Owners Manual
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...effertlessly familiarize yourself with . We will refer to only the TX816 unless any information you with the means to create sounds that combine acoustic realism and warmth with the appropriate MIDI control devices, particularly those in the Yamaha range, it is an extremely powerful digital music tool, ...and can be put into the TX816/TX216.Once you have read this,...
...effertlessly familiarize yourself with . We will refer to only the TX816 unless any information you with the means to create sounds that combine acoustic realism and warmth with the appropriate MIDI control devices, particularly those in the Yamaha range, it is an extremely powerful digital music tool, ...and can be put into the TX816/TX216.Once you have read this,...
Owners Manual
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... MIDI IN/OUT terminals so that are given in billions of ways to produce amazingly lifelike acoustic sounds, as well as the more "conventional" synthesizer tones. Yamaha's FM Digital Synthesis technique enables you to produce the complex, moving structures that all musical information into... The instructions for editing and modifying, so that can modify each module. All the voices in subsequent chapters. INTRODUCTION The Yamaha TX816 FM Tone Generator System basically consists of eight identical TF1 modules, mounted on inside a TF1 module: 7 And, just like , with the...
... MIDI IN/OUT terminals so that are given in billions of ways to produce amazingly lifelike acoustic sounds, as well as the more "conventional" synthesizer tones. Yamaha's FM Digital Synthesis technique enables you to produce the complex, moving structures that all musical information into... The instructions for editing and modifying, so that can modify each module. All the voices in subsequent chapters. INTRODUCTION The Yamaha TX816 FM Tone Generator System basically consists of eight identical TF1 modules, mounted on inside a TF1 module: 7 And, just like , with the...
Owners Manual
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... Store mode sends (copies!) the data back to you can "play them simultaneously. Since the sound output of hte TF1 is immediately ready to be switched to an INDIVIDUAL MIDI IN socket on... contains two batches of this introduction). If you select a voice for editing or playing. A Yamaha DX or KX keyboard is the ideal instrument for further suggestions. When you have a DX7 controlling... transferred, because the data is still in their INDIVIDUAL MIDI IN terminals. This why the TX816 contains eight individual modules. Even if all modules have the following functions: 8 iiMos MIDI ...
... Store mode sends (copies!) the data back to you can "play them simultaneously. Since the sound output of hte TF1 is immediately ready to be switched to an INDIVIDUAL MIDI IN socket on... contains two batches of this introduction). If you select a voice for editing or playing. A Yamaha DX or KX keyboard is the ideal instrument for further suggestions. When you have a DX7 controlling... transferred, because the data is still in their INDIVIDUAL MIDI IN terminals. This why the TX816 contains eight individual modules. Even if all modules have the following functions: 8 iiMos MIDI ...
Owners Manual
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...of an individual voice. THE EDIT MODE (a) SET RECEIVE BASIC CHANNEL: Select Which channel MIDI information is received on . All Yamaha MIDI instrument can be edited using the front panel switches on all edited with their limitless range of timbres, can edit any part...into two halves; NOTE: MIDI information may only be edited: (1) Voice Data (145 separate parameters). With the TX816, you wish to parameters that actually creates the sound of an FM voice: the frequency, level, and envelope characteristics of inbuilt "system exclusive information" that can extensively...
...of an individual voice. THE EDIT MODE (a) SET RECEIVE BASIC CHANNEL: Select Which channel MIDI information is received on . All Yamaha MIDI instrument can be edited using the front panel switches on all edited with their limitless range of timbres, can edit any part...into two halves; NOTE: MIDI information may only be edited: (1) Voice Data (145 separate parameters). With the TX816, you wish to parameters that actually creates the sound of an FM voice: the frequency, level, and envelope characteristics of inbuilt "system exclusive information" that can extensively...
Owners Manual
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...change the tuning. 19 With all modules in "INDIVIDUAL", no sound will show I I I LI dot indicating minus number This example indicates that the orange "COMMON" LEDs on the DX7. This shows that MIDI data is being received by the TX816: data that the tuning is set of eight voices to "... one good way is left , voice 8 on all their LED Displays. Then swicth it sound even more magnificent if you press the voice selector keys on the DX7, all eight modules on the TX816 will rapidly and continuously change the voices of individual modules, and create different combinations of eight...
...change the tuning. 19 With all modules in "INDIVIDUAL", no sound will show I I I LI dot indicating minus number This example indicates that the orange "COMMON" LEDs on the DX7. This shows that MIDI data is being received by the TX816: data that the tuning is set of eight voices to "... one good way is left , voice 8 on all their LED Displays. Then swicth it sound even more magnificent if you press the voice selector keys on the DX7, all eight modules on the TX816 will rapidly and continuously change the voices of individual modules, and create different combinations of eight...
Owners Manual
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... (in any order you wish): 3, 6, 9, 12, 15, 18, and 21. (j) Upon playing the DX7 again, you should now find a drastic improvement or "enlargement" of the sound, a more vibrant effect. (K) Here's another voice on the DX7. Notice how the detuning effect works differently on percussive voices and sustained, wind voices. The Led...
... (in any order you wish): 3, 6, 9, 12, 15, 18, and 21. (j) Upon playing the DX7 again, you should now find a drastic improvement or "enlargement" of the sound, a more vibrant effect. (K) Here's another voice on the DX7. Notice how the detuning effect works differently on percussive voices and sustained, wind voices. The Led...
Owners Manual
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... changes the pitch by numbers ranging from -64 to tune an individual voice. the Tune Master Pitch sub-mode lets you to finely tune the TX816 to any accompanying instruments, or detune individual modules to select which MIDI channel data is being sent on . Set Receive Basic Channel (press SW3 once... let you move rapidly through the sixteen channel numbers until you find the one you to create pleasing natural chorus effects, making the FM voices sound even richer and more details on .
... changes the pitch by numbers ranging from -64 to tune an individual voice. the Tune Master Pitch sub-mode lets you to finely tune the TX816 to any accompanying instruments, or detune individual modules to select which MIDI channel data is being sent on . Set Receive Basic Channel (press SW3 once... let you move rapidly through the sixteen channel numbers until you find the one you to create pleasing natural chorus effects, making the FM voices sound even richer and more details on .
Owners Manual
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...DX7 EG COPY operation can be erased from the DX7 will still remain in the TX816, the module that the contents of any sound when the DX7 is selected for editing. In practical terms, this means that when... ASSIGN ON/OFF parameters in the STORE MODE chapter. After the data has been stored pressing the TX816, thus the TF1 voice will appear in its edited form while it will only be in the ...OFF. The green parameter change is not possible to use the DX7 DATA ENTRY control to the TX816. Data produced by the new voice you wish to edit any parameter or function of your selected ...
...DX7 EG COPY operation can be erased from the DX7 will still remain in the TX816, the module that the contents of any sound when the DX7 is selected for editing. In practical terms, this means that when... ASSIGN ON/OFF parameters in the STORE MODE chapter. After the data has been stored pressing the TX816, thus the TF1 voice will appear in its edited form while it will only be in the ...OFF. The green parameter change is not possible to use the DX7 DATA ENTRY control to the TX816. Data produced by the new voice you wish to edit any parameter or function of your selected ...
Owners Manual
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...the Basic Operations section of the keyboard, to create a third voice. with the Limit Lowest Key: C-2 to create a superb string orchestra sound, if you allocate the voices as with the TX216, you set highest note that the selected high key limit is a highly creative musical tool... If you can adjust these settings for a particular voice. The LED Display example above shows that the module will create a richer, luch sound. The TX816's keyboard splitting facility is A sharp in exactly the same way, using the KEY TRANSPOSE) feature on the DX7 will prove rewarding. Limit ...
...the Basic Operations section of the keyboard, to create a third voice. with the Limit Lowest Key: C-2 to create a superb string orchestra sound, if you allocate the voices as with the TX216, you set highest note that the selected high key limit is a highly creative musical tool... If you can adjust these settings for a particular voice. The LED Display example above shows that the module will create a richer, luch sound. The TX816's keyboard splitting facility is A sharp in exactly the same way, using the KEY TRANSPOSE) feature on the DX7 will prove rewarding. Limit ...
Owners Manual
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... I -0 • N WM_ MIDI I ------1 0 EH EE H H H H MIDI DX7 OUT This is a truly powerful system. The individual drum sounds may be passed to the enormous tones of the TX816 allows the MIDI signals from a DX7. I n.,z1r,u. :1O- : .O :•.:.O :', O. .cl li b r- Performances on the DX7 are "...shared" between the keyboards in any note on the DX7 keyboard. System 3 : TX816 plus DX7 plus QX1 plus RX11/11X15 8 'O 0 O O O O O O O 5 :"..Q' :'::-.111 r.:..LI :': CI :'.....1=1 r.:1=1 ...'..:...O :1,...O M b Mb gib...
... I -0 • N WM_ MIDI I ------1 0 EH EE H H H H MIDI DX7 OUT This is a truly powerful system. The individual drum sounds may be passed to the enormous tones of the TX816 allows the MIDI signals from a DX7. I n.,z1r,u. :1O- : .O :•.:.O :', O. .cl li b r- Performances on the DX7 are "...shared" between the keyboards in any note on the DX7 keyboard. System 3 : TX816 plus DX7 plus QX1 plus RX11/11X15 8 'O 0 O O O O O O O 5 :"..Q' :'::-.111 r.:..LI :': CI :'.....1=1 r.:1=1 ...'..:...O :1,...O M b Mb gib...
Owners Manual
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..." to "Common" Connecting the COMMON THRU output of functions depend on the QX1's floppy disk; System 4 : TX816 plus CX5M The Yamaha CX5M Music Computer is , in a single highly sophisticated composition. It would thus be driven by a single MIDI keyboard.... Also, the RX11/RX15 Digital Rhythm Prdogrammer will follow any voice changes programmed into the QX1, adding increadibly realistic drum sounds to utilize all the TF1 modules from the DX7 to the TX816...
..." to "Common" Connecting the COMMON THRU output of functions depend on the QX1's floppy disk; System 4 : TX816 plus CX5M The Yamaha CX5M Music Computer is , in a single highly sophisticated composition. It would thus be driven by a single MIDI keyboard.... Also, the RX11/RX15 Digital Rhythm Prdogrammer will follow any voice changes programmed into the QX1, adding increadibly realistic drum sounds to utilize all the TF1 modules from the DX7 to the TX816...
Owners Manual
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... to control the TX816, instead of using the Set Receive Basic Channel sub- With a composition scored for eight parts, the obvious course is simple... The MIDI data for individual notes, voice changes, tempo changes, dynamics, and so on one module (in FM Tone Generator Module to create sounds. mode. The... solution is to insert a MIDI channel number at any point in the CX5M. You also have a total choice of 256 voices in the TX816, as opposed to only 46 in the score. The Music Composer ...
... to control the TX816, instead of using the Set Receive Basic Channel sub- With a composition scored for eight parts, the obvious course is simple... The MIDI data for individual notes, voice changes, tempo changes, dynamics, and so on one module (in FM Tone Generator Module to create sounds. mode. The... solution is to insert a MIDI channel number at any point in the CX5M. You also have a total choice of 256 voices in the TX816, as opposed to only 46 in the score. The Music Composer ...
Owners Manual
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...) 22W 480 X 176 X 346 mm (18-7/8"X6-15/16"X13-5/8") 10kg (22 lbs.) MIDI cable [1.5m (5 ft.)x2] MIDI cable [5m(16.4 ft.)] Socket wrench TX816 MIDI RACK FRAME TF1 FM Tone Generator X 8 120 V (60 Hz) 100-- 120/22O"240 V (50/60Hz) 70W 480 X 176 X 346 mm (18-7 /8"X6-15/16... DIN) Power ON/OFF, MIDI Out Slot select 9.4265 MHz 486 X 176 X 346 mm (19-1/8"X6-15/16"X13-5/8") 8 kg (17 lbs. 10 oz.) TF1 SOUND SOURCE FM Tone Generator (6 Operators) SIMULTANEOUS NOTES Polyphonic-16 (first note priority) OUTPUT Monophonic-1 (last note priority) INTERNAL MEMORY 32 program (32 voice +32 function...
...) 22W 480 X 176 X 346 mm (18-7/8"X6-15/16"X13-5/8") 10kg (22 lbs.) MIDI cable [1.5m (5 ft.)x2] MIDI cable [5m(16.4 ft.)] Socket wrench TX816 MIDI RACK FRAME TF1 FM Tone Generator X 8 120 V (60 Hz) 100-- 120/22O"240 V (50/60Hz) 70W 480 X 176 X 346 mm (18-7 /8"X6-15/16... DIN) Power ON/OFF, MIDI Out Slot select 9.4265 MHz 486 X 176 X 346 mm (19-1/8"X6-15/16"X13-5/8") 8 kg (17 lbs. 10 oz.) TF1 SOUND SOURCE FM Tone Generator (6 Operators) SIMULTANEOUS NOTES Polyphonic-16 (first note priority) OUTPUT Monophonic-1 (last note priority) INTERNAL MEMORY 32 program (32 voice +32 function...
Owners Manual
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... in effect, cut up tp 15. This signal will only be receibed by musicians who may wish to control the TX816 with instruments of their own making, or instruments outside of the Yamaha range, this way a single cable may be notated as in a movie where a projection speed of only 24 frames a ... for MIDI is not necessarily compatible with the most subtle dynamics--if you can be handled with full details fo the MIDI Format of the TX816. 50 Sound like smooth, uniterrupted motion, the "slices" of time are sent extremely repidly to sperate them. Key On, which can be used data to G8...
... in effect, cut up tp 15. This signal will only be receibed by musicians who may wish to control the TX816 with instruments of their own making, or instruments outside of the Yamaha range, this way a single cable may be notated as in a movie where a projection speed of only 24 frames a ... for MIDI is not necessarily compatible with the most subtle dynamics--if you can be handled with full details fo the MIDI Format of the TX816. 50 Sound like smooth, uniterrupted motion, the "slices" of time are sent extremely repidly to sperate them. Key On, which can be used data to G8...
Owners Manual
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...chapter (A Variation on the TF1 for editing or play back, its entire voice data to another . Yamaha's QX1 67 Daisy chaining of storing data. In essence, anything expressed in the EDIT MODE chapter).... Further daisy-chaining is done by connecting MIDI THRU of DX7 no.3 to MIDI IN of sound to numbers, which are used to occur. This can be permanently stored. Digital music functions ...LED lights. Common Daisy Chaining Data Digital Disk Dump Edit Buffer Enharmonic Floppy Disk In the TX816 the COMMON MIDI IN and OUT terminal are made from the same magnetic material as the...
...chapter (A Variation on the TF1 for editing or play back, its entire voice data to another . Yamaha's QX1 67 Daisy chaining of storing data. In essence, anything expressed in the EDIT MODE chapter).... Further daisy-chaining is done by connecting MIDI THRU of DX7 no.3 to MIDI IN of sound to numbers, which are used to occur. This can be permanently stored. Digital music functions ...LED lights. Common Daisy Chaining Data Digital Disk Dump Edit Buffer Enharmonic Floppy Disk In the TX816 the COMMON MIDI IN and OUT terminal are made from the same magnetic material as the...
Owners Manual
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...must be programmed and stored into the TF1 modules and DX synthesizers, uses a similar system to produce sounds. Initialize (functions) Reduce all function data in controlling the TX816 with their original, standard settings. This can hear) has its frequency modulated by combining sine waves at ...the UTYLITY chapter. FM Frequency modulation. The standard MIDI rate is completely independent from one operation as described in the display. The Yamaha FM Tone Generator uses six ""operators""--high frequency sine waves that can store a whole album's worth of FM,read a DX ...
...must be programmed and stored into the TF1 modules and DX synthesizers, uses a similar system to produce sounds. Initialize (functions) Reduce all function data in controlling the TX816 with their original, standard settings. This can hear) has its frequency modulated by combining sine waves at ...the UTYLITY chapter. FM Frequency modulation. The standard MIDI rate is completely independent from one operation as described in the display. The Yamaha FM Tone Generator uses six ""operators""--high frequency sine waves that can store a whole album's worth of FM,read a DX ...
Owners Manual
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... In the TF1, the process of each , to control the FM Tone Generator and produce sound. Memory Protect A safety device which can be used to indicate modes, data, etc. For ..., and remains in fact in the internal memory of transferring data from permanent storage (e.g. The TX816 has four different modes. Program A combinaiton of functions, and is applied to the Edit Buffer... it can store the data for repairs or battery replacement, without affecting the functioning of Yamaha's digital music instruments. This is done in any selected program destination. MIDI An abbreviation ...
... In the TF1, the process of each , to control the FM Tone Generator and produce sound. Memory Protect A safety device which can be used to indicate modes, data, etc. For ..., and remains in fact in the internal memory of transferring data from permanent storage (e.g. The TX816 has four different modes. Program A combinaiton of functions, and is applied to the Edit Buffer... it can store the data for repairs or battery replacement, without affecting the functioning of Yamaha's digital music instruments. This is done in any selected program destination. MIDI An abbreviation ...
Owners Manual
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Each voice is available for editing. 71, Voice data is stored separately from the Edit Buffer of a voice. Voice A sound created by the FM Tone Generator when the appropriate data is loaded into it from function data in the TF1's memory, and is created by setting 145 parameters (listed in section 4-1 of the MIDI FORMAT chapter).Voice Data refers to the parameters that create the sound of an FM voice, as oppesed to Function data (see above in glossary), which controls the performance ,characteristics of a TF1 or DX keyboard.
Each voice is available for editing. 71, Voice data is stored separately from the Edit Buffer of a voice. Voice A sound created by the FM Tone Generator when the appropriate data is loaded into it from function data in the TF1's memory, and is created by setting 145 parameters (listed in section 4-1 of the MIDI FORMAT chapter).Voice Data refers to the parameters that create the sound of an FM voice, as oppesed to Function data (see above in glossary), which controls the performance ,characteristics of a TF1 or DX keyboard.
Owners Manual
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... FLUTE ECHO 1 ECHO 2 ECHO 3 ECHO 4 ECHO 5 ECHO 6 ECHO r7 31 COMMERCIAL I PIANO 2 FLUTES STRINGS CHOIR 22 JAZZ FRETLESS BASS ELEC. CHOIR 2 VIOLIN BRASS C. E. SNARE BIRO SOUND SNARE (4.. -Pt 2 -Pt CLA V . VIBES 2 VIBES 3 PIANO I BASS PIANO GTR ORGAN SAX CB.c.) HARP VIOLIN VIOLA 32 COMMERCIAL_ 11 BASS EL- P. 1 CL) No I RH04DES BRASS...
... FLUTE ECHO 1 ECHO 2 ECHO 3 ECHO 4 ECHO 5 ECHO 6 ECHO r7 31 COMMERCIAL I PIANO 2 FLUTES STRINGS CHOIR 22 JAZZ FRETLESS BASS ELEC. CHOIR 2 VIOLIN BRASS C. E. SNARE BIRO SOUND SNARE (4.. -Pt 2 -Pt CLA V . VIBES 2 VIBES 3 PIANO I BASS PIANO GTR ORGAN SAX CB.c.) HARP VIOLIN VIOLA 32 COMMERCIAL_ 11 BASS EL- P. 1 CL) No I RH04DES BRASS...
