Manual
Page 1
... • Fax: 510.652.5075 • www.nady.com DigiComp 16 18-bit Digital Compressor DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. SERVICE FOR YOUR NADY AUDIO PRODUCT (U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via telephone at (510) 652...
... • Fax: 510.652.5075 • www.nady.com DigiComp 16 18-bit Digital Compressor DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. SERVICE FOR YOUR NADY AUDIO PRODUCT (U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via telephone at (510) 652...
Manual
Page 2
... dimensions to -Noise Ratio (process 82dB linear, 20 Hz - 20 KHz Distortion... You will find that your purchase of the DigiComp 16™ - DigiComp 16 - 18-bit Digital Compressor Thank you have purchased one -of-a-kind preset digital compressor ROM programs, including AGC Pure, Acoustic, ...stereo settings with convenient front panel I /O stereo and bypass jacks (for plugging instruments in its price range. you for your new NADY AUDIO sound processor has superior performance and greater flexibility than any other sound processor in direct, and 9 volt AC adapter supplied • ...
... dimensions to -Noise Ratio (process 82dB linear, 20 Hz - 20 KHz Distortion... You will find that your purchase of the DigiComp 16™ - DigiComp 16 - 18-bit Digital Compressor Thank you have purchased one -of-a-kind preset digital compressor ROM programs, including AGC Pure, Acoustic, ...stereo settings with convenient front panel I /O stereo and bypass jacks (for plugging instruments in its price range. you for your new NADY AUDIO sound processor has superior performance and greater flexibility than any other sound processor in direct, and 9 volt AC adapter supplied • ...
Manual
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... Process 13 Stereo 2 Bands Compressor 13 Stereo 2 Bands Compressor Preset 14 Mono 2 Bands + 5 Bands Eq Compressor ..........15 Mono 2 Bands + Bands Eq Compressor Presets 16 Compression Effects Summary Table 16 Block Diagram 18 Specifications 19 Service Back Cover Rear Panel Connections Power Jacks 7 Bypass Jacks 7 Input (Left/Mono &Right) Jacks 7 Output (Left & Right...
... Process 13 Stereo 2 Bands Compressor 13 Stereo 2 Bands Compressor Preset 14 Mono 2 Bands + 5 Bands Eq Compressor ..........15 Mono 2 Bands + Bands Eq Compressor Presets 16 Compression Effects Summary Table 16 Block Diagram 18 Specifications 19 Service Back Cover Rear Panel Connections Power Jacks 7 Bypass Jacks 7 Input (Left/Mono &Right) Jacks 7 Output (Left & Right...
Manual
Page 5
...us, but it does, re-position the unit to three DigiComp 16's may have occurred in transit. (Note: Nady Systems is not responsible for shipping damage. If it may generate hum fields, locate it away from other audio equipment or wiring as much as needed where it will ...instruments more or less character and deepness. This type of dynamic process is very useful for the dynamic control of enjoyment from your NADY AUDIO DigiComp 16 sound processor, please read and understand this manual thoroughly before using the unit. Before installing and using your unit, carefully examine the...
...us, but it does, re-position the unit to three DigiComp 16's may have occurred in transit. (Note: Nady Systems is not responsible for shipping damage. If it may generate hum fields, locate it away from other audio equipment or wiring as much as needed where it will ...instruments more or less character and deepness. This type of dynamic process is very useful for the dynamic control of enjoyment from your NADY AUDIO DigiComp 16 sound processor, please read and understand this manual thoroughly before using the unit. Before installing and using your unit, carefully examine the...
Manual
Page 7
...fatiguing and "pushes" the sound without unbalancing it doesn't alter the general balance of complex audio - This damage would NOT be covered under your unit. It simply keeps the level in...corrections. Each time this preset gives is lively and brilliant, ideal for connecting the Nady 9VAC power supply adapter (supplied). This variation can be considered a sort of ... is a plug for small ensemble music and keeping live soft passages. Variations 2 through the DigiComp 16 unchanged: • By pressing the PROCESS BYPASS SWITCH (3), or by connecting a footswitch to ...
...fatiguing and "pushes" the sound without unbalancing it doesn't alter the general balance of complex audio - This damage would NOT be covered under your unit. It simply keeps the level in...corrections. Each time this preset gives is lively and brilliant, ideal for connecting the Nady 9VAC power supply adapter (supplied). This variation can be considered a sort of ... is a plug for small ensemble music and keeping live soft passages. Variations 2 through the DigiComp 16 unchanged: • By pressing the PROCESS BYPASS SWITCH (3), or by connecting a footswitch to ...
Manual
Page 8
... distortion and keep the amount of maximum. This will be used with AC power cords. • Do not place audio cables and DigiComp 16 near sources of electromagnetic interference such as the compressor's gain. The height of the line defines the dynamic range of the...flexible internal conductor. However, if you only connect a single mono cable to a minimum. Installation and Connection Audio Connections and Power Up The connections between the DigiComp 16 and other audio devices have been made using stereo input signals and also connecting a cable to the RIGHT INPUT (13) jack...
... distortion and keep the amount of maximum. This will be used with AC power cords. • Do not place audio cables and DigiComp 16 near sources of electromagnetic interference such as the compressor's gain. The height of the line defines the dynamic range of the...flexible internal conductor. However, if you only connect a single mono cable to a minimum. Installation and Connection Audio Connections and Power Up The connections between the DigiComp 16 and other audio devices have been made using stereo input signals and also connecting a cable to the RIGHT INPUT (13) jack...
Manual
Page 9
... controls turned down. The footswitch must be plugged in the compression region. Standard Use The DigiComp 16 may provide three different audio connection options: • Mono Connect an audio cable to the LEFT INPUT (12) of the DigiComp 16 from a mono source, and another audio cable from the dynamic process operating as a large power amplifier. When connecting...
... controls turned down. The footswitch must be plugged in the compression region. Standard Use The DigiComp 16 may provide three different audio connection options: • Mono Connect an audio cable to the LEFT INPUT (12) of the DigiComp 16 from a mono source, and another audio cable from the dynamic process operating as a large power amplifier. When connecting...
Manual
Page 10
...of "inserting" external processing equipment into the DigiComp 16. Connect a channel insert from the console to the LEFT mono input of the DigiComp 16 via TRS, and another audio cable from the LEFT or RIGHT output of the DigiComp 16 to the one described above. Stereo Out... two mixer inputs. Another way of interfacing the DigiComp 16 to process audio stereo sources such as CD's. Usually, insert connections require a special, stereo-splitting Y-cord. Carefully adjust the DigiComp 16 input and output levels in which the DigiComp 16 applies the desired dynamic process to the mixer,...
...of "inserting" external processing equipment into the DigiComp 16. Connect a channel insert from the console to the LEFT mono input of the DigiComp 16 via TRS, and another audio cable from the LEFT or RIGHT output of the DigiComp 16 to the one described above. Stereo Out... two mixer inputs. Another way of interfacing the DigiComp 16 to process audio stereo sources such as CD's. Usually, insert connections require a special, stereo-splitting Y-cord. Carefully adjust the DigiComp 16 input and output levels in which the DigiComp 16 applies the desired dynamic process to the mixer,...