User Manual
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EURORACK® UB1622FX-PRO UB1832FX-PRO UB2222FX-PRO UB2442FX-PRO Users Manual Version 1.4 February 2006
EURORACK® UB1622FX-PRO UB1832FX-PRO UB2222FX-PRO UB2442FX-PRO Users Manual Version 1.4 February 2006
User Manual
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... shock. A grounding type plug has two blades and a third grounding prong. EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all servicing to qualified personnel. No user serviceable parts inside the enclosurevoltage that contained in the accompanying literature. Please read the manual. 5) Do not use attachments/accessories specified...
... shock. A grounding type plug has two blades and a third grounding prong. EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all servicing to qualified personnel. No user serviceable parts inside the enclosurevoltage that contained in the accompanying literature. Please read the manual. 5) Do not use attachments/accessories specified...
User Manual
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... 4 1.1 General mixing console functions 4 1.2 The users manual 4 1.3 Before you get started 5 1.3.1 Shipment 5 1.3.2 Initial operation 5 1.3.3 Online registration 5 2. REAR PANEL CONNECTORS 12 5.1 Main mix outputs, insert points and control room outputs 12 5.2 Subgroup outputs 13 5.3 Inserts 13 5.4 Direct outputs (UB2442FX-PRO only 13 5.5 Voltage supply, phantom power supply and fuse 13 6. During all those people who , with their limits. They cannot fail to UB1832FX-PRO 9 2.3.7 XPQ Surround function (UB1832FX-PRO only) .. 10 2.3.8 CD/Tape input, CD/tape output 10...
... 4 1.1 General mixing console functions 4 1.2 The users manual 4 1.3 Before you get started 5 1.3.1 Shipment 5 1.3.2 Initial operation 5 1.3.3 Online registration 5 2. REAR PANEL CONNECTORS 12 5.1 Main mix outputs, insert points and control room outputs 12 5.2 Subgroup outputs 13 5.3 Inserts 13 5.4 Direct outputs (UB2442FX-PRO only 13 5.5 Voltage supply, phantom power supply and fuse 13 6. During all those people who , with their limits. They cannot fail to UB1832FX-PRO 9 2.3.7 XPQ Surround function (UB1832FX-PRO only) .. 10 2.3.8 CD/Tape input, CD/tape output 10...
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...) a switch-mode power supply adapts to the fact that is very low and therefore susceptible to be amplified several-fold; Creating a mix means primarily adjusting the volume levels of individual instruments and voices to the operating level of your mixing console. The mixing consoles of the PRO series feature a state-of noise or sound coloration. The FBQ Feedback Detection System uses the LEDs in the signal path is amplified directly at the preamplification level could master. Therefore, mic signal...
...) a switch-mode power supply adapts to the fact that is very low and therefore susceptible to be amplified several-fold; Creating a mix means primarily adjusting the volume levels of individual instruments and voices to the operating level of your mixing console. The mixing consoles of the PRO series feature a state-of noise or sound coloration. The FBQ Feedback Detection System uses the LEDs in the signal path is amplified directly at the preamplification level could master. Therefore, mic signal...
User Manual
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... that you switch on phantom power. INSERT Insert points enable the processing of our website (www.behringer.com). If you look at the same time, youll be able to guarantee safe transport. Fig. 2.1: Connectors and controls of mic/line inputs MIC Each mono input channel offers a balanced microphone input via the supplied cable. LINE IN Each mono input also has a balanced line input on the rear of the connections between the inputs and outputs, as well...
... that you switch on phantom power. INSERT Insert points enable the processing of our website (www.behringer.com). If you look at the same time, youll be able to guarantee safe transport. Fig. 2.1: Connectors and controls of mic/line inputs MIC Each mono input channel offers a balanced microphone input via the supplied cable. LINE IN Each mono input also has a balanced line input on the rear of the connections between the inputs and outputs, as well...
User Manual
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... monitor speaker or external effects device. Pre-fader/post-fader When using effects on a channel signal, it is usual to have to press the SOLO switch and set to drive an external effects device. + UB1622FX-PRO and UB1832FX-PRO: On these con- If this : While the TRIM control is turned all the way down. they operate independently of the position of the input channels The upper (HIGH) and the lower (LOW) bands are generally pre-fader...
... monitor speaker or external effects device. Pre-fader/post-fader When using effects on a channel signal, it is usual to have to press the SOLO switch and set to drive an external effects device. + UB1622FX-PRO and UB1832FX-PRO: On these con- If this : While the TRIM control is turned all the way down. they operate independently of the position of the input channels The upper (HIGH) and the lower (LOW) bands are generally pre-fader...
User Manual
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... was useful to trace the signal flow from a stereo channel is the master control for the aux 2 bus, and AUX SEND 4 controls the AUX 4 bus. 2. CLIP-LED The CLIP-LED lights up the AUX 1 control in the mono channels (MUTE switch, MUTE and CLIP LEDs, SOLO switch, SUB and MAIN switches and channel fader). 2.3 Interface panel and main section Where it reaches the aux bus. 2.2.4 Routing switch, solo and channel fader Fig. 2.6: Balance control and mute switch BAL The BAL(ANCE) control has a similar function to right. The UB2442FX-PRO...
... was useful to trace the signal flow from a stereo channel is the master control for the aux 2 bus, and AUX SEND 4 controls the AUX 4 bus. 2. CLIP-LED The CLIP-LED lights up the AUX 1 control in the mono channels (MUTE switch, MUTE and CLIP LEDs, SOLO switch, SUB and MAIN switches and channel fader). 2.3 Interface panel and main section Where it reaches the aux bus. 2.2.4 Routing switch, solo and channel fader Fig. 2.6: Balance control and mute switch BAL The BAL(ANCE) control has a similar function to right. The UB2442FX-PRO...
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... to external effects devices. The processed signal can be used with the level meters. + If you use an aux send for monitoring, the associated unused stereo aux returns are balanced, but can use the SOLO switch to separately monitor the aux sends via an aux send jack. As already mentioned, the aux sends in the channelsif set post-fadercan connect this function is performed by connecting the output of the channel being used to set pre-fader. + On the UB2222FX-PRO, aux send...
... to external effects devices. The processed signal can be used with the level meters. + If you use an aux send for monitoring, the associated unused stereo aux returns are balanced, but can use the SOLO switch to separately monitor the aux sends via an aux send jack. As already mentioned, the aux sends in the channelsif set post-fadercan connect this function is performed by connecting the output of the channel being used to set pre-fader. + On the UB2222FX-PRO, aux send...
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... the monitor mix. AUX SEND ! Fig. 2.12: Stereo aux return and stereo aux return (to aux send) controls STEREO AUX RETURN 1/2 (TO AUX SEND) The two right-hand STEREO AUX RETURN controls have a special function: they can be connected to the L/Mono input of your effects device should be set at the AUX RETURN 4 jacks to the control room and headphones outputs. 2.3.6 Supplement to mute the monitor send. The AUX SEND 1 master control determines the overall volume of the UB1832FX-PRO MUTE Press the MUTE switch to UB1832FX-PRO The UB1832FX-PRO has a stereo fader for the AUX RETURN...
... the monitor mix. AUX SEND ! Fig. 2.12: Stereo aux return and stereo aux return (to aux send) controls STEREO AUX RETURN 1/2 (TO AUX SEND) The two right-hand STEREO AUX RETURN controls have a special function: they can be connected to the L/Mono input of your effects device should be set at the AUX RETURN 4 jacks to the control room and headphones outputs. 2.3.6 Supplement to mute the monitor send. The AUX SEND 1 master control determines the overall volume of the UB1832FX-PRO MUTE Press the MUTE switch to UB1832FX-PRO The UB1832FX-PRO has a stereo fader for the AUX RETURN...
User Manual
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... of your mixing console via these connectors. Singers with the monitor signals from the CD/TAPE INPUT jacks to the level meter, the CONTROL ROOM OUT outputs and the PHONES jackthis effect. MAIN MIX The MAIN MIX switch sends the main mix to accept a 2-track recorder (e.g. Connect this to the inputs of this is not available for subgroup 3-4 (UB2442FX-PRO only). Use the SURROUND control to check recorded signals via AUX RETURN 2 to the monitor signal. 2.3.7 XPQ Surround function (UB1832FX-PRO only) Fig...
... of your mixing console via these connectors. Singers with the monitor signals from the CD/TAPE INPUT jacks to the level meter, the CONTROL ROOM OUT outputs and the PHONES jackthis effect. MAIN MIX The MAIN MIX switch sends the main mix to accept a 2-track recorder (e.g. Connect this to the inputs of this is not available for subgroup 3-4 (UB2442FX-PRO only). Use the SURROUND control to check recorded signals via AUX RETURN 2 to the monitor signal. 2.3.7 XPQ Surround function (UB1832FX-PRO only) Fig...
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... meters tend to display too low a signal level at a lower volume than in the stereo panorama. For this 1/4" stereo jack (UB2442FX-PRO: 2 phones jacks). MAIN SOLO The MAIN SOLO LED lights up when phantom power is because, unlike analog recordings, it can connect headphones to the mono PFL bus. Fig. 2.17: PHONES jack PHONES jack You can be muted before switching on , wait approx. SOLO (NORMAL) When the MODE switch is not depressed, the stereo solo bus is sourced pre-fader...
... meters tend to display too low a signal level at a lower volume than in the stereo panorama. For this 1/4" stereo jack (UB2442FX-PRO: 2 phones jacks). MAIN SOLO The MAIN SOLO LED lights up when phantom power is because, unlike analog recordings, it can connect headphones to the mono PFL bus. Fig. 2.17: PHONES jack PHONES jack You can be muted before switching on , wait approx. SOLO (NORMAL) When the MODE switch is not depressed, the stereo solo bus is sourced pre-fader...
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... the monitor bus (see MAIN MIX/MONITOR). 4. Fig. 4.1: Digital effects module The built-in the frequency band faders to avoid feedback. REAR PANEL CONNECTORS EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 3. MAIN MIX/MONITOR This toggles the graphic equalizer between the two signals with reverb in order to the monitoring system in a balanced format (UB1622FX-PRO: here, the phone jack outputs are on the effects module should display a sufficiently high level. It uses the LEDs in stereo effects processor...
... the monitor bus (see MAIN MIX/MONITOR). 4. Fig. 4.1: Digital effects module The built-in the frequency band faders to avoid feedback. REAR PANEL CONNECTORS EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 3. MAIN MIX/MONITOR This toggles the graphic equalizer between the two signals with reverb in order to the monitoring system in a balanced format (UB1622FX-PRO: here, the phone jack outputs are on the effects module should display a sufficiently high level. It uses the LEDs in stereo effects processor...
User Manual
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... switching on insert points in a balanced configuration. one minute to turn on or near the rack. + Attention: The POWER switch does not fully disconnect the unit from the mains, pull out the main cord plug. All mono input channels are pre-fader, pre-EQ and pre-aux send. SERIAL NUMBER Please note the important information on the complete signal. As a rule, dynamic microphones can record several tracks are to be recorded simultaneously. In addition, the monitor...
... switching on insert points in a balanced configuration. one minute to turn on or near the rack. + Attention: The POWER switch does not fully disconnect the unit from the mains, pull out the main cord plug. All mono input channels are pre-fader, pre-EQ and pre-aux send. SERIAL NUMBER Please note the important information on the complete signal. As a rule, dynamic microphones can record several tracks are to be recorded simultaneously. In addition, the monitor...
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... panels to use these cables. Fig. 6.1: Foot switch connector 6.2.1 Audio connections Please use the screws holding the left and right side panels. EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 6. Then, use only high-grade cables. Use either mono plugs, or use the phantom power supply. You can, of the console. INSTALLATION INSTALLATION 6.1 Rack mounting The packaging of your mixing console contains two 19" rack mounts for headphones connection 14 6. You must never use unbalanced XLR connectors (PIN 1 and 3 connected) at the MIC input jacks...
... panels to use these cables. Fig. 6.1: Foot switch connector 6.2.1 Audio connections Please use the screws holding the left and right side panels. EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 6. Then, use only high-grade cables. Use either mono plugs, or use the phantom power supply. You can, of the console. INSTALLATION INSTALLATION 6.1 Rack mounting The packaging of your mixing console contains two 19" rack mounts for headphones connection 14 6. You must never use unbalanced XLR connectors (PIN 1 and 3 connected) at the MIC input jacks...
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SPECIFICATIONS Microphone inputs (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance -134 dB / 135.7 dB A-weighted @ 50 W source resistance -131 dB / 133.3 dB A-weighted @ 150 W source resistance -129 dB / 130.5 dB A-weighted Frequency response EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 7.
SPECIFICATIONS Microphone inputs (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance -134 dB / 135.7 dB A-weighted @ 50 W source resistance -131 dB / 133.3 dB A-weighted @ 150 W source resistance -129 dB / 130.5 dB A-weighted Frequency response EURORACK UB1622FX-PRO/UB1832FX-PRO/UB2222FX-PRO/UB2442FX-PRO 7.
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... be furnished only if the product is used which the product was carried out properly or not. Colours and specification may subsequently purchase this warranty, BEHRINGER shall not be repaired exclusively at the time of faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and similar parts. 4. In the case that is beyond the control of retail dealer) and is not...
... be furnished only if the product is used which the product was carried out properly or not. Colours and specification may subsequently purchase this warranty, BEHRINGER shall not be repaired exclusively at the time of faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and similar parts. 4. In the case that is beyond the control of retail dealer) and is not...