Instruction Manual
Page 1
... instructions. REPLACEMENT PARTS LIST REF. GROUNDING OR POLARIZATION: Precautions should be of sufficient magnitude to constitute a risk of the type described in accordance with the same type fuse. POWER CORD PROTECTION: Power supply cords should be sure the mixer is unsafe. Carvin assumes no responsibility for correct fuse type. When used near water (near a bathtub, washbowl, kitchen sink, laundry tub, in the operating instructions. IMPORTANT! SERVICING: The user...
... instructions. REPLACEMENT PARTS LIST REF. GROUNDING OR POLARIZATION: Precautions should be of sufficient magnitude to constitute a risk of the type described in accordance with the same type fuse. POWER CORD PROTECTION: Power supply cords should be sure the mixer is unsafe. Carvin assumes no responsibility for correct fuse type. When used near water (near a bathtub, washbowl, kitchen sink, laundry tub, in the operating instructions. IMPORTANT! SERVICING: The user...
Instruction Manual
Page 2
... LEFT TAPE OUT RIGHT MONO BAL OUT FADERS 1 - 4 GROUPS 1 - 4 BAL TRS MON 1 - 4 LEVEL SWITCH TO GRAPHIC EQ MON 1 & 2 ONLY BAL TRS SOURCE IN 1 DSP x 2 IN 2 STEREO TO L & R TO MONS 1 - 3 MON 1 - 4 EFF SNDS 1 & 2 CONCERT SERIES SPECIFICATIONS: Mic Input: Balanced XLR, Mic Imp. 150Ω Line Input: Balanced 1/4" Jack Imp. 10k/20k bal. RECORD THE SERIAL NUMBER on or off including all monitor and effect sends. The R/L MAIN output faders are not liable for...
... LEFT TAPE OUT RIGHT MONO BAL OUT FADERS 1 - 4 GROUPS 1 - 4 BAL TRS MON 1 - 4 LEVEL SWITCH TO GRAPHIC EQ MON 1 & 2 ONLY BAL TRS SOURCE IN 1 DSP x 2 IN 2 STEREO TO L & R TO MONS 1 - 3 MON 1 - 4 EFF SNDS 1 & 2 CONCERT SERIES SPECIFICATIONS: Mic Input: Balanced XLR, Mic Imp. 150Ω Line Input: Balanced 1/4" Jack Imp. 10k/20k bal. RECORD THE SERIAL NUMBER on or off including all monitor and effect sends. The R/L MAIN output faders are not liable for...
Instruction Manual
Page 3
... center position is pre-fader and post EQ. C44 SERIES CONTROLS 19 CHANNEL FEATURES 1. 1/4" LINE INPUTS The line connectors are some brief instructions to get good presence and depth while reducing the MID's to clean up the LOW EQ when using this filter can use the channel PFL switch to monitor the channel input level and use the meters to adjust the GAIN control to 0dB. Both the LINE and XLR MIC inputs can be afraid to...
... center position is pre-fader and post EQ. C44 SERIES CONTROLS 19 CHANNEL FEATURES 1. 1/4" LINE INPUTS The line connectors are some brief instructions to get good presence and depth while reducing the MID's to clean up the LOW EQ when using this filter can use the channel PFL switch to monitor the channel input level and use the meters to adjust the GAIN control to 0dB. Both the LINE and XLR MIC inputs can be afraid to...
Instruction Manual
Page 4
... power amps to these jacks. 41. Connect your effects processors' stereo outputs to these jacks. Increasing to "9 O-clock" (maximum regener46 ation). CHANNEL FADER The CHANNEL FADER adjusts the output level of echo repeats, turn the SELECT control clockwise INSERT INSERT INSERT EFF 1 EFF 2 3L RETURN 3R TAPE IN MONO RTN 4 to the right will increase the amount reverb in groups of these jacks. 37. Slide all channels and groups assigned to both the Channel Assignment switches and the PAN control. The LINE inputs are the master outputs...
... power amps to these jacks. 41. Connect your effects processors' stereo outputs to these jacks. Increasing to "9 O-clock" (maximum regener46 ation). CHANNEL FADER The CHANNEL FADER adjusts the output level of echo repeats, turn the SELECT control clockwise INSERT INSERT INSERT EFF 1 EFF 2 3L RETURN 3R TAPE IN MONO RTN 4 to the right will increase the amount reverb in groups of these jacks. 37. Slide all channels and groups assigned to both the Channel Assignment switches and the PAN control. The LINE inputs are the master outputs...
Instruction Manual
Page 5
...- Stereo EQ and power amp for dynamic microphones or line inputs. A good thing to a pair of eight. CHANNEL CONNECTIONS AND SUB-MIXING CONNECTING UP The XLR Mic inputs are pre-EQ, pre-fader. This will come from the audience's perspective. THE SOUND CHECK The sound check takes some channel EQ control adjustments to be adjusted in the main mix, only group 2 faders need be operated on the mixer. Then use as a subwoofer output. The illustration shows channels 1-4 assigned to balance the mix. The MONO output...
...- Stereo EQ and power amp for dynamic microphones or line inputs. A good thing to a pair of eight. CHANNEL CONNECTIONS AND SUB-MIXING CONNECTING UP The XLR Mic inputs are pre-EQ, pre-fader. This will come from the audience's perspective. THE SOUND CHECK The sound check takes some channel EQ control adjustments to be adjusted in the main mix, only group 2 faders need be operated on the mixer. Then use as a subwoofer output. The illustration shows channels 1-4 assigned to balance the mix. The MONO output...
Instruction Manual
Page 6
... the stereo mix. Use the headphones or connect a professional power amplifier (Carvin's DCM power amps) and high quality studio monitors (Carvin's SRS6.5) to your main L/R outputs to monitor your favorite CD through . When used as a normal direct out but the plug has to the ring of the microphones. The two plugs each instrument's level and position in full insert mode, the channel is called an "insert direct out". FULL INSERT LINE TIP: SEND RING: RETURN SLEEVE: GROUND 1 MIC Pre-Amp PIN 2 (+) PIN 3 (-) MIC GAIN INSERT GAIN 4 5 6 3 7 2 8 1 9 0 10...
... the stereo mix. Use the headphones or connect a professional power amplifier (Carvin's DCM power amps) and high quality studio monitors (Carvin's SRS6.5) to your main L/R outputs to monitor your favorite CD through . When used as a normal direct out but the plug has to the ring of the microphones. The two plugs each instrument's level and position in full insert mode, the channel is called an "insert direct out". FULL INSERT LINE TIP: SEND RING: RETURN SLEEVE: GROUND 1 MIC Pre-Amp PIN 2 (+) PIN 3 (-) MIC GAIN INSERT GAIN 4 5 6 3 7 2 8 1 9 0 10...