Spec Sheet
Page 1
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Spec Sheet
Page 2
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 U AUX SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R 30 ...
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 U AUX SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R 30 ...
Owners Manual
Page 3
...tapcogear.com for future reference (i.e., insurance claims, tech support, return authorization, etc.). All Rights Reserved. 3 Your new TAPCO® MIX Series mixer is important to keep your product information here for more information about this and other TAPCO products. SW0208 Rev. CONTENTS SAFETY...PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix.120 22 TAPCO LIMITED WARRANTY 23 Don't forget to visit our website at...
...tapcogear.com for future reference (i.e., insurance claims, tech support, return authorization, etc.). All Rights Reserved. 3 Your new TAPCO® MIX Series mixer is important to keep your product information here for more information about this and other TAPCO products. SW0208 Rev. CONTENTS SAFETY...PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix.120 22 TAPCO LIMITED WARRANTY 23 Don't forget to visit our website at...
Owners Manual
Page 4
...2. 4. SET THE LEVELS (Mic/Line Channels): 1. Make some noise with the channel LEVEL control.) 5. Everyone: start making noise. Note: The Mix.50 does not have powered speakers). 3. Turn down the MASTER AUX SEND and CTRL ROOM/PHONES controls. 5. Using TR or TRS cables, make connections ... 5. Repeat steps 1 through 4 for level changes afterward with the mono or stereo instrument connected to the LINE IN jacks on the Mix.50.) Connect line-level signal sources to the LINE input jacks. Repeat steps 1 through 4 for level changes afterward with your normal singing volume...
...2. 4. SET THE LEVELS (Mic/Line Channels): 1. Make some noise with the channel LEVEL control.) 5. Everyone: start making noise. Note: The Mix.50 does not have powered speakers). 3. Turn down the MASTER AUX SEND and CTRL ROOM/PHONES controls. 5. Using TR or TRS cables, make connections ... 5. Repeat steps 1 through 4 for level changes afterward with the mono or stereo instrument connected to the LINE IN jacks on the Mix.50.) Connect line-level signal sources to the LINE input jacks. Repeat steps 1 through 4 for level changes afterward with your normal singing volume...
Owners Manual
Page 5
... SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L... R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 +15 +15 A FEW PRECAUTIONS: • Never listen to accessorize your equipment, turn off any external amplifiers fi...
... SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L... R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 +15 +15 A FEW PRECAUTIONS: • Never listen to accessorize your equipment, turn off any external amplifiers fi...
Owners Manual
Page 6
... headroom to handle screaming singers, was truly innovative for next time Master section: • Rotary stereo Main Mix control (Mix.50/Mix.60) • 60mm fader Main Mix control (Mix.100/Mix.120) • Balanced 1/4" TRS stereo main outputs • 4-segment stereo LED VU metering • ... designed for the pocketbook of starving psychedelic musical neophytes, and durable enough to withstand mammoth levels of TAPCO Corporation, Greg Mackie's first company. INTRODUCTION Thank you for small to medium-sized live sound reinforcement applications, keyboards and synths, video...
... headroom to handle screaming singers, was truly innovative for next time Master section: • Rotary stereo Main Mix control (Mix.50/Mix.60) • 60mm fader Main Mix control (Mix.100/Mix.120) • Balanced 1/4" TRS stereo main outputs • 4-segment stereo LED VU metering • ... designed for the pocketbook of starving psychedelic musical neophytes, and durable enough to withstand mammoth levels of TAPCO Corporation, Greg Mackie's first company. INTRODUCTION Thank you for small to medium-sized live sound reinforcement applications, keyboards and synths, video...
Owners Manual
Page 8
...-type male mic connector. CHANNEL CONTROLS The channel strips have various controls, depending on . This can be adjusted to monitors or processors (except Mix.50). After you connect a microphone or line-level component to a MIC input with tube or ribbon microphones, as this handy LED flickers just...causes the signal to the left and a right. The GAIN control adjusts the input sensitivity of the mono channels' XLR MIC inputs (except Mix.50). The block diagrams on and off using the PHANTOM (19) switch. They can be tapped off and sent to optimal internal ...
...-type male mic connector. CHANNEL CONTROLS The channel strips have various controls, depending on . This can be adjusted to monitors or processors (except Mix.50). After you connect a microphone or line-level component to a MIC input with tube or ribbon microphones, as this handy LED flickers just...causes the signal to the left and a right. The GAIN control adjusts the input sensitivity of the mono channels' XLR MIC inputs (except Mix.50). The block diagrams on and off using the PHANTOM (19) switch. They can be tapped off and sent to optimal internal ...
Owners Manual
Page 9
...to match either the -10 dBv consumer level or the +4 dBu professional level. HI EQ Turning this clockwise boosts the level of all except Mix.50) Turning this clockwise boosts the level of frequencies at optimal levels. MID EQ (all frequencies above 12 kHz. The midrange frequencies include the upper...punch in signal level. Most consumer equipment with RCA connectors operate at U, and your mix levels near or beyond clipping. AUXILIARY (all except Mix.50) In addition to the main mix output, the mixer provides an auxiliary mix, which you can also mess things up to 15 dB of boost and cut ...
...to match either the -10 dBv consumer level or the +4 dBu professional level. HI EQ Turning this clockwise boosts the level of all except Mix.50) Turning this clockwise boosts the level of frequencies at optimal levels. MID EQ (all frequencies above 12 kHz. The midrange frequencies include the upper...punch in signal level. Most consumer equipment with RCA connectors operate at U, and your mix levels near or beyond clipping. AUXILIARY (all except Mix.50) In addition to the main mix output, the mixer provides an auxiliary mix, which you can also mess things up to 15 dB of boost and cut ...
Owners Manual
Page 10
For mono mic/line channels, if PAN is set all except Mix.50) The AUX SEND is where you connect the outputs of your GAIN ... home stereo balance control, by attenuating one cord), always use to adjust the signal being returned to the main mix. Subtle adjustment of a stage monitor amplifier via the STEREO AUX RETURN (13) inputs (on both the... be too high. If LEVEL is set way down, your ears. For the Mix.50, Mix.100, and Mix.120, connect the aux return signal to a finely-tuned mix. 10. Typically (providing the GAIN is set correctly), this were a slide control...
For mono mic/line channels, if PAN is set all except Mix.50) The AUX SEND is where you connect the outputs of your GAIN ... home stereo balance control, by attenuating one cord), always use to adjust the signal being returned to the main mix. Subtle adjustment of a stage monitor amplifier via the STEREO AUX RETURN (13) inputs (on both the... be too high. If LEVEL is set way down, your ears. For the Mix.50, Mix.100, and Mix.120, connect the aux return signal to a finely-tuned mix. 10. Typically (providing the GAIN is set correctly), this were a slide control...
Owners Manual
Page 11
... the recorder is in record mode. 15. TAPE TO CTRL RM/PHONES Switch (TAPE TO PHONES on Mix.50) Use this switch to add the CD/TAPE signal to select the signal source for the CONTROL ROOM ...a chance of feedback if you want to monitor the aux send signal in (TAPE TO PHONES only on the Mix.50) before engaging. 17. the CONTROL ROOM/PHONES (25/28) outputs when the TAPE TO CTRL RM/PHONES ...to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50). This adapter is present at the Control Room and Phones outputs with the aux send signal. This overides ...
... the recorder is in record mode. 15. TAPE TO CTRL RM/PHONES Switch (TAPE TO PHONES on Mix.50) Use this switch to add the CD/TAPE signal to select the signal source for the CONTROL ROOM ...a chance of feedback if you want to monitor the aux send signal in (TAPE TO PHONES only on the Mix.50) before engaging. 17. the CONTROL ROOM/PHONES (25/28) outputs when the TAPE TO CTRL RM/PHONES ...to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50). This adapter is present at the Control Room and Phones outputs with the aux send signal. This overides ...
Owners Manual
Page 12
... or noise. You can adjust your speakers. Use the meters to avoid the possibility of the CD/ TAPE signal, and not the main mix. Do not use phantom power with the meter's peaks flashing anywhere between "0" and "+6." METERS These left and right meters have ribbon...SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 The OL LEDs turn things down before actual clipping distortion occurs, but you adjust the mixer for good...
... or noise. You can adjust your speakers. Use the meters to avoid the possibility of the CD/ TAPE signal, and not the main mix. Do not use phantom power with the meter's peaks flashing anywhere between "0" and "+6." METERS These left and right meters have ribbon...SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 The OL LEDs turn things down before actual clipping distortion occurs, but you adjust the mixer for good...
Owners Manual
Page 13
.... Always remember: "Engineers who fry their AUX SEND knobs set correctly), this will be painfully loud with the CTRL ROOM/PHONE knob turned all except Mix.50) The Master AUX SEND knob provides overall control for example). It ranges from this jack is the sum of main.... All active mono and stereo channels that have their ears, find themselves with FX TO CTRL ROOM switch pushed in . 27. On the Mix.50 and Mix.60, this output. MAIN OUT INPUT BAL/UNBAL INPUT BAL/UNBAL These 1/4" TRS jacks represent the end of that adjusts how much of the mixer...
.... Always remember: "Engineers who fry their AUX SEND knobs set correctly), this will be painfully loud with the CTRL ROOM/PHONE knob turned all except Mix.50) The Master AUX SEND knob provides overall control for example). It ranges from this jack is the sum of main.... All active mono and stereo channels that have their ears, find themselves with FX TO CTRL ROOM switch pushed in . 27. On the Mix.50 and Mix.60, this output. MAIN OUT INPUT BAL/UNBAL INPUT BAL/UNBAL These 1/4" TRS jacks represent the end of that adjusts how much of the mixer...
Owners Manual
Page 17
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Owners Manual
Page 18
...CTRL RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R...
...CTRL RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R...
Owners Manual
Page 19
LEFT MAIN BUS RIGHT MAIN BUS Block Diagram Mix.50 19 MONO CHANNEL MIC IN LINE IN GAIN LOW HIGH PEAK LEVEL 80 12K SHELVING EQ PAN L R STEREO CHANNELS 2/3 and 4/5 LINE IN LEFT (MONO) LINE IN RIGHT TAPCO MIX.50 BLOCK DIAGRAM 05.09.05 LEVEL PAN L R L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO PHONES TAPE TO MIX PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN RIGHT HEADPHONE OUTPUT
LEFT MAIN BUS RIGHT MAIN BUS Block Diagram Mix.50 19 MONO CHANNEL MIC IN LINE IN GAIN LOW HIGH PEAK LEVEL 80 12K SHELVING EQ PAN L R STEREO CHANNELS 2/3 and 4/5 LINE IN LEFT (MONO) LINE IN RIGHT TAPCO MIX.50 BLOCK DIAGRAM 05.09.05 LEVEL PAN L R L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO PHONES TAPE TO MIX PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN RIGHT HEADPHONE OUTPUT