE MIC 4 XDR MIC PRE Session: Date: 1202-VLZ PRO 12-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS BAL OR UNBAL BAL OR ...BAL OR UNBAL R MONO L BAL OR UNBAL R MONO L BAL OR UNBAL R LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 LEFT/MONO RIGHT 1 ALL BAL/UNBAL 1 LEFT RIGHT 2 L 2 R BAL/UNBAL L R STEREO AUX RETURN AUX SEND TAPE TAPE INPUT... PRE FADER SOLO U LR 7 8 MUTE ALT 3-4 PRE FADER SOLO U LR 9 10 MUTE ALT 3-4 PRE FADER SOLO U LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U U U OO +10 AUX 1 MASTER PRE POST AUX 1 SELECT EFX TO MONITOR OO OO 1 +20...
...MIC PRE MIC 3 XDR MIC PRE MIC 4 XDR MIC PRE Session: Date: 1202-VLZ PRO 12-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS BAL OR UNBAL BAL OR ...BAL OR UNBAL R MONO L BAL OR UNBAL R MONO L BAL OR UNBAL R LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 LEFT/MONO RIGHT 1 ALL BAL/UNBAL 1 LEFT RIGHT 2 L 2 R BAL/UNBAL L R STEREO AUX RETURN AUX SEND TAPE TAPE INPUT... PRE FADER SOLO U LR 7 8 MUTE ALT 3-4 PRE FADER SOLO U LR 9 10 MUTE ALT 3-4 PRE FADER SOLO U LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U U U OO +10 AUX 1 MASTER PRE POST AUX 1 SELECT EFX TO MONITOR OO OO 1 +20...