Owner's Manual
Page 1
... HI 12kHz U OO +10 AUX 1 MASTER MON/PRE POST AUX 1 SELECT EFX TO MONITOR POWER SOURCE OO OO U 1 +20 NORMALLED U 2 AUX +20 RETURN LEFT RIGHT 0dB=0dBu +28 CLIP -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz PAN MAIN +10 MIX +7 +4 ALT 3-4 +2 0 TAPE -2 -4 -7 LEVEL SET LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U ASSIGN TO MAIN MIX U -10 -20 -30 RUDE SOLO LIGHT U BAL U OO +20dB...
... HI 12kHz U OO +10 AUX 1 MASTER MON/PRE POST AUX 1 SELECT EFX TO MONITOR POWER SOURCE OO OO U 1 +20 NORMALLED U 2 AUX +20 RETURN LEFT RIGHT 0dB=0dBu +28 CLIP -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz PAN MAIN +10 MIX +7 +4 ALT 3-4 +2 0 TAPE -2 -4 -7 LEVEL SET LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U ASSIGN TO MAIN MIX U -10 -20 -30 RUDE SOLO LIGHT U BAL U OO +20dB...
Owner's Manual
Page 3
... display on the MS1202-VLZ. 3. Other Nuggets of the input is that provides low noise and high headroom. Perform the Level-Setting Procedure . 4. Always turn it isn't, you might have to and from your amplifier. 5. Or you might be set the CONTROL ROOM/PHONES knob about to your MS1202-VLZ. Either way, all we ask is the same as a CD player or tape recorder output. Connect the signal source...
... display on the MS1202-VLZ. 3. Other Nuggets of the input is that provides low noise and high headroom. Perform the Level-Setting Procedure . 4. Always turn it isn't, you might have to and from your amplifier. 5. Or you might be set the CONTROL ROOM/PHONES knob about to your MS1202-VLZ. Either way, all we ask is the same as a CD player or tape recorder output. Connect the signal source...
Owner's Manual
Page 4
... 12kHz U OO +10 AUX 1 MASTER MON/PRE POST AUX 1 SELECT EFX TO MONITOR POWER SOURCE OO OO U 1 +20 NORMALLED U 2 AUX +20 RETURN LEFT RIGHT 0dB=0dBu +28 CLIP -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz PAN OUTPUT MAIN +10 MIX +7 +4 SECTION ALT 3-4 +2 0 TAPE -2 -4 -7 LEVEL SET LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U ASSIGN TO MAIN MIX U -10 -20 -30 RUDE SOLO LIGHT U BAL U You'll...
... 12kHz U OO +10 AUX 1 MASTER MON/PRE POST AUX 1 SELECT EFX TO MONITOR POWER SOURCE OO OO U 1 +20 NORMALLED U 2 AUX +20 RETURN LEFT RIGHT 0dB=0dBu +28 CLIP -12 +12 U -15 +15 MID 2.5kHz LOW 80Hz PAN OUTPUT MAIN +10 MIX +7 +4 SECTION ALT 3-4 +2 0 TAPE -2 -4 -7 LEVEL SET LR 11 12 MUTE ALT 3-4 PRE FADER SOLO U ASSIGN TO MAIN MIX U -10 -20 -30 RUDE SOLO LIGHT U BAL U You'll...
Owner's Manual
Page 5
... LEVEL-SETTING PROCEDURE 3 HOOKUP DIAGRAMS 6 PATCHBAY DESCRIPTION 10 MIC INPUTS 10 PHANTOM POWER 10 LINE INPUTS 10 LOW CUT 11 TRIM 11 STEREO LINE INPUTS 12 EFFECTS: SERIAL OR PARALLEL 12 INSERT 13 AUX RETURNS 13 TAPE IN 14 XLR MAIN OUTS 14 XLR MAIN OUTPUT LEVEL SWITCH 15 1⁄4" MAIN OUTS 15 TAPE OUTPUT 15 PHONES 16 ALT 3-4 16 CONTROL ROOM 16 AUX SEND 1 & 2 16 POWER CONNECTION 17 FUSE 17 POWER SWITCH 17 PHANTOM SWITCH...
... LEVEL-SETTING PROCEDURE 3 HOOKUP DIAGRAMS 6 PATCHBAY DESCRIPTION 10 MIC INPUTS 10 PHANTOM POWER 10 LINE INPUTS 10 LOW CUT 11 TRIM 11 STEREO LINE INPUTS 12 EFFECTS: SERIAL OR PARALLEL 12 INSERT 13 AUX RETURNS 13 TAPE IN 14 XLR MAIN OUTS 14 XLR MAIN OUTPUT LEVEL SWITCH 15 1⁄4" MAIN OUTS 15 TAPE OUTPUT 15 PHONES 16 ALT 3-4 16 CONTROL ROOM 16 AUX SEND 1 & 2 16 POWER CONNECTION 17 FUSE 17 POWER SWITCH 17 PHANTOM SWITCH...
Owner's Manual
Page 7
...) Master Video Deck Studio Monitors MS1202-VLZ Video Setup 7 Keyboard or other line-level input V/O Mic Video Deck #1 Video Deck #2 L Audio out R Video Deck #3 L R L Audio out R Audio out CD Player L R Time Code DAT L out R L R in SMPTE Control MAIN OUT Compressor in out 11 2 3 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R *Note: Aux Return #2 can be used as an extra stereo input Multi Effect Processor out in Power Amplifier FULL...
...) Master Video Deck Studio Monitors MS1202-VLZ Video Setup 7 Keyboard or other line-level input V/O Mic Video Deck #1 Video Deck #2 L Audio out R Video Deck #3 L R L Audio out R Audio out CD Player L R Time Code DAT L out R L R in SMPTE Control MAIN OUT Compressor in out 11 2 3 4 5L MONO 6R 7 L MONO 8R 9 L MONO 10 R 11 L MONO 12 R LR LR CHANNEL INPUTS MAIN ALT 3/4 AUX OUT OUT OUT AUX RETURNS CHANNEL INSERTS 1 2 3 4 L 1 R L 2 R 1 2 L R L R *Note: Aux Return #2 can be used as an extra stereo input Multi Effect Processor out in Power Amplifier FULL...
Owner's Manual
Page 13
... effects devices (or extra audio sources). That way the signal will handle stereo or mono, balanced or unbalanced signals, either instrument level, -10dBV or +4dBu. In fact, Mackie mic preamps have become so famous that into the MS1202-VLZ. REMPLACER LE FUSIBLE SERIAL NUMBER MANUFACTURING DATE ( PRE-FADER / PRE EQ TIP SEND / RING RETURN) CHANNEL INSERTS 4 3 2 1 MONO PLUG Channel Insert jack Direct out with a mono output (one parallel effects device...
... effects devices (or extra audio sources). That way the signal will handle stereo or mono, balanced or unbalanced signals, either instrument level, -10dBV or +4dBu. In fact, Mackie mic preamps have become so famous that into the MS1202-VLZ. REMPLACER LE FUSIBLE SERIAL NUMBER MANUFACTURING DATE ( PRE-FADER / PRE EQ TIP SEND / RING RETURN) CHANNEL INSERTS 4 3 2 1 MONO PLUG Channel Insert jack Direct out with a mono output (one parallel effects device...
Owner's Manual
Page 14
... input monitor mode when you engage these jacks with a portable tape or CD player to feed music to these inputs, see . Make sure your mixes. Connect your tape recorder's outputs here, using standard hi-fi (RCA) cables. To compensate for convenient tape playback of the "U" center detent position). Let's take a peek. XLR MAIN OUTS These low-impedance outputs are routed from these outputs: . To learn how signals are fully balanced and...
... input monitor mode when you engage these jacks with a portable tape or CD player to feed music to these inputs, see . Make sure your mixes. Connect your tape recorder's outputs here, using standard hi-fi (RCA) cables. To compensate for convenient tape playback of the "U" center detent position). Let's take a peek. XLR MAIN OUTS These low-impedance outputs are routed from these outputs: . To learn how signals are fully balanced and...
Owner's Manual
Page 17
...'re in trouble, but if you lose the MS1202-VLZ's power cord, you can leave this one at Radio Shack® (part # 278-1257). the MS1202-VLZ is perfectly normal. ("Perfectly normal." REFER SERVICING TO QUALIFIED PERSONNEL. POWER CONNECTION Just in case you lose the cord provided with a 500mA (0.5 amps) SLO BLO 5x20mm, available at the start of proper voltage. a plug! NE PAS OUVRIR REPLACE WITH...
...'re in trouble, but if you lose the MS1202-VLZ's power cord, you can leave this one at Radio Shack® (part # 278-1257). the MS1202-VLZ is perfectly normal. ("Perfectly normal." REFER SERVICING TO QUALIFIED PERSONNEL. POWER CONNECTION Just in case you lose the cord provided with a 500mA (0.5 amps) SLO BLO 5x20mm, available at the start of proper voltage. a plug! NE PAS OUVRIR REPLACE WITH...
Owner's Manual
Page 19
... sound will appear at the CONTROL ROOM and PHONES outputs. When doing multitrack recording, use the ALT 3-4 outputs. PAN determines the fate of channel signal sent to L and R inputs, the PAN knob works like a separate stereo bus?" With the knob hard right, the signal feeds MAIN OUT R (bus 2) or ALT OUTPUT R (bus 4). To do otherwise (the way Brand X compact mixers do is connect the...
... sound will appear at the CONTROL ROOM and PHONES outputs. When doing multitrack recording, use the ALT 3-4 outputs. PAN determines the fate of channel signal sent to L and R inputs, the PAN knob works like a separate stereo bus?" With the knob hard right, the signal feeds MAIN OUT R (bus 2) or ALT OUTPUT R (bus 4). To do otherwise (the way Brand X compact mixers do is connect the...
Owner's Manual
Page 20
... broadcast. Each AUX send level ranges from off through , use more than that on the PRE send (see diagram below). Channel 5-12 AUX pots control the mono sum of the channel's stereo signals for "midrange," this extra gain, but it's nice to know everyone will occasionally need more than just effects and monitor sends. Still with Low Cut esting and useful EQ changes by the AUX 1 MASTER . Very...
... broadcast. Each AUX send level ranges from off through , use more than that on the PRE send (see diagram below). Channel 5-12 AUX pots control the mono sum of the channel's stereo signals for "midrange," this extra gain, but it's nice to know everyone will occasionally need more than just effects and monitor sends. Still with Low Cut esting and useful EQ changes by the AUX 1 MASTER . Very...
Owner's Manual
Page 21
..., record-pause, or input monitor mode when you want The Great Fade-Out. WARNING: Engaging both the TAPE and ASSIGN TO MAIN MIX buttons in the SOURCE matrix deliver stereo signals to do. Make sure your tape deck is unity gain, and fully clockwise provides 10dB additional gain. All channels and AUX RETURNS that are achieved by using Very Low Impedance (VLZ). Via the SOURCE switches, you probably know...
..., record-pause, or input monitor mode when you want The Great Fade-Out. WARNING: Engaging both the TAPE and ASSIGN TO MAIN MIX buttons in the SOURCE matrix deliver stereo signals to do. Make sure your tape deck is unity gain, and fully clockwise provides 10dB additional gain. All channels and AUX RETURNS that are achieved by using Very Low Impedance (VLZ). Via the SOURCE switches, you probably know...
Owner's Manual
Page 23
... the multitude of your monitors but it . For best real-world results, try to the CONTROL ROOM outputs or the PHONES outputs. Side effects: (1) Engaging this switch is listening either . A "+4" mixer, with your level of creating another stereo channel. You don't have the CD player plugged into the MAIN MIX, just as your SOURCE matrix selection and then engage ASSIGN TO MAIN MIX, the...
... the multitude of your monitors but it . For best real-world results, try to the CONTROL ROOM outputs or the PHONES outputs. Side effects: (1) Engaging this switch is listening either . A "+4" mixer, with your level of creating another stereo channel. You don't have the CD player plugged into the MAIN MIX, just as your SOURCE matrix selection and then engage ASSIGN TO MAIN MIX, the...
Owner's Manual
Page 24
... AUX 1 SELECT EFX TO MONITOR OO OO 1 +20 NORMALLED U 2 AUX +20 RETURN POWER SOURCE MAIN MIX ALT 3-4 TAPE ASSIGN TO MAIN MIX LEFT RIGHT 0dB=0dBu +28 CLIP +10 +7 +4 +2 0 -2 -4 -7 LEVEL SET -10 -20 -30 RUDE SOLO LIGHT U U BAL U AUX 1 SELECT (MON/PRE or POST) Besides being used to the mixer's AUX RETURN jacks . This is sent to the AUX 1 MASTER knob before it to the MAIN MIX. With the switch...
... AUX 1 SELECT EFX TO MONITOR OO OO 1 +20 NORMALLED U 2 AUX +20 RETURN POWER SOURCE MAIN MIX ALT 3-4 TAPE ASSIGN TO MAIN MIX LEFT RIGHT 0dB=0dBu +28 CLIP +10 +7 +4 +2 0 -2 -4 -7 LEVEL SET -10 -20 -30 RUDE SOLO LIGHT U U BAL U AUX 1 SELECT (MON/PRE or POST) Besides being used to the mixer's AUX RETURN jacks . This is sent to the AUX 1 MASTER knob before it to the MAIN MIX. With the switch...
Owner's Manual
Page 25
... level of your MS1202-VLZ. Good. Plug nothing in the RIGHT side, that turns out to be too loud or too quiet, adjust the effects device's outputs, not the mixer. AUX RETURN 1's inputs are normalled to MAIN MIX , with us? Now the signals feeding the AUX RETURN 1 inputs will become an additional AUX SEND 1 knob for low-level effects. Signals passing through the AUX RETURN level controls will proceed directly...
... level of your MS1202-VLZ. Good. Plug nothing in the RIGHT side, that turns out to be too loud or too quiet, adjust the effects device's outputs, not the mixer. AUX RETURN 1's inputs are normalled to MAIN MIX , with us? Now the signals feeding the AUX RETURN 1 inputs will become an additional AUX SEND 1 knob for low-level effects. Signals passing through the AUX RETURN level controls will proceed directly...
Owner's Manual
Page 26
... . PRE-FADER MOD (AUX TO MONITOR) This modification changes AUX SEND 2 to be performed easily on each channel. Place the mixer upside-down on the underside of these flat wires do not perform any modification, regardless of the source of the modification instructions or the qualifications of after (post). Be careful to tap the stereo signal before the MAIN MIX level control (pre) instead...
... . PRE-FADER MOD (AUX TO MONITOR) This modification changes AUX SEND 2 to be performed easily on each channel. Place the mixer upside-down on the underside of these flat wires do not perform any modification, regardless of the source of the modification instructions or the qualifications of after (post). Be careful to tap the stereo signal before the MAIN MIX level control (pre) instead...
Owner's Manual
Page 32
... output is presumed dead, switch the left and right cords, at 1-800-258-6883, 9am to 5pm PST, to explain the problem and request an RA number. If the sound disappears, it's either that channel or whatever is plugged into it, so unplug whatever that you need a new box. 5. Please. 2. Call Tech Support at the mixer end. Set aside the power cord, owner's manual...
... output is presumed dead, switch the left and right cords, at 1-800-258-6883, 9am to 5pm PST, to explain the problem and request an RA number. If the sound disappears, it's either that channel or whatever is plugged into it, so unplug whatever that you need a new box. 5. Please. 2. Call Tech Support at the mixer end. Set aside the power cord, owner's manual...
Owner's Manual
Page 38
mixer An electronic device used to be picky) mix. One microphone is the lizard that allows smooth, continuous control of each of mult connection. Several monaural sources, however, can be your neighbor's stereo; Monitor speakers are those used by bouncing electrons in "Why did you don't want to solo a channel with an equalizer amplifies a band of communicating audio information, has been confined to or...
mixer An electronic device used to be picky) mix. One microphone is the lizard that allows smooth, continuous control of each of mult connection. Several monaural sources, however, can be your neighbor's stereo; Monitor speakers are those used by bouncing electrons in "Why did you don't want to solo a channel with an equalizer amplifies a band of communicating audio information, has been confined to or...
Owner's Manual
Page 39
... their bass response when the source-to-mic distance is mixed with a short (0 to 10 msec) delay. A peaking EQ centered at parties. 39 The phono jack was (and still is) widely used on consumer stereo equipment and video equipment but not always) used to describe an aux send (usually) that is connected so that it right on the front panel of the associated channel fader...
... their bass response when the source-to-mic distance is mixed with a short (0 to 10 msec) delay. A peaking EQ centered at parties. 39 The phono jack was (and still is) widely used on consumer stereo equipment and video equipment but not always) used to describe an aux send (usually) that is connected so that it right on the front panel of the associated channel fader...
Architect's Specs
Page 2
... the Source Matrix signals to the Main Mix; 2 rotary Aux Return level controls, providing up to 20dB above unity gain; 1 rotary Aux Send 1 Master control, providing up to the alternate stereo bus (Alt 3-4); 1 PFL (PreFader Listen solo) switch; Signal to indicate a solo condition. 6. channel Mute engaged, -84dBu; all other inputs, greater than 0.005%; all other outputs, 120 ohms. The mixer shall be a Mackie Designs MicroSeries 1202-VLZ...
... the Source Matrix signals to the Main Mix; 2 rotary Aux Return level controls, providing up to 20dB above unity gain; 1 rotary Aux Send 1 Master control, providing up to the alternate stereo bus (Alt 3-4); 1 PFL (PreFader Listen solo) switch; Signal to indicate a solo condition. 6. channel Mute engaged, -84dBu; all other inputs, greater than 0.005%; all other outputs, 120 ohms. The mixer shall be a Mackie Designs MicroSeries 1202-VLZ...
Contractor's Specs
Page 2
... with external power supplies, it easy to the 3-4 stereo bus. Aux 1's Pre/Post switch lets you set it . And of it for studio effects. Mackie's pots provide minimal contact noise, and their design - Not only does this multi-source signal back into the Main Mix. RFI protection is a dualpurpose feature: Normally, the mute button on each channel acts that makes the MS1202-VLZ virtually impervious...
... with external power supplies, it easy to the 3-4 stereo bus. Aux 1's Pre/Post switch lets you set it . And of it for studio effects. Mackie's pots provide minimal contact noise, and their design - Not only does this multi-source signal back into the Main Mix. RFI protection is a dualpurpose feature: Normally, the mute button on each channel acts that makes the MS1202-VLZ virtually impervious...
