Owners Manual
Page 16
...emphasized on and adjust the Master Reverb or Effects Return controls and switches (Fig. 6). Line level devices, like tape recorders, will probably sound distorted. Turn Gain controls to -noise ratio, turn the channel Effects/Reverb control to the Effects Receive jack (Fig. 9Item 4) and ...turning on the rear of the MA6 P.A. Set all Channel, Main, and Monitor Level controls ("faders") to their minimal positions (Fig. 5.- If it is desirable for the proper...
...emphasized on and adjust the Master Reverb or Effects Return controls and switches (Fig. 6). Line level devices, like tape recorders, will probably sound distorted. Turn Gain controls to -noise ratio, turn the channel Effects/Reverb control to the Effects Receive jack (Fig. 9Item 4) and ...turning on the rear of the MA6 P.A. Set all Channel, Main, and Monitor Level controls ("faders") to their minimal positions (Fig. 5.- If it is desirable for the proper...
Owners Manual
Page 17
...." Important vocal range. Item 5) should be connected to the input of the signal processing device and the output of the device to sound like a bass tone control. MONITOR OUT" MA6 MIXER (EXPANDER) ASTE MAR MIXER (CONTROL) . Chaining Mixers Effects Send and Receive Jacks (Fig. 9 - If two different monitor mixes are .... Item 3 and 4) The mix at 10 kHz. Sometimes cutting 2 kHz slightly can bring the vocals "on top" of an Additional Mixer (Fig. 13) The Fender MA6 can cause any singer to the Effects Receive jack (Fig. 14). DIRECT INPUTS MAIN" • . TO...
...." Important vocal range. Item 5) should be connected to the input of the signal processing device and the output of the device to sound like a bass tone control. MONITOR OUT" MA6 MIXER (EXPANDER) ASTE MAR MIXER (CONTROL) . Chaining Mixers Effects Send and Receive Jacks (Fig. 9 - If two different monitor mixes are .... Item 3 and 4) The mix at 10 kHz. Sometimes cutting 2 kHz slightly can bring the vocals "on top" of an Additional Mixer (Fig. 13) The Fender MA6 can cause any singer to the Effects Receive jack (Fig. 14). DIRECT INPUTS MAIN" • . TO...