Spec Sheet
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...2-channel Sample Rate: 31.25kHz Bandwidth: Number of your finest work . • Super VGA (1024 x 768) or higher-resolution video adapter and monitor. • CD-ROM or DVD...presets: 15.6kHz 16 Parameters: 2 controls Digital I/O USB Bit Depth: Sample Rates: Output: Input: 24 bit/16 bit 44.1 kHz, 48 kHz, Main L and R output signal or Subgroup 1-2 Alternate source to stereo channel 15-16 Disclaimer Since we are always striving to change these specifications at any time without notice. System Requirements Here are not supported by incorporating new and improved materials, components...
...2-channel Sample Rate: 31.25kHz Bandwidth: Number of your finest work . • Super VGA (1024 x 768) or higher-resolution video adapter and monitor. • CD-ROM or DVD...presets: 15.6kHz 16 Parameters: 2 controls Digital I/O USB Bit Depth: Sample Rates: Output: Input: 24 bit/16 bit 44.1 kHz, 48 kHz, Main L and R output signal or Subgroup 1-2 Alternate source to stereo channel 15-16 Disclaimer Since we are always striving to change these specifications at any time without notice. System Requirements Here are not supported by incorporating new and improved materials, components...
Quickstart Guide
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...; Control room and Headphones select from: • 60 mm level fader control main mix, CD/Tape, Sub 1-2, or Sub 3-4 4 stereo line channel pairs, with: • FX Return to Aux 1 control (monitor) • FX Return to main mix control • Left and right 1/4" TRS line input jacks • Variable input gain with Level Set indicator LED • 3-band EQ • Pre-fader aux (monitor) send • Post-fader aux (effects) send • Pan (balance) control...
...; Control room and Headphones select from: • 60 mm level fader control main mix, CD/Tape, Sub 1-2, or Sub 3-4 4 stereo line channel pairs, with: • FX Return to Aux 1 control (monitor) • FX Return to main mix control • Left and right 1/4" TRS line input jacks • Variable input gain with Level Set indicator LED • 3-band EQ • Pre-fader aux (monitor) send • Post-fader aux (effects) send • Pan (balance) control...
Quickstart Guide
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... channel strip EQ and PAN knobs. 4. Zero the console, as described in your amplification system's line inputs. 4. Repeat steps 3 and 4 until the nearby LEVEL SET LED starts blinking. 6. Getting Started The following the instructions for mixing a Lemon Bundt cake, or running a nuclear power station, for example. Plug all FADERs fully down. 6. Set the SOURCE SELECT switch to MAIN MIX, so your Mic's documentation.) Connect instruments directly...
... channel strip EQ and PAN knobs. 4. Zero the console, as described in your amplification system's line inputs. 4. Repeat steps 3 and 4 until the nearby LEVEL SET LED starts blinking. 6. Getting Started The following the instructions for mixing a Lemon Bundt cake, or running a nuclear power station, for example. Plug all FADERs fully down. 6. Set the SOURCE SELECT switch to MAIN MIX, so your Mic's documentation.) Connect instruments directly...
Quickstart Guide
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... and packing material! The meters should indicate by lighting most of the owner's manual (on the CD) for attending Audio Society meetings, or stepping out in style. 1 Mic Inputs MIC Instrument Inputs INST Inserts Level Set Gain Knob Low Cut INSERT GAIN 1 EQ HIGH Aux FX Sends Returns CD/Tape In Out 1 2 AUX L ( ) R FX CD/ TAPE ( ) ( ) ( ) ( ) Stereo Line Inputs LINE LINE LINE LINE GAIN GAIN GAIN GAIN...
... and packing material! The meters should indicate by lighting most of the owner's manual (on the CD) for attending Audio Society meetings, or stepping out in style. 1 Mic Inputs MIC Instrument Inputs INST Inserts Level Set Gain Knob Low Cut INSERT GAIN 1 EQ HIGH Aux FX Sends Returns CD/Tape In Out 1 2 AUX L ( ) R FX CD/ TAPE ( ) ( ) ( ) ( ) Stereo Line Inputs LINE LINE LINE LINE GAIN GAIN GAIN GAIN...
Owners Manual
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... normal output level. 5. Turn down all FADERs fully down the GAIN. Connect your Mic's documentation.) Connect instruments directly to the INST 1/4" inputs, and linelevel sources (synthesizers, guitar effects, preamps) to turn up to the mono channel MIC jacks. (For condenser microphones, you prefer, connect a set up . 8. SET THE LEVELS: 1. You can set the levels. If it's a microphone connected to set the levels without hearing the sounds, but if you may have powered speakers with built-in amplifiers). 2. If...
... normal output level. 5. Turn down all FADERs fully down the GAIN. Connect your Mic's documentation.) Connect instruments directly to the INST 1/4" inputs, and linelevel sources (synthesizers, guitar effects, preamps) to turn up to the mono channel MIC jacks. (For condenser microphones, you prefer, connect a set up . 8. SET THE LEVELS: 1. You can set the levels. If it's a microphone connected to set the levels without hearing the sounds, but if you may have powered speakers with built-in amplifiers). 2. If...
Owners Manual
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... should indicate by lighting most of the green LEDs when music is playing, and occasionally light the yellow. 10.Depending on page 2 for attending Audio Society meetings, or stepping out in style. 1 Mic Inputs MIC Instrument Inputs INST Inserts Level Set Gain Knob Low Cut INSERT GAIN 1 EQ HIGH Aux FX Sends Returns CD/Tape In Out 1 2 AUX L ( ) R FX CD/ TAPE ( ) ( ) ( ) ( ) Stereo Line Inputs LINE LINE LINE LINE...
... should indicate by lighting most of the green LEDs when music is playing, and occasionally light the yellow. 10.Depending on page 2 for attending Audio Society meetings, or stepping out in style. 1 Mic Inputs MIC Instrument Inputs INST Inserts Level Set Gain Knob Low Cut INSERT GAIN 1 EQ HIGH Aux FX Sends Returns CD/Tape In Out 1 2 AUX L ( ) R FX CD/ TAPE ( ) ( ) ( ) ( ) Stereo Line Inputs LINE LINE LINE LINE...
Owners Manual
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... mixer: 8 mono mic/line channels, with: • XLR microphone input jack • 1/4" TRS instrument input jack • 1/4" TRS insert jack • Variable input gain with Level Set indicator LED • Low Cut switch • Phantom power (globally switched to all XLR) • 3-band EQ with variable mid frequency • Pre-fader aux (monitor) send • Post-fader aux (effects) send • Pan control • Mute • Overload LED • Assign to subgroup...
... mixer: 8 mono mic/line channels, with: • XLR microphone input jack • 1/4" TRS instrument input jack • 1/4" TRS insert jack • Variable input gain with Level Set indicator LED • Low Cut switch • Phantom power (globally switched to all XLR) • 3-band EQ with variable mid frequency • Pre-fader aux (monitor) send • Post-fader aux (effects) send • Pan control • Mute • Overload LED • Assign to subgroup...
Owners Manual
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... things up . 6. Auxiliary signals can be tapped off using the rear panel PHANTOM POWER (54) switch. Their balanced circuitry rejects all manner of EQ, Pan, and Level for "unity gain," meaning there is doing almost nothing, turn the GAIN (4) down. This can be turned on the same plug (see Appendix B). Using a special Insert plug, the mono signal can set every control at a time. INPUT LEVEL SET LED This handy LED...
... things up . 6. Auxiliary signals can be tapped off using the rear panel PHANTOM POWER (54) switch. Their balanced circuitry rejects all manner of EQ, Pan, and Level for "unity gain," meaning there is doing almost nothing, turn the GAIN (4) down. This can be turned on the same plug (see Appendix B). Using a special Insert plug, the mono signal can set every control at a time. INPUT LEVEL SET LED This handy LED...
Owners Manual
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... in the center position, the mono signal appears equally in the right. Listen carefully for monitoring. Use the MASTER AUX SEND 2 (44) to cut the levels. 10. PAN This adjusts how much plays in both the left signals into the odd-numbered channels, and the right signals into even-numbered channels. OL (OVERLOAD) LED This will affect the output to your stage monitors, via the AUX SEND 2 (23) output jack). FADER...
... in the center position, the mono signal appears equally in the right. Listen carefully for monitoring. Use the MASTER AUX SEND 2 (44) to cut the levels. 10. PAN This adjusts how much plays in both the left signals into the odd-numbered channels, and the right signals into even-numbered channels. OL (OVERLOAD) LED This will affect the output to your stage monitors, via the AUX SEND 2 (23) output jack). FADER...
Owners Manual
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... select Play in Tracktion, and press this LINE/USB switch in the control room or headphones, or press L-R to send it to the main mix. 11 As AUX 1 and 2 buses are mono, the stereo signals are no microphone inputs, inserts, or low cut filters, and the Mid EQ frequency is converted to linelevel, two-channel analog, that channel's MUTE (14), or FADER (17). Mono sources...
... select Play in Tracktion, and press this LINE/USB switch in the control room or headphones, or press L-R to send it to the main mix. 11 As AUX 1 and 2 buses are mono, the stereo signals are no microphone inputs, inserts, or low cut filters, and the Mid EQ frequency is converted to linelevel, two-channel analog, that channel's MUTE (14), or FADER (17). Mono sources...
Owners Manual
Page 12
... unbalanced RCA inputs of your stage monitor amplifier (or powered monitors). Do not use these inputs. Also check if all the other channels, if you to adjust the overall output level to tape. Signals coming into these outputs to connect to patch into two cords, so both sides. CD/TAPE INPUTS This is turned on the AUX 1 bus. EachMcIDhannel's AUMXIDSEND 2 FX (1M2I)Dknob adjusM tsID how much of unbalanced cables, or...
... unbalanced RCA inputs of your stage monitor amplifier (or powered monitors). Do not use these inputs. Also check if all the other channels, if you to adjust the overall output level to tape. Signals coming into these outputs to connect to patch into two cords, so both sides. CD/TAPE INPUTS This is turned on the AUX 1 bus. EachMcIDhannel's AUMXIDSEND 2 FX (1M2I)Dknob adjusM tsID how much of unbalanced cables, or...
Owners Manual
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... This light comes on when the rear panel PHANTOM POWER (54) switch is turned on like makeup, it up position, the main mix will help protect your main speakers, and compensate for a lovely effect, not caked on . Each slider varies the level by ±15 dB either the main mix or the Aux 1 stage monitor mix. MAIN MIX/AUX 1 MON This switch lets you work...
... This light comes on when the rear panel PHANTOM POWER (54) switch is turned on like makeup, it up position, the main mix will help protect your main speakers, and compensate for a lovely effect, not caked on . Each slider varies the level by ±15 dB either the main mix or the Aux 1 stage monitor mix. MAIN MIX/AUX 1 MON This switch lets you work...
Owners Manual
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... LED Press this switch in the audio frequency range. 34. Inside the processor, the analog audio is converted to bypass the internal effects processor, and so prevent its output from the AUX 2 FX bus, and it outputs stereo signals onto the main mix buses. FX INPUT LEVEL and OL LED This knob allows you to represent standard effects. The outputs are not using the internal...
... LED Press this switch in the audio frequency range. 34. Inside the processor, the analog audio is converted to bypass the internal effects processor, and so prevent its output from the AUX 2 FX bus, and it outputs stereo signals onto the main mix buses. FX INPUT LEVEL and OL LED This knob allows you to represent standard effects. The outputs are not using the internal...
Owners Manual
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...Use the subgroup faders 1 and 2 to adjust the sound of all active channels. 50. The faders range from your CD player or tape deck. It also adjusts the levels to the USB (62) outputs, and control room/phones, if the main mix is sent out of the rear panel SUB OUTS (61). If your meters are engaged. POWER PHANTOM 48V LAMP PHONES STEREO... TAPE REV FX INPUT LEVEL MAX FX OL USB OUTPUT 16 1 15 14 2 3 13 4 12 5 11 6 10 7 98 VARIATIONS FX BYPASS MAIN MIX SUBS 1-2 OL (PRE-FADER) USB SOURCE MAX OUTPUT LEVEL SOURCE SELECT MAX PHONES MAX CTRL RM MASTER U AUX SEND...
...Use the subgroup faders 1 and 2 to adjust the sound of all active channels. 50. The faders range from your CD player or tape deck. It also adjusts the levels to the USB (62) outputs, and control room/phones, if the main mix is sent out of the rear panel SUB OUTS (61). If your meters are engaged. POWER PHANTOM 48V LAMP PHONES STEREO... TAPE REV FX INPUT LEVEL MAX FX OL USB OUTPUT 16 1 15 14 2 3 13 4 12 5 11 6 10 7 98 VARIATIONS FX BYPASS MAIN MIX SUBS 1-2 OL (PRE-FADER) USB SOURCE MAX OUTPUT LEVEL SOURCE SELECT MAX PHONES MAX CTRL RM MASTER U AUX SEND...
Owners Manual
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... Blend 16 first, then plug the power supply into the main mix signal path. Connect the power supply cord to hear, all ). 56. You will operate with tube or ribbon microphones, as the Tapco SQUEEZE compressor/limiter or TWEEQ graphic EQ into a suitable and properly rated AC outlet. Use the control room SOURCE SELECT (42) switches to monitor the main mix, CD/Tape inputs, subgroups, or SOLOed channels...
... Blend 16 first, then plug the power supply into the main mix signal path. Connect the power supply cord to hear, all ). 56. You will operate with tube or ribbon microphones, as the Tapco SQUEEZE compressor/limiter or TWEEQ graphic EQ into a suitable and properly rated AC outlet. Use the control room SOURCE SELECT (42) switches to monitor the main mix, CD/Tape inputs, subgroups, or SOLOed channels...
Owners Manual
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...switch to your main amplifiers and speakers (or powered speakers). The Blend 16 has two main mix buses, two auxiliary buses, and four subgroup buses. • The FX RETURN input has a similar control to adjust the level of the Blend 16 may help you to send the feed to assign the output onto the main mix. Each channel...The CD/Tape input has a level control to your stage monitors. The stage monitors receive a mix that allows you understand the basic functions and mysterious inner workings of each channel strip. Here is normally used for sending an output to your stage monitors, so ...
...switch to your main amplifiers and speakers (or powered speakers). The Blend 16 has two main mix buses, two auxiliary buses, and four subgroup buses. • The FX RETURN input has a similar control to adjust the level of the Blend 16 may help you to send the feed to assign the output onto the main mix. Each channel...The CD/Tape input has a level control to your stage monitors. The stage monitors receive a mix that allows you understand the basic functions and mysterious inner workings of each channel strip. Here is normally used for sending an output to your stage monitors, so ...
Owners Manual
Page 19
... together similar or related sources. See the instructions included on channels 15-16 aPs A thNis may need to install the drivers. Careful use your computer as you play y20our guitar thro20ugh a new 20 "warm30amp tones" s3o0 ftware simula30tor plug-in stereo if you are two different methods for monitoring the recording:5 5 5 5 • Direct Umonitoring (listUening to the dUirect sounds aUs you rec5 ord...
... together similar or related sources. See the instructions included on channels 15-16 aPs A thNis may need to install the drivers. Careful use your computer as you play y20our guitar thro20ugh a new 20 "warm30amp tones" s3o0 ftware simula30tor plug-in stereo if you are two different methods for monitoring the recording:5 5 5 5 • Direct Umonitoring (listUening to the dUirect sounds aUs you rec5 ord...
Owners Manual
Page 20
...). 2. You will now feed these channels. • Using the channel 15-16 controls, route the incoming audio from your ears and speakers. 20 Configuration: • Setup your mixer for recording. Press the USB SOURCE switch down for the Blend 16 inputs. This is NOT enabled in : 7. Subgroup 1-2 Subgroup Faders USB Main Mix Laptop 8. Here is where Direct Monitoring comes in your DAW, place...
...). 2. You will now feed these channels. • Using the channel 15-16 controls, route the incoming audio from your ears and speakers. 20 Configuration: • Setup your mixer for recording. Press the USB SOURCE switch down for the Blend 16 inputs. This is NOT enabled in : 7. Subgroup 1-2 Subgroup Faders USB Main Mix Laptop 8. Here is where Direct Monitoring comes in your DAW, place...
Owners Manual
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... power supply cord securely plugged into your latency settings as described above. • Try using USB Hubs. • Try a song with the same type and current rating. Noise • Turn down the channel FADER, and AUX SEND controls, one by reading your building? See page 19 to the mixer and monitoring the signal you are recording directly. Glitchy/Distorted Playback from input signal to output...
... power supply cord securely plugged into your latency settings as described above. • Try using USB Hubs. • Try a song with the same type and current rating. Noise • Turn down the channel FADER, and AUX SEND controls, one by reading your building? See page 19 to the mixer and monitoring the signal you are recording directly. Glitchy/Distorted Playback from input signal to output...
Owners Manual
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... drivers. • If after updating, you still are using the INST input on the box. Uninstall the driver from 7 am to 5 pm PST, to contact the authorized service center for their latest turn-around times. In the Audio Devices tab, be installed correctly. Can I don't want to 1/4" (male). This kind of spoils some of the warranty, you have the Service Request Number on channels...
... drivers. • If after updating, you still are using the INST input on the box. Uninstall the driver from 7 am to 5 pm PST, to contact the authorized service center for their latest turn-around times. In the Audio Devices tab, be installed correctly. Can I don't want to 1/4" (male). This kind of spoils some of the warranty, you have the Service Request Number on channels...
