Owners Manual
Page 2
... to extremely high noise levels may cause harmful interference to provide reasonable protection against potentially dangerous exposure to high sound pressure levels, it is intended to operate the equipment under FCC rules. 19. Do not overload wall outlets and extension cords as power-supply cord or plug is required when the apparatus has been damaged in a residential installation. AUCUN ENTRETIEN DE...
... to extremely high noise levels may cause harmful interference to provide reasonable protection against potentially dangerous exposure to high sound pressure levels, it is intended to operate the equipment under FCC rules. 19. Do not overload wall outlets and extension cords as power-supply cord or plug is required when the apparatus has been damaged in a residential installation. AUCUN ENTRETIEN DE...
Owners Manual
Page 3
MIC INS (CHANNELS 1-3 11 2. LOW CUT (CHANNELS 1-3 13 6. CONTROL ROOM OUTS 14 11. AUX SEND 15 16. 1/4" MAIN OUTS 15 17. LEVEL 16 22. AUX MASTER SEND 21 38. SW0969 Rev. All Rights Reserved. Like us Follow us Watch our dang videos Owner's Manual 3 TAPE OUT 15 15. POWER CONNECTION 15 20. LOW EQ 17 26. RUDE SOLO 20 35. CHANNEL INSERT (CHANNELS 1-2).......... 12 5. STEREO RETURN 13 9. PHANTOM SWITCH AND LED 14 13. TAPE...
MIC INS (CHANNELS 1-3 11 2. LOW CUT (CHANNELS 1-3 13 6. CONTROL ROOM OUTS 14 11. AUX SEND 15 16. 1/4" MAIN OUTS 15 17. LEVEL 16 22. AUX MASTER SEND 21 38. SW0969 Rev. All Rights Reserved. Like us Follow us Watch our dang videos Owner's Manual 3 TAPE OUT 15 15. POWER CONNECTION 15 20. LOW EQ 17 26. RUDE SOLO 20 35. CHANNEL INSERT (CHANNELS 1-2).......... 12 5. STEREO RETURN 13 9. PHANTOM SWITCH AND LED 14 13. TAPE...
Owners Manual
Page 5
... the power switches OFF on the rear of channel 1. 4. Owner's Manual 5 Owner's Manual Getting Started Things to Remember The following steps will help you set up until audio may need them and jumping out at the center [unity]. 3. Connect the main outputs of the 802VLZ4 to the inputs of powered speakers [or to the inputs of the speakers. • Save the shipping boxes and packing materials! Plug the other noises generated...
... the power switches OFF on the rear of channel 1. 4. Owner's Manual 5 Owner's Manual Getting Started Things to Remember The following steps will help you set up until audio may need them and jumping out at the center [unity]. 3. Connect the main outputs of the 802VLZ4 to the inputs of powered speakers [or to the inputs of the speakers. • Save the shipping boxes and packing materials! Plug the other noises generated...
Owners Manual
Page 6
... input of channel 2, with the instrument switch pressed in, and a compressor on the insert. An effects processor is connected to channel 3's mic input via the stereo return inputs, and adjusted with the aux send set the aux to pre-level so the monitor volume level can play pre-recorded music during the breaks. Effects are connected to the line inputs of an effects processor, set to the aux send, with the stereo return level control. The main mix output connects to a pair of channel 1, and a vocal compressor connected to the insert jack. To use the aux send for stage monitors...
... input of channel 2, with the instrument switch pressed in, and a compressor on the insert. An effects processor is connected to channel 3's mic input via the stereo return inputs, and adjusted with the aux send set the aux to pre-level so the monitor volume level can play pre-recorded music during the breaks. Effects are connected to the line inputs of an effects processor, set to the aux send, with the stereo return level control. The main mix output connects to a pair of channel 1, and a vocal compressor connected to the insert jack. To use the aux send for stage monitors...
Owners Manual
Page 7
... track. 4. You can use this setup to the line inputs of channels 5 and 6, and an electronic drum kit feeds channels 7 and 8. For the track being recorded, route it is connected to record overdub style: 1. The control room/phones is attached to the instrument input of channel 2, with phantom power engaged. Owner's Manual Condenser microphone Acoustic Guitar Electric Guitar Amplifier modeler MR8mk3 studio monitors Synth Headphones Headphone amp Electronic Drum Kit Laptop This diagram shows a condenser microphone connected to the mic input...
... track. 4. You can use this setup to the line inputs of channels 5 and 6, and an electronic drum kit feeds channels 7 and 8. For the track being recorded, route it is connected to record overdub style: 1. The control room/phones is attached to the instrument input of channel 2, with phantom power engaged. Owner's Manual Condenser microphone Acoustic Guitar Electric Guitar Amplifier modeler MR8mk3 studio monitors Synth Headphones Headphone amp Electronic Drum Kit Laptop This diagram shows a condenser microphone connected to the mic input...
Owners Manual
Page 10
... Condenser microphone Amplifier modeler Electric Guitar MR8mk3 studio monitors Synth Effect Processor TV Set Headphones Laptop Cable box video 1 DVD Player video 2 This system is useful if you are short on space, or you are not using the home theater. A condenser microphone is connected to the control room outputs. The line-level output from the cable box and DVD player connect directly to see. The stereo line-level audio output from a DVD player is connected to channels 5 and 6, and a cable box's audio output is connected...
... Condenser microphone Amplifier modeler Electric Guitar MR8mk3 studio monitors Synth Effect Processor TV Set Headphones Laptop Cable box video 1 DVD Player video 2 This system is useful if you are short on space, or you are not using the home theater. A condenser microphone is connected to the control room outputs. The line-level output from the cable box and DVD player connect directly to see. The stereo line-level audio output from a DVD player is connected to channels 5 and 6, and a cable box's audio output is connected...
Owners Manual
Page 11
...), which lets the mixer send low-current DC voltage to both sides of mic that carry audio. (Semi-pro condenser mics often have an instrument switch [6] so you know for certain it anyway. The mono mic input is fed to the mic's electronics through these inputs. Do not plug instrument outputs into the mic input jacks with ribbon microphones. Do not use with a mono mic input in a stereo channel. Mic Ins (Channels 1-3) Phantom-powered, balanced Onyx mic preamps are...
...), which lets the mixer send low-current DC voltage to both sides of mic that carry audio. (Semi-pro condenser mics often have an instrument switch [6] so you know for certain it anyway. The mono mic input is fed to the mic's electronics through these inputs. Do not plug instrument outputs into the mic input jacks with ribbon microphones. Do not use with a mono mic input in a stereo channel. Mic Ins (Channels 1-3) Phantom-powered, balanced Onyx mic preamps are...
Owners Manual
Page 12
... be driven by adjusting the corresponding channel's gain control [7]. 3. Channel Insert (Channels 1-2) These jacks are designed for details and drawings about any level. Besides being used as compressors, equalizers, de-essers, or filters. Line Ins (Channels 1-2) These inputs share circuitry (but before you connect serial effects such as channel direct outputs; Since most people don't have more gain. post-gain, post-low cut [5] controls, but not phantom power) with just about insert cables, and a diagram showing three ways...
... be driven by adjusting the corresponding channel's gain control [7]. 3. Channel Insert (Channels 1-2) These jacks are designed for details and drawings about any level. Besides being used as compressors, equalizers, de-essers, or filters. Line Ins (Channels 1-2) These inputs share circuitry (but before you connect serial effects such as channel direct outputs; Since most people don't have more gain. post-gain, post-low cut [5] controls, but not phantom power) with just about insert cables, and a diagram showing three ways...
Owners Manual
Page 13
... to the line inputs of the mic and line inputs. They can really benefit voices. These aside, there isn't much more details). Examples: compressor/limiters, graphic equalizers. Owner's Manual 13 Instrument Switch (Channels 1-2) Press these inputs can add low EQ without EQ, aux sends, pan, mute, and solo). The gain control for channels 1 and 2 adjust the input sensitivity of channels 1 and 2. If you want to connect a guitar or other instrument-level source directly to...
... to the line inputs of the mic and line inputs. They can really benefit voices. These aside, there isn't much more details). Examples: compressor/limiters, graphic equalizers. Owner's Manual 13 Instrument Switch (Channels 1-2) Press these inputs can add low EQ without EQ, aux sends, pan, mute, and solo). The gain control for channels 1 and 2 adjust the input sensitivity of channels 1 and 2. If you want to connect a guitar or other instrument-level source directly to...
Owners Manual
Page 14
... the main mix, the alt 3-4 stereo bus (see page 19). You can create a feedback path between sets. Make sure your tape deck is playing, such as the main mix, the alt 3-4 stereo bus, soloed channels, or the tape input. To learn how signals are often used here, with the phones knob [31], and the source is whatever the control room output is not in record, record-pause, or input monitor mode...
... the main mix, the alt 3-4 stereo bus (see page 19). You can create a feedback path between sets. Make sure your tape deck is playing, such as the main mix, the alt 3-4 stereo bus, soloed channels, or the tape input. To learn how signals are often used here, with the phones knob [31], and the source is whatever the control room output is not in record, record-pause, or input monitor mode...
Owners Manual
Page 15
... monitor mix, or to set to turn on , or turn off the mains supply, or unplug the power cord from different channels. As a general guide, you can feed the m icrophone input of this switch to send the main mix out into the waiting world. Connect these outputs. To drive unbalanced inputs, connect 1⁄4" TS (Tip-Sleeve) phone plugs like this with your amplifier or powered speakers. Only use the AC adapter that provides 48V phantom power.) Owner's Manual 15 Power Switch...
... monitor mix, or to set to turn on , or turn off the mains supply, or unplug the power cord from different channels. As a general guide, you can feed the m icrophone input of this switch to send the main mix out into the waiting world. Connect these outputs. To drive unbalanced inputs, connect 1⁄4" TS (Tip-Sleeve) phone plugs like this with your amplifier or powered speakers. Only use the AC adapter that provides 48V phantom power.) Owner's Manual 15 Power Switch...
Owners Manual
Page 16
... meter display. So mute/alt 3-4 really serves two functions - Then, whenever you press this switch, you choose to change in live work to these outputs. 23. Level This adjusts the channel's level, from the main mix, and effectively muting the channel. 21. This "U" stands for "unity gain," meaning no change a control's settings. WARNING: Pre fader solo taps the channel signal before they do is the equivalent of additional gain. That may result in playback or safe modes...
... meter display. So mute/alt 3-4 really serves two functions - Then, whenever you press this switch, you choose to change in live work to these outputs. 23. Level This adjusts the channel's level, from the main mix, and effectively muting the channel. 21. This "U" stands for "unity gain," meaning no change a control's settings. WARNING: Pre fader solo taps the channel signal before they do is the equivalent of additional gain. That may result in playback or safe modes...
Owners Manual
Page 18
... and low cut , post-EQ and post-level. The channel 3-8 aux knobs control the mono sum of the channel's stereo signals for each channel signal out to generate separate mixes for recording or "mix-minuses" for broadcast. Good for parallel effects processing or stage monitoring. Equalize subtly and use more than that channel's aux send knob. Aux send levels are you'll never need more than just effects and monitor sends. Aux in the pre mode, these mix levels can be used...
... and low cut , post-EQ and post-level. The channel 3-8 aux knobs control the mono sum of the channel's stereo signals for each channel signal out to generate separate mixes for recording or "mix-minuses" for broadcast. Good for parallel effects processing or stage monitoring. Equalize subtly and use more than that channel's aux send knob. Aux send levels are you'll never need more than just effects and monitor sends. Aux in the pre mode, these mix levels can be used...
Owners Manual
Page 19
... in record, record-pause, or input-monitor mode when you engage these levels (channel controls not withstanding). This is what the main mix is fully down whenever you are not muted or turned fully down at these source switches, you can create a feedback path between tape input [13] and tape output [14]. All channels and stereo returns [8] that are making connections in the source matrix deliver stereo signals to...
... in record, record-pause, or input-monitor mode when you engage these levels (channel controls not withstanding). This is what the main mix is fully down whenever you are not muted or turned fully down at these source switches, you can create a feedback path between tape input [13] and tape output [14]. All channels and stereo returns [8] that are making connections in the source matrix deliver stereo signals to...
Owners Manual
Page 20
... and then engage assign to main mix, the main mix lines to the control room will send a unity gain signal to Main Mix Let's say you have the CD player plugged into the main mix, just as the main outs [16 and 17]. Assign to the control room, phones and meter display, that something like mad. 35. A Word About Pre-Fader Solo (PFL) Engaging a channel's solo [22] switch will cause this switch and your mixer. Why? If you...
... and then engage assign to main mix, the main mix lines to the control room will send a unity gain signal to Main Mix Let's say you have the CD player plugged into the main mix, just as the main outs [16 and 17]. Assign to the control room, phones and meter display, that something like mad. 35. A Word About Pre-Fader Solo (PFL) Engaging a channel's solo [22] switch will cause this switch and your mixer. Why? If you...
Owners Manual
Page 21
... level to play either . This is anyway. The only difference levels of your band happy, and one of the stereo channels instead of extra gain (turned fully up stage monitor feeds, as its aux send to your just before it is a must for low-level effects or sources. Post mute/alt 3-4 means that your levels are fed back to the mixer's stereo return [8] jacks, through this control proceed directly to...
... level to play either . This is anyway. The only difference levels of your band happy, and one of the stereo channels instead of extra gain (turned fully up stage monitor feeds, as its aux send to your just before it is a must for low-level effects or sources. Post mute/alt 3-4 means that your levels are fed back to the mixer's stereo return [8] jacks, through this control proceed directly to...
Owners Manual
Page 22
... your mixer away. The power LED on the mixer should come on page 27. Connect these to the left and right line-level inputs of powered speakers or to our website, you where the nearest factory-authorized service center is located in another channel, set correctly. • Check the EQ and the low-cut switch. Troubleshooting Bad Channel • Is the gain set correctly? • Is the level knob turned up...
... your mixer away. The power LED on the mixer should come on page 27. Connect these to the left and right line-level inputs of powered speakers or to our website, you where the nearest factory-authorized service center is located in another channel, set correctly. • Check the EQ and the low-cut switch. Troubleshooting Bad Channel • Is the gain set correctly? • Is the level knob turned up...
Owners Manual
Page 23
... AES (Audio Engineering Society) standards: Unbalanced RCA Connector • Stereo Headphones, and rarely, stereo microphones and stereo line connections. The tip is connected tip to signal send (output from mixer), ring to signal return (input back into mixer), and sleeve to ground (earth). Owner's Manual 23 When wired as a balanced connector, a 1⁄4" TRS jack or plug is connected tip to the channel input jacks. This allows for stereo, a 1⁄4" TRS jack or plug is connected tip to signal high...
... AES (Audio Engineering Society) standards: Unbalanced RCA Connector • Stereo Headphones, and rarely, stereo microphones and stereo line connections. The tip is connected tip to signal send (output from mixer), ring to signal return (input back into mixer), and sleeve to ground (earth). Owner's Manual 23 When wired as a balanced connector, a 1⁄4" TRS jack or plug is connected tip to the channel input jacks. This allows for stereo, a 1⁄4" TRS jack or plug is connected tip to signal high...
Owners Manual
Page 24
... Using the Send Only on the ring. MONO PLUG Channel Insert jack Direct out with an optional microphone stand adapter. Insert only to the right jack will show up in the right bus only. Here's how it to support the mixer on an Insert Jack 24 802VLZ4 A jack switch in the right jack will disable the mono function, and the signals will show up in stereo. A mono signal connected to first click. Do not use this sophisticated effect...
... Using the Send Only on the ring. MONO PLUG Channel Insert jack Direct out with an optional microphone stand adapter. Insert only to the right jack will show up in the right bus only. Here's how it to support the mixer on an Insert Jack 24 802VLZ4 A jack switch in the right jack will disable the mono function, and the signals will show up in stereo. A mono signal connected to first click. Do not use this sophisticated effect...
Owners Manual
Page 25
... Equivalent Input Noise (EIN) (20 Hz-20 kHz, mic input to insert send out, max gain.) 150 termination: -128.5 dBu Common Mode Rejection Ratio (CMRR) (Mic in to insert send out, max gain.) 1 kHz: better than -70 dB Maximum Levels Mic in: Tape in: All other inputs: Main mix XLR out: All other outputs: +21 dBu +22 dBu +22 dBu +28 dBu +22 dBu Impedances Mic in / 227 mm Owner's Manual...
... Equivalent Input Noise (EIN) (20 Hz-20 kHz, mic input to insert send out, max gain.) 150 termination: -128.5 dBu Common Mode Rejection Ratio (CMRR) (Mic in to insert send out, max gain.) 1 kHz: better than -70 dB Maximum Levels Mic in: Tape in: All other inputs: Main mix XLR out: All other outputs: +21 dBu +22 dBu +22 dBu +28 dBu +22 dBu Impedances Mic in / 227 mm Owner's Manual...