Owners Manual
Page 3
...OUTS 15 18. CONTROL ROOM/SUBMIX 19 33. ASSIGN TO MAIN MIX 20 34. SW0969 Rev. LINE INS (CHANNELS 1-2 12 3. CONTROL ROOM OUTS 14 11. TAPE IN 14 14. XLR MAIN OUT LEVEL SWITCH 15 19. LEVEL 16 22. CONTROL ROOM SOURCE MATRIX........... 19 31. RUDE SOLO 20 35. B 08/13... SAFETY INSTRUCTIONS 2 CONTENTS 3 FEATURES 4 INTRODUCTION 4 HOW TO USE THIS MANUAL 4 GETTING STARTED 5 THINGS TO REMEMBER 5 HOOKUP DIAGRAMS 6 PATCHBAY DESCRIPTION 11 1. MIC INS (CHANNELS 1-3 11 2. TAPE OUT 15 15. POWER CONNECTION 15 20. AUX 18 OUTPUT SECTION 19 29. MAIN MIX 19 30.
...OUTS 15 18. CONTROL ROOM/SUBMIX 19 33. ASSIGN TO MAIN MIX 20 34. SW0969 Rev. LINE INS (CHANNELS 1-2 12 3. CONTROL ROOM OUTS 14 11. TAPE IN 14 14. XLR MAIN OUT LEVEL SWITCH 15 19. LEVEL 16 22. CONTROL ROOM SOURCE MATRIX........... 19 31. RUDE SOLO 20 35. B 08/13... SAFETY INSTRUCTIONS 2 CONTENTS 3 FEATURES 4 INTRODUCTION 4 HOW TO USE THIS MANUAL 4 GETTING STARTED 5 THINGS TO REMEMBER 5 HOOKUP DIAGRAMS 6 PATCHBAY DESCRIPTION 11 1. MIC INS (CHANNELS 1-3 11 2. TAPE OUT 15 15. POWER CONNECTION 15 20. AUX 18 OUTPUT SECTION 19 29. MAIN MIX 19 30.
Owners Manual
Page 6
... instrument switch pressed in, and a compressor on the insert. A guitar is connected to the aux send, with the aux send set the aux to the tape RCA inputs, so you can be adjusted independently from the main loudspeakers. A bass guitar is connected to pre-level so the monitor volume level can...
... instrument switch pressed in, and a compressor on the insert. A guitar is connected to the aux send, with the aux send set the aux to the tape RCA inputs, so you can be adjusted independently from the main loudspeakers. A bass guitar is connected to pre-level so the monitor volume level can...
Owners Manual
Page 7
...'s sound card. A headphone amplifier is easy to set up a channel to record overdub style: 1. Monitor just the previously-recorded tracks through the tape input, which feeds the computer input. 2. By pressing a mute/alt 3-4 switch, it to the instrument input of your DAW playing back previously-... a condenser microphone connected to the mic input of your choice. A guitar is fed by a mixture of alt 3-4 (currently recorded track) and tape in . The control room/phones is attached to the alt 3-4 output, which will not be recorded to the control room outputs. A pair of...
...'s sound card. A headphone amplifier is easy to set up a channel to record overdub style: 1. Monitor just the previously-recorded tracks through the tape input, which feeds the computer input. 2. By pressing a mute/alt 3-4 switch, it to the instrument input of your DAW playing back previously-... a condenser microphone connected to the mic input of your choice. A guitar is fed by a mixture of alt 3-4 (currently recorded track) and tape in . The control room/phones is attached to the alt 3-4 output, which will not be recorded to the control room outputs. A pair of...
Owners Manual
Page 9
... cable to connect to your favorite DAW. A stereo sound effects hard disk player is connected to the line-level audio inputs of channels 7 and 8. The tape outputs connect to the line inputs of a desktop computer running your computer's audio input. Video Editing/Production Bay Owner's Manual 9
... cable to connect to your favorite DAW. A stereo sound effects hard disk player is connected to the line-level audio inputs of channels 7 and 8. The tape outputs connect to the line inputs of a desktop computer running your computer's audio input. Video Editing/Production Bay Owner's Manual 9
Owners Manual
Page 10
... the TV monitor. A pair of channel 1, with a really nice pair of loudspeakers and want to see. If you play your choice is connected to the tape output, so you are in love with phantom power engaged. Use the TV to select which video source you want to share them in a home...
... the TV monitor. A pair of channel 1, with a really nice pair of loudspeakers and want to see. If you play your choice is connected to the tape output, so you are in love with phantom power engaged. Use the TV to select which video source you want to share them in a home...
Owners Manual
Page 14
...feedback path between sets. Phones This stereo jack will come on page 19. BE CAREFUL! These outputs are routed to these jacks for convenient tape playback of powered studio monitors in the control room source [30] matrix can choose to listen to turn it up slowly. 12. Phantom Switch..., follow s tandard conventions: Tip = Left channel Ring = Right channel Sleeve = Common ground WARNING: The headphone amp is adjustable with a portable tape or CD player to feed music to something other than the main mix. Phantom power is supplied to all the way down until you...
...feedback path between sets. Phones This stereo jack will come on page 19. BE CAREFUL! These outputs are routed to these jacks for convenient tape playback of powered studio monitors in the control room source [30] matrix can choose to listen to turn it up slowly. 12. Phantom Switch..., follow s tandard conventions: Tip = Left channel Ring = Right channel Sleeve = Common ground WARNING: The headphone amp is adjustable with a portable tape or CD player to feed music to something other than the main mix. Phantom power is supplied to all the way down until you...
Owners Manual
Page 15
...]. XLR Main Outs Use these outputs to set up an external effect from different channels. XLR Main Out Level Switch Engaging this switch to post). Tape Out These unbalanced RCA connections tap the main mix output to turn it off last. Aux Send This is a TRS 1⁄4" balanced/unbalanced output, ... 1⁄4" TS (Tip-Sleeve) phone plugs like this output is where you can safely connect the XLR outputs into an input that came with your tape deck or other outputs on the 802VLZ4. 20 19 15. You may feed the amplifiers or powered speakers this : Tip = + (hot) Sleeve = Ground 19. ...
...]. XLR Main Outs Use these outputs to set up an external effect from different channels. XLR Main Out Level Switch Engaging this switch to post). Tape Out These unbalanced RCA connections tap the main mix output to turn it off last. Aux Send This is a TRS 1⁄4" balanced/unbalanced output, ... 1⁄4" TS (Tip-Sleeve) phone plugs like this output is where you can safely connect the XLR outputs into an input that came with your tape deck or other outputs on the 802VLZ4. 20 19 15. You may feed the amplifiers or powered speakers this : Tip = + (hot) Sleeve = Ground 19. ...
Owners Manual
Page 16
.../Alt 3-4 The dual-purpose mute/alt 3-4 bus is the equivalent of additional gain. like . 28 27 26 25 24 23 22 21 "U" Like Unity Gain VLZ4 mixers have the channel's level [21] knob turned up : 22. Then, whenever you press this switch, you have a channel's level knob set every control at... 1, 3, 5 and 7, and alt output R and send it from off the signal by "routing" it acts as a mute switch, all source selections (main mix, alt 3-4 and tape) are measured in a startling level boost at a time as an alt 3-4 switch, all the labels on up to 12 dB of a channel fader, so sometimes...
.../Alt 3-4 The dual-purpose mute/alt 3-4 bus is the equivalent of additional gain. like . 28 27 26 25 24 23 22 21 "U" Like Unity Gain VLZ4 mixers have the channel's level [21] knob turned up : 22. Then, whenever you press this switch, you have a channel's level knob set every control at... 1, 3, 5 and 7, and alt output R and send it from off the signal by "routing" it acts as a mute switch, all source selections (main mix, alt 3-4 and tape) are measured in a startling level boost at a time as an alt 3-4 switch, all the labels on up to 12 dB of a channel fader, so sometimes...
Owners Manual
Page 17
... becomes the one knob to control the levels of all by turning this range. It has nothing to do with living next to hide tape hiss. "Peaking" means that certain frequencies form a "hill" around with Low Cut 10kHz 20kHz mix. 26. Owner's Manual 17 With the pan knob hard...
... becomes the one knob to control the levels of all by turning this range. It has nothing to do with living next to hide tape hiss. "Peaking" means that certain frequencies form a "hill" around with Low Cut 10kHz 20kHz mix. 26. Owner's Manual 17 With the pan knob hard...
Owners Manual
Page 19
... other than the main mix? The control range is your control room source selection, those tricky parts, so brace yourself. When alt 3-4 or tape is selected, or a channel solo [22] is fully counterclockwise (off). Selections made in the control room needs to your hearing. Control Room/... counterclockwise is off through three level controls on the headphones. Make sure this control room / submix knob, and the phones knob [31]. Tape is fully down the studio monitors and listen just with the headphones, when overdubbing, or when in record, record-pause, or input-monitor ...
... other than the main mix? The control range is your control room source selection, those tricky parts, so brace yourself. When alt 3-4 or tape is selected, or a channel solo [22] is fully counterclockwise (off). Selections made in the control room needs to your hearing. Control Room/... counterclockwise is off through three level controls on the headphones. Make sure this control room / submix knob, and the phones knob [31]. Tape is fully down the studio monitors and listen just with the headphones, when overdubbing, or when in record, record-pause, or input-monitor ...
Owners Manual
Page 20
... will be tricked into the main mix, just as if it . Deceptively simple, considering the multitude of events: any soloed channels into the 33 31 tape inputs, and that the channel signal is made up of two columns of suspect channels. Why? Intermission is selected in the source matrix...
... will be tricked into the main mix, just as if it . Deceptively simple, considering the multitude of events: any soloed channels into the 33 31 tape inputs, and that the channel signal is made up of two columns of suspect channels. Why? Intermission is selected in the source matrix...
Owners Manual
Page 25
... dBu Common Mode Rejection Ratio (CMRR) (Mic in to insert send out, max gain.) 1 kHz: better than -70 dB Maximum Levels Mic in: Tape in: All other inputs: Main mix XLR out: All other outputs: +21 dBu +22 dBu +22 dBu +28 dBu +22 dBu Impedances Mic in...: 2.55 k Channel insert return: 5 k All other inputs: 17 k or greater Tape out: 1 k Phones out: 60 All other brand names mentioned are trademarks or registered trademarks of LOUD Technologies Inc. WEIGHT 4.5 lb 2.0 kg 10.7 in / ...
... dBu Common Mode Rejection Ratio (CMRR) (Mic in to insert send out, max gain.) 1 kHz: better than -70 dB Maximum Levels Mic in: Tape in: All other inputs: Main mix XLR out: All other outputs: +21 dBu +22 dBu +22 dBu +28 dBu +22 dBu Impedances Mic in...: 2.55 k Channel insert return: 5 k All other inputs: 17 k or greater Tape out: 1 k Phones out: 60 All other brand names mentioned are trademarks or registered trademarks of LOUD Technologies Inc. WEIGHT 4.5 lb 2.0 kg 10.7 in / ...
Owners Manual
Page 26
...(post) aux 1 (post) solo (pfl) logic solo(pfl) logic 802VLZ4 Block Diagram L sum Main level R sum +4dBu Mic level Alt L/3 sum Alt R/4 sum CD/Tape in the default (out) position. HPF R Mic: 0 ~ +60dB Insert (Ch1-2 only) bypass Low Cut HPF LO MID HI 80 2.5K 12K 3-Band EQ 48V phantom... Level NOTE: Switches are shown in L R solo sum C/R Source Alt3/4 CD/Tape RUDE SOLO LED Main C/R L Meter Control Room level C/R R off C/R to Main solo logic Phones level Tape Line Left Bal Main out Bal Right Line Tape Left/3 Alt out Right/4 Left Control Room out Right Phones Aux 1 pre post...
...(post) aux 1 (post) solo (pfl) logic solo(pfl) logic 802VLZ4 Block Diagram L sum Main level R sum +4dBu Mic level Alt L/3 sum Alt R/4 sum CD/Tape in the default (out) position. HPF R Mic: 0 ~ +60dB Insert (Ch1-2 only) bypass Low Cut HPF LO MID HI 80 2.5K 12K 3-Band EQ 48V phantom... Level NOTE: Switches are shown in L R solo sum C/R Source Alt3/4 CD/Tape RUDE SOLO LED Main C/R L Meter Control Room level C/R R off C/R to Main solo logic Phones level Tape Line Left Bal Main out Bal Right Line Tape Left/3 Alt out Right/4 Left Control Room out Right Phones Aux 1 pre post...
Features Guide
Page 2
802VLZ4 8-Channel Ultra-Compact Mixer 802VLZ4 SPECIFICATIONS Main Mix Noise (20 Hz-20 kHz bandwidth, channels 1-3 gain @ unity, channel EQs flat, all channels assigned to main mix, channel 1 panned left, 2 panned right, 3-8 centered.) Main mix knob down, channel level knobs down: XLR: -95 dBu TRS: -101 dBu Main mix knob @ unity, channel level knobs down: XLR: -90 dBu TRS: -96 dBu Main mix knob @ unity, channel level knobs @ unity: XLR: -84 dBu TRS: -90 dBu Total Harmonic Distortion (THD) (1 kHz @ 30 dB gain, 20 Hz-20 kHz bandwidth) Mic pre @ insert
802VLZ4 8-Channel Ultra-Compact Mixer 802VLZ4 SPECIFICATIONS Main Mix Noise (20 Hz-20 kHz bandwidth, channels 1-3 gain @ unity, channel EQs flat, all channels assigned to main mix, channel 1 panned left, 2 panned right, 3-8 centered.) Main mix knob down, channel level knobs down: XLR: -95 dBu TRS: -101 dBu Main mix knob @ unity, channel level knobs down: XLR: -90 dBu TRS: -96 dBu Main mix knob @ unity, channel level knobs @ unity: XLR: -84 dBu TRS: -90 dBu Total Harmonic Distortion (THD) (1 kHz @ 30 dB gain, 20 Hz-20 kHz bandwidth) Mic pre @ insert
Features Guide
Page 4
... Aux sends Level NOTE: Switches are shown in L R solo sum C/R Source Alt3/4 CD/Tape RUDE SOLO LED Main C/R L Meter Control Room level off C/R to Main C/R R solo logic Phones level Tape Line Left Bal Main out Bal Right Line Tape Left/3 Alt out Right/4 Left Control Room out Right Phones Aux 1 pre post Aux... 1 (pre) aux 1 (pre) aux 1 (post) aux 1 (post) solo (pfl) logic solo(pfl) logic L sum Main level R sum +4dBu Mic level Alt L/3 sum Alt R/4 sum CD/Tape in the default (out) position.
... Aux sends Level NOTE: Switches are shown in L R solo sum C/R Source Alt3/4 CD/Tape RUDE SOLO LED Main C/R L Meter Control Room level off C/R to Main C/R R solo logic Phones level Tape Line Left Bal Main out Bal Right Line Tape Left/3 Alt out Right/4 Left Control Room out Right Phones Aux 1 pre post Aux... 1 (pre) aux 1 (pre) aux 1 (post) aux 1 (post) solo (pfl) logic solo(pfl) logic L sum Main level R sum +4dBu Mic level Alt L/3 sum Alt R/4 sum CD/Tape in the default (out) position.